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2015 World Dance Alliance events in Singapore

When: 16–18 October 2015
Where: Nanyang Academy of Fine Arts (NAFA), Singapore

World Dance Alliance Singapore is proud to present the 2015 Annual General Meeting, Network Meetings and Young Scholars Meeting of World Dance Alliance Asia-Pacific as well as the Global Executive Meeting alongside the conference Asia-Pacific Dance Bridge 2015: Connectivity through Dance. Coinciding with the da:ns festival organised by the Esplanade, Singapore, conference events at venues located in Singapore’s arts and culture district are outlined below.

The conference aims to cultivate dance connectivity within Singapore’s own dance community as well as forge alliances between dancers, academics, educators and administrators throughout the Asia-Pacific region and beyond.

The conference will include scholarly papers, performative presentations and Pecha Kucha style presentations. Other conference events include showcases, a choreolab, masterclasses and workshops.

Asia-Pacific Dance Bridge 2015: Connectivity through Dance

Conference papers: call for abstracts

We now invite abstracts for presentations addressing the conference theme for the following categories by 22 February 2015. You will be notified of acceptance by 1 April 2015.

All modes of presentation require a 250-word abstract and a 100-word biography, plus up to four keywords to identify themes relevant to your topic. The conference will also include lunchtime conversation panels with invited speakers and a Critics' Circle.

Email your proposal to Stephanie Burridge and cc Secretariat Sarah Knox.

Scholarly papers

Submit an abstract of 250 words maximum. These will be double-blind refereed by an international review committee as per academic research conventions and published in the conference proceedings.

Performative presentations

This format is designed to privilege the voice of practitioners through showing digital footage of a choreographic work or a community/teaching/video project they have undertaken. Proposals should comprise a 250-word concept statement of the practice/project, together with a 10-minute maximum online (Vimeo/YouTube) excerpt of recent work. Promotional footage will not be considered.

Pecha Kucha style presentations

(for students in Honours year and above)

Pecha Kucha is a presentation format in which 20 slides are timed to be shown each for 20 seconds (7 minutes total). Research students are encouraged to present in this format. Initial submissions are in the form of a 250-word abstract summarising the topic, methodology and summary of the research to date, with an extra page of no more than 7 contextual/bibliographic references in APA style. If selected, more detailed instructions on the format will be provided.

Associated performance events

There will be an opportunity for members to participate in the following events. Chapter Heads and members will be advised about application processes by 1 March.

Performance showcases

  • The Small Company/Independent Artist Showcase, chaired by Susan Yeung, will be presented at the Recital Studio, Esplanade. The focus will be on cutting-edge contemporary dance works by choreographers from the Asia-Pacific region. The collection of works speaks of a new generation of dance-making that is uniquely contemporary Asian.
  • The Singapore Tertiary Showcase will feature Nanyang Academy of Fine Arts (coordinated by Gillian Tan) and Lasalle College of the Arts (coordinated by Susan Yeung). Both institutions will present their own dance works as well as a collaborative dance work in the Next Generation platform of Esplanade’s da:ns festival.
  • The Community Showcase, chaired by Peter Gn, will be presented at the Plaza @ National Library. It aims to celebrate the diversity of dance through enjoyable dance performances of amateur groups from the Asia-Pacific region.

Choreolab

Melissa Quek will chair the Choreolab in consultation with the Creation & Presentation Network Chair, Nanette Hassall. Selected emerging choreographers from the Asia-Pacific region will be in an intensive residence prior to the conference and will present works-in-progress during the conference.

Masterclasses and workshops

Masterclasses will include traditional and contemporary dance forms with international artists and choreographers from the Asia-Pacific region. Workshops addressing one or more of the following WDA network areas may also be presented: Research & Documentation, Creation & Presentation, Education & Training, Support & Development.

