Final preparations are underway for next week’s much anticipated ArtsPeak National Arts Election Debate in Melbourne.
8 June 1.00 pm – 2.30 pm
The Wheeler Centre, 176 Little Lonsdale Street, Melbourne
The debate will bring the arts leaders of each of the three major parties together to share their big ideas and respond to the burning questions of industry leaders and commentators from right across the industry.
Odeon Theatre, 20–21 June 2016, 4.45 pm – 7.40 am (sunset to sunrise)
Participate in Tasdance's Dark Mofo project on the night of the winter solstice. We need around 100 dancers to join Tasdance company members as we keep a 'collective solo' going across the 14 hours between sunset and sunrise. Registration is very simple and can be done via the Dark Mofo and Tasdance websites.
Dancers of all ages, backgrounds and ability levels are invited to become performers in this piece. There will be a series of workshops around the state leading up to the performance, which you are welcome to attend.
To register your interest, submit your details on the Tasdance website or call 03 6331 6644. Tasdance will contact you directly with information about preparation, participation and workshop dates.
Apply now for the Caroline Plummer Fellowship in Community Dance. Applications close 1 June 2016.
The Caroline Plummer Fellowship in Community Dance is a six-month Fellowship offered by the University of Otago (School of Physical Education) in Dunedin, New Zealand. It is one of five prestigious Fellowships offered by the University and the only one offered internationally. Tenure is usually from 1 March to 31 August. It offers project costs and a salary equivalent with a Level One Lecturer at the University.
The Fellowship was set up by Caroline Plummer’s parents in memory of Caroline who died of cancer in 2004 at the age of 24.
Successful applicants will create and perform a community dance project. Projects can be wide-ranging and diverse but must embrace Caroline’s passion and vision for dance in the community.
The 30th Australian Council for Health, Physical Education and Recreation (ACHPER) International Conference, Participating in an Active and Healthy Life: Valuing the Participant Voice, has already attracted high-quality keynote speakers from overseas and Australia and promises to be a showcase of contemporary and future-focused ideas. It is a must-attend event for all health and physical education professionals, health, sports and other industry stakeholders.
The conference is taking place over three days from 16–18 January 2017 at the University of Canberra, Canberra. It will be an opportunity for delegates to consider the participation of children and young people in our schools and communities and ensuring they have a voice, feel valued and make a difference.
Call for papers/presentations
Closes 29 July 2016
The World Alliance for Arts Education and UNESCO share an inspiring message for International Arts Education Week (23–29 May) by Li Cunxin (Mao's Last Dancer), Artistic Director, Queensland Ballet:
In a world of constant pressures, of noise, of expectations and distractions, art can be the thing that sustains us. Art has the capacity to take us to another world; allows an escape even if just for a moment. Be it in a gallery, a theatre, a music studio or on the street, art is a powerful thing. It has the power to transform, to transport, to enrich and therefore, sustain.
My world of ballet is one such artform. In my experience ballet, and the personal nature of creative expression, is a power like no other. I truly believe ballet can sustain communities by enriching lives through prioritising physical and mental wellbeing, connecting diverse communities with each other and bridging socio-cultural divides.
True art should not exclude, it should invite all to explore, experience and enjoy. Ballet can do just that. Ballet develops individual skills such as confidence, creativity, reflection, determination, persistence, and resilience. It encourages a drive for excellence and can develop skills that can sustain us for life, with many great artists taking on leadership roles and becoming shapers of society.
I would not be the dancer I became or the person I am today without the incredible arts education I received as a young person. Knowing how vital that training was to me, I have long been committed to the development of young people in the arts. It’s something that is at the very heart of my vision personally and professionally. A key part of that development is finding what makes people passionate.
Passion is the most important thing in achieving one’s best and is what sustains one in reaching for a goal. Passion made me work harder than most, passion made me hungry and drove me to pursue perfection and excellence. To catch up to my fellow classmates and to improve, I often woke up at 5am or earlier to practice, hopping one-legged with sandbags strapped to my ankles and pirouetting under the candle lights to gain the necessary muscle strength for jumping and turning, I did this for years. Hard work paid off, I graduated as one of the top dancers in China and the rest is history.
I found my passion for ballet thanks to an incredible teacher I had, Teacher Xiao. I credit Teacher Xiao with changing my outlook on life, for inspiring me, for making me who I am today and for igniting my passion. That passion for ballet was what sustained me through years of being away from my family, through all the challenges and hard work.
