Dance people share personal and inspirational experiences
Peter Brinson poses three questions: Why should there be a politics of dance? What political case for dance should dancers be advocating in today's circumstances? and What kind of political agenda should dancers develop to advance this case through the exercise of dance power?
Marilyn Rowe pays tribute to the woman who not only had an enormouse impact on Marilyn peronally, but whose creative influence fostered and nurtured Australian talent, and who imbued her dancers with a confidence and belief in themselves which allowed them to excell both nationally and internationally.
Li Cunxin, author of Mao's last Dancer, pays tribute to Peggy van Praagh and how some of her aspirations match his own: perseverance, resilience, determination and courage.
This paper describes the process of working inter-culturally towards the presentation of a contemporary dance work in Malaysia entitled Qadim. Beginning with the inspiration and initial experiences at the Asia Pacific Artist Exchange Program (APPEX) initiated by The Centre for Intercultural Performance, UCLA, the paper recounts the journey, the obstacles and the challenges faced in cooperative dance-making that is at once personal and global. The dancer-choreographers committed to this project see their role as contemporary artists seeking to have their voices heard amidst growing local and international tensions borne from distrust and political and religious hegemony.
Professor Shirley McKechnie OAM presented the inaugural Dame Peggy van Praagh Memorial Address soon after the first anniversary of Dame Peggy's death in Melbourne on 15 January 1990. She was the first a long line of dance artists and scholars who have, and will continue to, pay tribute to Peggy van Praagh in this way.