Ausdance NSW seeks marketing/communications person

Ausdance NSW is currently seeking a proactive, motivated and marketing savvy individual to lead & coordinate a broad range of marketing campaigns. Ausdance NSW invests the ongoing development opportunities for dance in NSW.

Deadline for applications: 13 February 2015

Basis of Employment: p/t 3 days 22.5hrs (Some occasional evening and weekend work needed)

VIsit the Ausdance NSW website for detailed job description.

Funding to attend the 2015 National Dance Forum

Are you looking for support to attend the National Dance Forum from 19 to 21 March 2015 in Melbourne?

Funding applications and Expressions of Interest close soon:

  • WA artists: 23 January 2015
  • SA artists: 30 January 2015
  • Vic artists: 30 January 2015

Applications open for Lucy Guerin Inc.secondment program

In the first half of 2015, one week secondments are available at the Lucy Guerin Inc. West Melbourne studio from 9 February to 6 March (excluding week of 16 – 20 Feb) during the final development and rehearsal period for Motion Picture—Lucy Guerin Inc’s new work premiering in Dance Massive on 17 March 172015.

Applications should be emailed (as a Word document) to Claire at Lucy Guerin Inc. Subject line must be marked “2015 Secondment Application – INSERTYOUR NAME”, and attached bio/CV document must also be titled in the same way. (Applicants will be notified by 4 February 2015 via email.)

Download the application form.

Deadline for applications: 11pm Sunday 1 February 2015

WAB seeks male soloist

Male dancer

West Australian Ballet is currently seeking an experienced male soloist dancer with a strong classical technique. Minimum height required is 185cm and preferred availability from 1 April 2015 or later.

To apply, send your CV and video to West Australian Ballet.

Annual company auditions

To register your interest for an audition, please email your resume, headshot, 2 – 3 dance photographs and a video footage link to West Ausralian Ballet.

Bangarra seeks new stage manager

The position of stage manager with Bangarra Dance Theatre is a two-year fixed-term position based in Sydney, but will include national and international travel with the company.

The stage manager will be responsible for the documentation, execution and smooth running of all Bangarra rehearsals and performances. Central to this position is the role of coordination and liaison, especially working in close association with the production and touring manager, artistic director, rehearsal director, head electrician, head mechanist, set, costume & lighting designers, company administration & venue production staff.

The stage manager will also be responsible for overseeing the maintenance and storage of props and the creation of the produciton archive.

To download a full position description visit the Bangarra website.

Applications should be emailed to the production and touring manager.

Deadline for applications: 27 February

Critical Path seeks new director

Critical Path, Australia’s leading centre for choreographic research based at the Drill Hall in Rushcutters Bay, Sydney, is seeking a new director. This role offers an exceptional creative leadership opportunity to shape the future of contemporary dance and performance practice in NSW and beyond.

After 10 years of operation Critical Path is looking towards the next stage of its development. They are open to new ideas and avenues for organisation that clearly reflect both the needs of the sector and provide a vision for its future.

The small team at Critical Path supports a vibrant, diverse artistic community in a challenging funding environment—you will need to get your hands dirty.

SMUDGE: Phillip Adams BalletLab project auditions

SMUDGE: an exciting new collaboration between Phillip Adams BalletLab and artist Brook Andrew.

Phillip Adams BalletLab is seeking professional and experimental industry individuals from the wider sector of performing arts, interdisciplinary and visual arts practitioners that include researchers, architects, musicians, designers, etc. The project will require a level of physical/movement practice and understanding of contemporary performance and/or creative collaborations, depending on the discipline of the applicant, (e.g. an architect may be utilised to perform physically and create ‘spaces’ through objects placed in the space for performers).

