Journal articles published by Ausdance and industry partners.
Dr Mark Carroll describes the people, press and politics in Adelaide when Colonel Wassily de Basil arrived for the first Australian tour of his Ballet Russes in 1936.
Dance historian and scholar, Garry Lester continues his discussion of Margaret Barr's achievements at Dartington Hall in Devon during the 1930s.
Lee Christofis talks about the different cultural and social attitudes to dancing, and how dance featured in his childhood growing up in Greek-Australian family in Brisbane.
Irina Baronova, Valrene Tweedie & Anna Volkova share some memories of their performances of Leonide Massine's symphonic ballets, Choreartium, Symphonie Fantastique and Les Présages.
In this peer-reviewd article, Dr Mark Carroll (lecturer at Elder Conservatorium of Music) talks eloquently about the cultural effects of the Australian visits of the de Basil Ballet Russes, focusing on the symphonic ballets of Leonide Massine.
Dancer, traveller and adventurer, Peter Furness muses about what makes Australian dancers unique and why so many are driven to foreign shores to find influence and employment.
This essay overviews Sela Kiek's study into Western tourist practices and explains how this research informed her creative strategies for Circulate (2004), a site-specific movement piece that responded to the Hawthorn Town Hall, Melbourne.
Bree Hadley (QUT) delves into Lucy Guerin's intentions and choreography as Lucy attempts to make "the tangle of data, information and desire that circulates through contemporary communication technologies...tangible on stage" in her 2005 award-winning work titled Aether.
In 1947 American modern dance pioneer Martha Graham commissioned a score from Italian composer Gian Carlo Menotti for a new work. The resulting collaboration, Errand into the Maze. Only a few years after premiere, another version of the piece premiered in Sydney, Australia, choreographed by Gertrud Bodenwieser to the same score.
Karen Barbour, Senior Lecturer in dance at the University of Waikato (NZ), talks about her personal experiences and her ideas about the sustainability of collaborative dance ventures