Melissa Blanco Borelli uses some of Gilles Deleuze and Félix Guattari’s postmodern philosophical ideas of becoming, and Elspeth Probyn’s provocative conceptualisation of belonging, as ways to theoretically read choreography.
Melissa Blanco Borelli uses some of Gilles Deleuze and Félix Guattari’s postmodern philosophical ideas of becoming, and Elspeth Probyn’s provocative conceptualisation of belonging, as ways to theoretically read choreography.