SMUDGE 2015 creative development project dates: 11–29 May (three weeks full time Monday to Friday)

New Artistic Director for Force Majeure

Jo Dyer, Chair of the Board of Force Majeure has announced the appointment of Danielle Micich as the incoming Artistic Director/CEO for the company, replacing founding Director Kate Champion. Jo said:

The Board of Directors is delighted that Danielle has accepted the role of Artistic Director of Force Majeure. Danielle’s body of work demonstrates an immensely talented and rigorous artist who has thought passionately and deeply about dance theatre and the role it occupies in the Australian and international arts landscape. We can think of no-one better to build on the wonderful legacy being left by Kate Champion. We believe that under Danielle’s leadership, Force Majeure will continue to flourish in the unique space Kate has carved out for us, a genuine cross-artform blend of theatre and dance, dedicated to exploring ideas and ourselves.

Danielle is currently a core artist with Performing Lines WA and recently premiered her new work Overexposed at the State Theatre Centre of WA. She is a graduate of the Victorian College of the Arts and was Artistic Director of STEPS Youth Dance Company in Perth for four years. Her choreography for Barking Gecko’s Driving Into Walls was nominated for a 2012 Helpmann Award.

Danielle said:

Watching Force Majeure over many years define its unique place in Australian theatre drew me towards making dance theatre myself. If anyone told me that the last ten years was preparation for something much bigger, I should have listened earlier. The many people and companies I have worked with along the way have shaped the artist I am today.

Working with Kate Champion was a defining moment. I knew then I would pursue my practice in dance theatre. It's a great honour to follow on from one of Australia’s finest Artistic Directors and continue her legacy. Seeing the bigger picture is one thing, but knowing how to contribute and lead is another. I am very excited about my role in the future of Force Majeure.

Danielle will join Executive Producer Bec Allen, the staff, Board and artists of Force Majeure in the position of Artistic Director/CEO in mid-2015.

Jo Dyer commented:

Kate had no involvement in the recruitment of her successor, so the Board was thrilled—and not a little relieved—that upon being advised of our choice for the role and Danielle’s subsequent acceptance of the job, Kate has thoroughly endorsed Danielle’s appointment.

Out-going Artistic Director/CEO Kate Champion:

After thirteen years building Force Majeure’s reputation as a dance theatre company that is artistically adventurous and thematically contemporary, I am delighted with the Board’s decision to appoint Danielle Micich as the new Artistic Director. Danielle is at a point in her career where her talent, passion and enthusiasm for the art form fits perfectly with the company’s creative legacy and vision for the future. This represents an exciting new stage in Force Majeure’s direction and one I wholeheartedly support.

Victorian dance artists: apply for Arts Victoria support to attend NDF2015

National Dance Forum, in partnership with Arts Victoria, is pleased to announce a first-time opportunity for Victoria-based dance artists to receive financial support to attend National Dance Forum 2015.

This opportunity is available to eligible Victorian dance artists who are interested in contributing to the most significant platform for dialogue across the Australian contemporary dance sector.

NDF2015 will take place in Melbourne 19–21 March 2015 at Footscray Community Arts Centre.

Criteria for eligibility

(Both 1 and 2 should apply)

  1. Any Victoria-based artist who is able to commit to attendance for the duration of NDF2015, March 19–21.
  2. Any Victoria-based artist who is considered independent or freelance and is working primarily in the field of contemporary dance

Eligible applicants can apply for the following expenses

  • NDF2015 full registration (the cost for independent artists in 2015 is $145)
  • travel to and from Melbourne (where an applicant does not reside within Melbourne or its surrounding suburbs)
  • 2 nights accommodation in Melbourne (where an applicant does not reside within Melbourne or it’s surrounding suburbs)

Eligible applications will be assessed by an industry panel consisting of representatives from National Dance Forum, Arts Victoria and Ausdance National. National Dance Forum particularly encourages artists who are based in regional Victoria, are of Aboriginal or Torres Strait Island descent and/or are in the first five years of their professional practice to apply.