I hope many others will benefit from arts education like I have. They may not all grace the stage, but I do believe it will transform their lives and the lives of those around them. I do believe arts education will not only help sustain our precious artforms but also our communities. Creating passionate people that strive to understand, respect and challenge each other.
Adelaide Dancer Chris Dyke has returned to Townsville as part of the first ongoing inclusive professional dance exchange in Australia.
During the two-week secondment, Chris has choreographed a new solo work with the guidance of his mentor, Dancenorth Artistic Director Kyle Page, trained with the company each day and watched dancers rehearse for their upcoming performance of ‘If _ Was _’ a double bill created by Stephanie Lake and Ross McCormack.
Chris, who visited Townsville from Adelaide based Restless Dance Theatre and has Downs syndrome, described the opportunity as “a dream come true”.
"When I come here we do workshops and I make friends with the Dancenorth team, then we work on my choreography. Working with Kyle is my dream. My other dream is to create a 3D film with live dance for me to perform in SA, Sydney, Townsville, NYC and the world. I want to put my dance film on TV, YouTube and all over Facebook.”
Chris’ mentor Kyle said it is vital to have these opportunities and to highlight the immense benefit for not only Chris but also the Dancenorth Ensemble.
“Chris is a very talented dancer who inspires me daily, I actually can’t be sure who gets the most out of this exchange, him or me. That is the magic of mentoring—it is a two-way street.”
“Chris is extraordinarily creative, passionate, calm and generous; it is this combined with immense talent that led me to want to work with him in an ongoing exchange of ideas and movement” he said.
“Dancenorth is currently developing a proactive disability action plan ensuring we offer an inclusive environment filled with genuine collaboration and opportunities for all abilities,” he said.
Media Release, 16 May 2016
ArtsPeak, the national confederation of peak arts and cultural organisations, says the Australian arts ecology is under serious threat following the announcement of four-year funding decisions by the Australia Council.
Sixty-five previously funded organisations have lost funding for their core operations and of the 262 applications to the round, over half were not funded. It seems clear from these statistics that the jobs and growth mantra does not apply to the arts.
Nicole Beyer, ArtsPeak co-convenor and Director of Theatre Network Australia said: 'This is an incredibly tough time for the arts sector. We go from relief at the news of a company that has been successful to sadness when we hear of really vital and outstanding organisations that have missed out. We know that the Australia Council has been stretched. We know people will have been doing their very best in an incredibly difficult situation. There is a lot of support within the sector for those who missed out this time round and everyone understands it is no reflection on the quality or importance of their work'.
With the Federal election looming, ArtsPeak is calling for the restoration of Australia Council funding as a matter of urgency so that the Australian arts ecology can remain viable and vibrant. This call was made unanimously by 2700 individuals and organisations in submissions to last year’s Senate inquiry into arts funding, the largest ever response to such an inquiry.
Tamara Winikoff OAM, ArtsPeak co-convenor and Executive Director of the National Association for the Visual Arts (NAVA), said today: 'It couldn't be clearer that essential ingredients are missing: a national plan for growing and valuing Australian cultural ideas and expression; political courage to embrace experimentation and risk taking; celebration of the arts as core to our national character and achievement; and a real investment in building a vibrant, confident arts environment. It's time to stop tinkering at the edges. The arts has proved itself time and again to be an incredibly valuable investment. Please can we see all the political parties put this on the election agenda.'
ArtsPeak urges politicians to recognise the value of arts and culture to all Australians, to invest in it appropriately and to ensure that the arms-length approach to funding decisions in the arts is maintained.
Media release also available on the NAVA website: ArtsPeak calls for restoration of Australia Council Funding
For media comment please contact:
Tamara Winikoff OAM, Executive Director, National Association for the Visual Arts (NAVA) 0411 162 156 / 02 9368 1900
Nicole Beyer, Director, Theatre Network Australia 0432 609 658
13 May 2016 media release
The Australian Dance Council—Ausdance congratulates the 12 dance organisations which were successful in the four-year funding announcements by the Australia Council. There is a solid core of highly creative, inspiring and highly productive organisations to create and tour dance around Australia and overseas.
Regrettably, the Australian Dance Council—Ausdance Inc (Ausdance National) finds itself amongst the 62 previously funded organisations that have not been successful. Ausdance National has been notified by the Australia Council that it will not receive operational funding beyond 31 December this year. This brings to an end many years of operational support for the work of Ausdance National.
