Dianne is a performer, choreographer, camera operator, video editor and educator. She works in both live and screen contexts. She was a founding member of Outlet Dance in Adelaide (1987–89) and a member of Danceworks from 1990–95. Dianne completed a Master of Arts in Dance on Screen in 2001 and her dance video works have screened internationally. From 2004–2006 she was artistic director of Dancehouse and has worked as a lecturer in contemporary dance and dance video at Deakin University since 1996. She is currently a PhD candidate in screendance and performance improvisation.
In this paper, Dianne demonstrates the intersections of her research/practice, mixing live and screen bodies, poetic and academic writing. She is posing an improvisational approach to screendance and an embodied approach to writing as possibilities for seeing, imagining and being in the dancing, researching body. She is interrogating her own embodied knowledge as hybrid site within a live screendance body.
Dianne Reid (Dancehouse, Melbourne) writes poetically and fluently about her working processes and what dance means for her. As a dancer she reflects on the world through the instrument of her body. Her choreography is a montage of her other lives "public and private, past & present, actual & virtual, real & imagined, stage & screen, as live body and televisual body."