Key dates

  • National Dance Forum: Thursday 19 – Saturday 21 March 2015
  • EOI open: Friday 12 December 2014
  • EOI close: Friday 30 January 2015
  • Successful applicants will be notified: week commencing 16 February 2015

To apply

  1. Download the EOI form.
  2. Return the form via email to National Dance Forum
  3. Please mark the subject line 'NDF2015 EOI VIC'

More information

Please contact NDF2015 co-producer Kath Papas (email or phone 0422 570 837).

Asia-Pacific Dance Bridge 2015: Connectivity through dance—call for abstracts

World Dance Alliance Singapore is proud to present the 2015 Annual General Meeting of World Dance Alliance Asia-Pacific alongside Asia-Pacific Dance Bridge 2015: Connectivity Through Dance, a major conference taking place in Singapore 16 – 18 October 2015.

Asia-Pacific Dance Bridge 2015: Connectivity through Dance aims to cultivate dance connectivity within Singapore’s own dance community as well as forge alliances between dancers, academics, educators and administrators throughout the Asia-Pacific region and beyond. The three-day conference is proposed for October 2015 during or around the dates of the dance festival organized by the Esplanade, Singapore.

For further general details of the event, please contact World Dance Alliance Singapore.

We now invite abstracts for presentations addressing the conference theme for the following categories by 22 February 2015. You will be notified of acceptance by 1 April 2015.

Scholarly papers

Submit an abstract of 250 words maximum. These will be double-blind refereed by an international review committee as per academic research conventions and published in the conference proceedings.

Performative presentations

This format is designed to privilege the voice of practitioners through showing digital footage of a choreographic work or a community/teaching/video project they have undertaken. Proposals should comprise a 250-word concept statement of the practice/project, together with a 10-minute maximum online (Vimeo/YouTube) excerpt of recent work. Promotional footage will not be considered.

Pecha Kucha style presentations

(for students in Honours year and above)

Pecha Kucha is a presentation format in which 20 slides are timed to be shown each for 20 seconds (7 minutes total). Research students are encouraged to present in this format. Initial submissions are in the form of a 250-word abstract summarising the topic, methodology and summary of the research to date, with an extra page of no more than 7 contextual/bibliographic references in APA style. If selected, more detailed instructions on the format will be provided.

Note: All modes of presentation require a 250-word abstract and a 100-word biography, plus up to four keywords to identify themes relevant to your topic. The conference will also included lunchtime Conversation panels with invited speakers and a Critics' Circle. Submit all proposals to Stephanie Burridge, WDAAP Singapore 2015 Symposium convener.

National Dance Forum 2015 early-bird registrations close 6 February 2015

Dates: Thursday 19 March (registrations from 12.30 pm) – Saturday 21 March 2015
Times: Thursday 2.00 pm – 5.30 pm | Friday 9.00 am – 5.30 pm | Saturday 9.00 am – 5.30 pm
Venue: Footscray Community Arts Centre, 45 Moreland St, Footscray, VIC, 3011

Early-bird registrations have been extended! Save up to $50 with early-bird offers by booking by 6 February.

In 2011 and 2013, the National Dance Forum SOLD OUT weeks in advance. Book now to ensure you are part of the most important dance discussion taking place in Australia.

Get your tickets now!

Eventbrite - National Dance Forum 2015

We invite Australian dancers, makers, researchers, writers, directors, producers, advocates and educators to participate in the most significant platform for dialogue across the Australian contemporary dance sector.

Facilitated by Andrew Morrish, NDF2015 is framed by three lines of focus:

  • Transforming the form: Changing structures and their effects
  • The subtleties and nuances of innovation
  • Discourse: How is dance written about, spoken about and communicated

'The National Dance Forum is a vital opportunity for the dance community to meet for a conversation. My focus as facilitator for 2015 is to ensure that we have an energetic, vibrant and memorable time. The curatorial committee is organising an exciting range of presentations, but we should remember that these presentations are primarily designed to feed our conversation. It is the type of conversation where we perhaps have a sense of where and how it will begin but we have no idea of where it will go.