Ausdance National has supported the dance industry through development projects such as the National Dance Forum, the Australian Dance Awards, Safe Dance® research, organising the annual meeting of dance company managers, and publishing authoritative guidelines for teaching dance and academic articles about dance. It was the organisation the Royal Commission called on for consultation in private meetings. Ausdance also holds bequests from Dame Peggy van Praagh and Keith Bain to award to professional dancers each year.
Neil Roach, the Acting CEO of Ausdance National, said today: “Ausdance National has a 40 year legacy of solid support for the dance industry. While there are a number of associated State and Territory Ausdance offices supporting their local dance industry, as a peak body Ausdance National has had the overview of the entire sector and the national and global links to truly support the development of professional dance. This has now been put at risk.”
Ausdance National President, Brian Lucas, said today “Ausdance has been a key player in the development of the Australian dance sector over the past four decades. In that time, the organisation has adapted and grown, demonstrating both the ability to be responsive to the changing needs of its membership and a willingness to assist in driving the growth and strength of the sector through the implementation of key initiatives and programmes.
It would be virtually impossible to find a dancer, choreographer, dance teacher, dance student, dance academic, or dance audience member who has not been positively and substantially impacted by the activities of the organisation.
Now it is time for Ausdance National to draw on its substantial reserves of experience, knowledge and resourcefulness as we adapt and respond to our drastically changed circumstances.
The mission of the organisation—to educate, inspire and support the dance community to reach its potential as a dynamic force within local, national and international communities—remains steadfast and unchanged. Our challenge is to assess how best to ensure that this vital mission can be maintained and upheld during this difficult period in Australian arts history, and into the future.”
For media comment and enquiries please contact:
Neil Roach, Acting CEO, Australian Dance Council—Ausdance (Ausdance National) on
02 6248 8992. firstname.lastname@example.org
Welcome! ArtsPeak is producing a series of National Arts Sector Updates in the lead-up to the Federal election in July. This work picks up on last year's Free the Arts updates and is being delivered as part of our partnership with Feral Arts. A National Election Strategy Group is coordinating the work. Membership is open to anyone. If you would like to get involved email email@example.com
Please share this update in your networks and with your members.
National Arts Election Debate 2016
- Where: Wheeler Centre, Melbourne
- When: 1.00 pm – 3.00 pm, 8 June
- Register for the National Arts Election Debate
ArtsPeak is organising a National Arts Election Debate in Melbourne on the 8 June. The debate will bring the arts leaders of each of the major parties together to share their big ideas and respond to the burning questions of industry leaders and commentators from across the industry.
Patricia Karvelas (ABC and Sky news) will moderate a three-cornered contest. Arts Minister Senator Mitch Fifield has been invited, and Shadow Arts MinisterMark Dreyfus and Greens Arts Spokesperson, Adam Bandt are already confirmed. Space is limited so book early.
The debate will be live streamed—details to follow in future updates.
Election debate questions
Ideas for questions for the debate are being gathered online. Everyone is invited to add their thoughts. The final list of questions will be distilled by a steering group of representatives from across the sector.
National Arts Sector Meeting
- Where: Arts House, North Melbourne Town Hall , Queensberry St, North Melbourne, Victoria
- When: 12.45 pm – 5.00 pm, 7 June
- Register for the National Arts Sector Meeting (Space is limited, so please book early.)
In conjunction with the National Arts Election Debate, we are organising a National Arts Sector Meeting in Melbourne on h June—the day before the Debate. We hope that sector reps from across the country will be able to make it Melbourne for the meeting (and the Debate the following day). An agenda will be developed closer to the day. We need a group of Melbourne-based people to help out with the organisation of the day. If you can help, please visit our Google doc to connect.
Communications and social media
Collaborative Online Space
We have set up a Google docs folder to help people connect and work together during the campaign.
Media coverage has started to pick up again and we encourage everyone to start to speak up and make noise again.
Recent Media Highlights include:
- Arts funding is inconsistent and questionable —Esther Anatolitis
- It is a deal easier to eviscerate an arts sector than it is build one up —Julian Meyrick
- Arts sector's worst nightmare comes true as Catalyst is a smokescreen for pork —Ben Eltham
- The latest edition of Loudmouth —Dick Letts
We are continuing to post updates to the Free the Arts Facebook page.
