Yumi Umiumare’s DasSHOKU Hora!!: critique through ‘cross’-cultural femininity

In This Article

Postcolonial theorist, Homi Bhabha proposes an interstitial space exists in between polarities along axes of subjectivity. Georgie Boucher uses Bhabha’s  notion of the interstitial subject to investigate how Umiumare might utilise strategically in-between subjectivities in performance.