I myself am not interested this year in the idea of developing ‘policy’, or producing another set of point forms on butchers paper for the 'future of dance'. There are times when this is necessary, but for 2015 I primarily want us to have an experience of our community, its layers and textures, its colours and its voices.

I believe that a feeling of being part of the community of dance is an under-utilised resource for surviving as a dance artist'.

Andrew Morrish, NDF2015 facilitator

National Indigenous Choreographers Residency—expressions of interest

Arts House is excited to present a new initiative: the National Indigenous Choreographers Residency.

Five established Indigenous choreographers from around Australia will work with Melbourne-based Indigenous choreographers in an intensive and immersive residency during Dance Massive 2015. Successful participants will work together in North Melbourne, Victoria in a development environment where they will explore and exchange choreographic language, technique, inspirations and skills.

As well as the residency, during Dance Massive the participants will be guided through a bespoke program of events including

  • an international market session
  • opening nights
  • studio showings
  • artists' breakfasts
  • networking opportunities
  • pitch sessions with the international and national delegations.

Victorians Jacob Boehme and Mariaa Randall will lead artists on the National Indigenous Choreographers' Residency.

Participants must be available for all of the residency from Sunday 8 March to Tuesday 17 March 2015.

Motion capture

Edith Cowan University is excited to announce that WAAPA has a new motion capture facility that will be used to prevent injuries to dancers as well as a teaching and performance tool for its elite dancers.

This facility is the only motion capture setup of its kind to incorporate the skills of a biomechanist directly into a university dance program in the interest of preventing dance injuries.

What makes motion capture at Mount Lawley unique is that we have access to a large cohort of talented dancers, in addition to scientific and artistic academics who are willing and able to use the lab in the investigation of the prevention of dance injuries.

—Dr Luke Hopper, Biomechanist and health in performing arts specialist, ECU

Read the extended articles

Performing Arts Market NZ 2015

9 –11 March, Auckland 2015

The Performing Arts Market is run by the Performing Arts Network of New Zealand (PANNZ). It is New Zealand’s sole marketplace for the promotion of professional tour ready dance, theatre and music productions.

It is also an important forum for connecting artists and presenters, debating the issues facing our industry and building capacity within our sector. PANNZ is attended by festival directors, venue managers, artists, producers and industry stakeholders.

Important dates

29 Sep: Registrations/applications open
27 Oct: Producer submissions to Cyberpaddock close
 3  Nov: Presenter voting round opens
17 Nov: Presenter voting round closes
24 Nov: Pitches announced
20 Dec: Earlybird registrations close
30 Jan: Registrations close (late fees begin)
9 –11 Mar: PANNZ Market 2015

For more information visit the PANNZ website.

Help us shape the NDF2015 program: submit your ideas, proposals and feedback

Submit your ideas and proposals

Please use the NDF2015 proposals form (1MB PDF) to submit your ideas and feedback. Email the form to NDF2015 by Friday 3 October 2014.

We welcome your suggestions for topics, speakers or proposals for sessions including but not limited to:

  • Five-minute presentations that may be thematically grouped with others to form the basis for longer sessions that will include both presentations and discussion
  • 'Pecha kucha' style presentations (20 slides x 20 seconds)
  • Studio-based sessions such as lecture demonstrations

Please note: proposals for showings and classes will not be eligible. NDF2015 is about fostering critical dialogue, and there will be other avenues for showings through Dance Massive managed by Ausdance Victoria. For more information visit Dance Massive.

Give us your feedback

We encourage any feedback you have about the proposed NDF2015 lines of focus:

  • Transforming the form: changing structures and their effects
  • The subtleties and nuances of innovation.
  • Discourse: How is dance written about, spoken about and communicated?

Please use the NDF2015 proposals form and complete the feedback section.