It would be great to get some more active sharing and commenting on this page over the coming weeks.
We propose all using this one hashtag for the period leading up to the election.
Wherever possible it would good to also use #AusVotes with it to make sure the arts issue are part of the broader election sharing.
For more info or feedback
ArtsPeak Media Release (45 KB PDF)
9 May 2016
The arts sector is reeling today at news that an extraordinary $13m in Catalyst funds were secretly pushed out the door over the weekend just in advance of the election being called and caretaker mode beginning.
In total $23,317,301 has now been spent – nearly half the $48m allocated for the next 4 years of Catalyst operations. When Senate Estimates sat last Thursday evening the committee were only made aware of the $10m of grants announced by Arts Minister Mitch Fifield last week.
ArtsPeak spokeperson and CEO of the National Association of Visual Arts NAVA Tamara Winikoff said:
Our worst suspicions are now being confirmed that the government is using arts funding for thinly disguised political purposes. Of course we congratulate the successful applicants and we hope at least some of the cash splash lands in places that will help sustain artists who will be hit hard by this week’s Australia Council 4 year funding announcements. It just makes a complete mockery of all the hard work artists do in planning their programs and making applications. What is going to happen over the next four years now that half the Catalyst money is gone?
The arts and cultural sector has been further confused by the allocation of significant monies to capital works projects such as the $1m for the redevelopment of the Primrose Potter Australian Ballet Centre. This would appear to fall outside the remit and original intention of the Catalyst Fund.
It simply is not appropriate for Catalyst to fund things like this regardless of how important it might be. The capacity of the sector to be adventurous and innovative is being smothered in favour of government anointed programs. Funding for capital works should come from other sources – not cripple the already scant funding available to small to medium companies and individual artists who are actually innovating. This sends a terrible message to the arts community about the government’s priorities ahead of the election.
For further comment contact Tamara Winikoff – 0411 162156, firstname.lastname@example.org
ArtsPeak—Confederation of Peak National Arts Organisations
Hopes that the government would take the opportunity to fix the mess it created twelve months ago were dashed, with no mention of arts and culture in the pre-election Budget handed down in Canberra last night.
ArtsPeak spokesperson and Executive Director of the National Association for the Visual Arts, Tamara Winikoff OAM said, “Unfortunately when it comes to the arts, it seems this government is not concerned about forcing job losses and causing chaos, the very opposite of the PM’s mantra about jobs and growth. The 2016 Budget does nothing to redress the devastating impact of the cuts to the Australia Council and ongoing ‘efficiency dividend’ imposed by the government in 2014 and 2015. The cuts total more than $42 million/year. Massive destabilisation of the arts industry is resulting from decisions made by the current government, and without any policy framework, it looks set to continue.”
This longlist of nominations, along with recorded excerpts of performances, goes to the Selection Panel who will vote to shortlist their top four contenders in each category.
Not every single nomination will appear on this list. A long, unedited list (up to 550 nominations each year) is carefully scrutinised by the ADAs advisors and members of the Selection Panel to eliminate any nominations that do not meet all the Selection Criteria.
As the panel looks at excerpts of all nominated work before deciding on a shortlist, it is essential for the committee to keep only the most outstanding/significant nominations so that it remains a manageable task. The committee also takes care to ensure that the professional dance sector is well represented across all states and territories.
The ADAs Selection Panel members not only generously donote their time and expertise, but do so with great diligence and consideration. Without them the ADAs would not be possible.
The shortlist will be announced about mid July, with winners announced at the 2016 Australian Dance Awards in Perth on Sunday 18 September.
Media Release 7 March 2016
ArtsPeak (the confederation of Australian national peak arts organisations and state arts industry councils), at its meeting on Wednesday 2nd March, called on the Commonwealth Government to urgently provide a positive public response to the recommendations of the Senate Inquiry into the impact of the 2014 and 2015 Commonwealth Budget decisions on the Arts.
At the meeting ArtsPeak reaffirmed its full endorsement of all 13 recommendations made in the Inquiry report, highlighting two in particular that need an urgent response before the upcoming election: that the government develop and articulate an evidence-based, coherent and clear arts policy in consultation with the arts sector and that the Commonwealth government restore to the Australia Council the full amount of funds diverted from it in the 2014 MYEFO and 2014 and 15 Budgets (see full set of Senate Inquiry Recommendations attached).
Co-convenor of ArtsPeak, Nicole Beyer said today, “The time to act is now. It has been three months since the Senate Inquiry report was handed down and there has been no action from the government to implement any of the recommendations. Arts companies across the country are now starting to fail, tours are being cancelled and projects abandoned. The government needs to take responsibility, and to make clear public announcements about its intended actions in response the report.”
ArtsPeak Co-convenor Tamara Winikoff OAM agreed, 'What the Minister is being told loud and clear is that the Government’s funding cuts are destabilising the arts infrastructure to a major extent and this needs to be fixed urgently. Despite a token gesture by the Arts Minister, the cuts are incrementally crippling both small to medium arts organisations and major cultural institutions in Canberra.'
Winikoff continued, 'In an election year the arts sector is looking to the government to act quickly and decisively to properly fix the mess it has created over the last two years. Implementing the Senate Inquiry recommendations is a vital first step. The May budget is the government’s window of opportunity to restore arts funding and regain the trust of artists, organisations and arts audiences and supporters across the country.'
The Senate Inquiry recommendations encapsulated the sentiments of almost 3000 submissions from individuals and organisations as well as hundreds of people who spoke at the public hearings conducted in 10 cities around the country.
The volume of the Inquiry response and the weight and unanimity of opinion is unprecedented in the arts in Australia. It has led to a new mood of motivation and co-operation across the whole arts community to ensure that the stability and sustainability of the arts is restored.
For media comment please contact: Nicole Beyer, Director, Theatre Network Australia 0432 609 658 Tamara Winikoff OAM, Executive Director, National Association for the Visual Arts (NAVA) 0411 162 156 / 02 9368 1900
Recommendations of the Senate Inquiry into the impact of the 2014 and 2015
5.8 The committee recommends that the government develop and articulate, in consultation with the arts sector, a coherent and clear arts policy, including priorities for arts funding supported by evidence-based analysis, and greater clarity about the respective roles of the Ministry for the Arts and the Australia Council, as well as the other statutory arts bodies.
1 March 2016
Statement regarding hearings by the Royal Commission into Institutional Responses to Child Sexual Abuse
Public hearing into Centres for the Performing Arts
2 March 2016
Ausdance holds the position that any abuse of a child—sexual, physical or emotional—is abhorrent. A dance studio or class is not isolated from the rest of society, no matter how special it may appear or feel. Studio owners and class teachers, like teachers and activity leaders across the whole of our community, have a special responsibility for the welfare of children in their charge. This holds whether it is a small community dance class or a large commercially-oriented studio.
A dance class or studio is first and foremost a business and as such should be subject to regulatory requirements as any business providing recreational services for children. Dance is also a key art form, which in the view of Ausdance makes any abuse of the trust placed by children in their class leaders or studio principals especially serious.
Ausdance notes that the Royal Commission is not enquiring into abuse in dance studios or the entertainment industry. Rather, the Royal Commission is hearing evidence about two specific centres for the performing arts, one of which was for dance. However, Ausdance supports the invitation for anyone who believes they have a direct and substantial interest in the scope and purpose of the public hearing to contact the Royal Commission directly.
Ausdance has a series of guides and fact sheets to assist dance teachers and dance studios. Where relevant, these guides and fact sheets have links to external authorities. The guides include:
- Child protection, with links to the Mandatory Reporting Guide, the Australian Institute of Family Studies, and State and Territory Child Protection Services and Advice.
- Australian guidelines for teaching dance developed in collaboration with dance studios and dance curriculum organisations
- Code of ethics for dance teachers
- Parents’ code of behaviour
- Professional business practice for studio teachers
- Safe Dance ® practice
- Arts and health organisations, publications, conferences and workshops
- How to choose a dance school for your child
- Occupational health & safety for the dance industry
- Eating disorders and dancers
Ausdance re-affirms its statement of 15 December 2014 Teaching dance, supporting children.
Neil Roach, A/g CEO Ausdance National
Ausdance National has joined with the University of Sydney to conduct a research study about the different types of injuries in company and independent professional dancers across Australia, their contributing risk factors, access to health services and return to dance practices.
We are looking for professional dancers to participate in this research. For more information about the study, or to be involved, please visit Safe Dance IV—Investigating injuries in Australia's professional dancers.
Please help us in spreading the word about this study by forwarding this notice to any dancers you think may be interested in participating.
If you have any questions, please don’t hesitate to email Amy Vassallo, a PhD candidate at the Faculty of Health Sciences, University of Sydney.
- Choreographic Practices is an international peer-reviewed journal.
- Full article should be approx 6,000 words.
- Deadline for full essays: 1 June 2016
- To submit a contribution email ChoreographicPractices@live.co.uk.
- For questions about the theme or focus of your submission, please email Robert Vesty (associate editor for this special issue).
This special journal issue of Choreographic Practices—WORDS and DANCE—aims to draw together, contribute to and exemplify debates around the use of spoken word in current and future 21st Century dance practices as well as its place in the contemporary cultural landscape.
What are the intersections between spoken words (in the form of live narrative, poetry, dialogue or writing) and choreographic practices?
What is the relationship between the word and the move?
How can/do spoken words and dance work together, especially in improvisatory practice?
What implications does the use of voice have in dance practice?
Force Majeure and Australian Theatre for Young People (ATYP) have launched FINE LINE, a three-year partnership to discover the next generation of writers for dance. Led by Force Majeure's Danielle Micich and ATYP's Frasier Corfield, the program will give young writers the opportunity to develop skills in writing for the medium of dance theatre. In 2016, FINE LINE will kick off with a skills masterclass. Writers aged 18–26 interested in telling stories through dance theatre are encouraged to apply.
- Date: 5–6 March, 10 am – 4 pm at ATYP
- Expressions of interest: Complete the online application form by 5 pm Thursday 11 February.
- More info: bit.ly/1WOSt3f
Following on from the skills masterclass, a group of up to three young writers will be selected for a series of script workshops. Danielle Micich will mentor the selected writers on every aspect of writing for dance theatre – from research and development, to how to write for a devised work with performers, to delivering a text. These will run from 4–9 July 2016.
The final stage of the three-year FINE LINE program will be the full-scale production of one or two scripts at ATYP.
We are seeking an associate artist to work with Co-Artistic Director Rob McCredie to deliver our 2016/17 program. This is a maternity leave cover position for one year, from April 2016 to April 2017.
This is a full-time position offering the right person a unique insight and experience in working with a growing arts organisation. The associate artist will be creating new performance work, engaging with our vibrant community through education programs and working as part of a small and passionate team to deliver regional art at its best.
fLiNG Physical Theatre is located on the pristine Sapphire Coast in NSW. We work primarily in Bega and Tathra. And, you guessed it, there is a whole lot more happening here than just cheese!
So why work with fLiNG Physical Theatre?
- fLiNG Physical Theatre is a flagship company that produces original contemporary performance for local and national audiences.
- The associate artist will receive opportunities to develop their practice, make and present work.
- fLiNG has a strong and supportive community around us who are excited to learn.
- The associate artist will get to work with a company of young artists who are energised, inspiring, hungry for new experiences and willing to work hard!
If you are interested in this position, please download the job description.
Applications close 27 February 2016.
Beginning 1 January 2016, our approved insurance partner Aon are proud to launch an even better offering on their Public Liability insurance, tailored specifically for Ausdance members.
While the need to employ best practice is a given, it is still common for a dancer or dance business to be sued for things like providing incorrect advice, damage to a third party and/or injury to students. It’s therefore critical to ensure you also have the right insurance in place.
So, having spoken with Ausdance and listened to the feedback of the dance industry and their clients, Aon’s Public Liability insurance, is now available for new customers with more cover, and at a cheaper price.
- Easy choice of $10million or $20 million Public Liability cover
- Automatically included Professional Indemnity upped to $5 million cover.
- Prices now start from as low as $324.40
- Even simpler & quicker journey through Aon’s no-obligation Buy Online platform.
For any questions, visit A on Ausdance insurance or call 1800 806 584.
NEXT MOVE is our commitment to developing the next generation of leading dance makers. Since its inception, we have commissioned, produced and presented nine new works through the Next Move program, some of which have gone on to tour nationally and internationally.
In 2016, we will commission two artists to each create a new short work for the Next Move program as part of a double bill. The works will be presented over a two-week season in September 2016 at the Chunky Move Studios.
We are now calling for expressions of interest and invite Australian dance makers with a least 5 years of professional practice to apply.
For further information, download the information pack.
Expressions of Interest are due no later than midnight on Friday 29 January 2016.
Please send any questions to Ben Ryan at email@example.com or call 03 9645 5188.