The Fourth Australian Dance Movement Therapy Conference

The Dance Movement Therapy Association of Australia (DTAA) turns 21 in 2015. To celebrate, the DTAA and the Hanny Exiner Memorial Foundation will present 'Broadening the spectrum: dance and other expressive arts therapies for health and healing' from 12–14 July 2015 at The Historic Abbotsford Convent, Abbotsford, Victoria.

Dr. Sherry Goodill, Chairperson of the Department of Creative Arts Therapies at Drexel University, USA, and President of the American Dance Therapy Association, is the first keynote speaker confirmed. Sherry, (PhD, BC-DMT, NCC, LPC), has been working as a dance/movement therapist and educator since 1980. She holds a Masters in creative arts therapy with a specialisation in dance/movement therapy from Hahnemann Medical College, and a PhD in medical psychology with a concentration in mind/body studies from The Union Institute and University. In 2005, Sherry published An Introduction to Medical Dance/Movement Therapy: Health Care in Motion. She also serves on the editorial panels for the Arts in Psychotherapy journal and the Journal of Creativity in Mental Health.

Pre and post conference workshops with local and international presenters will be offered.

A call for papers will be made later in 2014.

The DTAA Committee welcomes interest from members in contributing to the development of the conference. Please email Kim Dunphy.

Keir Choreographic Award—winner announced

The inaugural Keir Choreographic Award has been awarded to Atlanta Eke. The People's Choice Award went to Sydney artist Jane McKernan, as selected by audience members at the grand final at Carriageworks.

Four of the eight commissioned artists—Sarah Aiken, Matthew Day, Atlanta Eke, Jane McKernan—competed for the inaugural award at Carriageworks in Sydney in July.

Dancehouse residency programs

The Housemate programs reflect Dancehouse's commitment to advancing innovative contemporary dance in Australia by instigating and nurturing rigorous discourse and encouraging wide-ranging, movement-based experimentation and innovative choreographic practices.

Both Performance and Research Housemate programs provide the artist with extensive time, generous financial support and a thoroughly mentored environment. The Housemate program is one of the very few fully paid artist-in-residence programs in the world. Artists are given between 8 and 14 weeks of free studio space, a salary package (or pro rata), and administrative, mentoring and production support. Housemates are selected by a peer advisory panel from a national call for applicants.

World Alliance for Arts Education Global Summit 2014 calls for abstracts

Theme: ‘Transform: from inception to innovation in arts education’

We invite you to share your research evidence, innovations and best practices in arts education globally.

Participation in this summit is by invitation only. If you are successful you will be part of approximately 90 presentations from quality arts educators across the globe in dance, drama, media arts, music, visual arts and cross-arts education.

Abstracts due 30 June 2014.

Summit date and location

26 – 28 November 2014
Griffith University, School of Education and Professional Studies, Mt Gravatt Campus, Brisbane

2014 International Dance Day message

On 29 April every year, the international dance community celebrates International Dance Day.

We celebrate our art form's ability to cross all political, cultural and ethnic barriers and bring people together with a common language—dance.

Pay the dancers

The payment of professional dancers has been an important discussion over the last few days for independent performers in Australia. Following an initial call-out for performers to be part of a new video clip for Kylie Minogue filming on Friday 25 April, concerns were raised about remuneration for participating dancers. 

Paul Malek of Dancechat and Jordan Beth Vincent, President of Ausdance Victoria have helped raised awareness of the ongoing problems associated with the valuing of performers in the commercial dance sector, noting this is not an isolated incident.

Ausdance believes that dancers are trained professionals who study and work hard to maintain their performance abilities. Like other artists, they deserve recognition and remuneration for the work they do. There may be times a dancer chooses to donate their skills and time, but we hope a professional video opportunity would come with professional remuneration.

The Media Entertainment Arts Alliance have been in negotiations with the production company since the filming was announced, resulting in award payments now being offered to performers under the Broadcast and Recorded Entertainment Award.

Ausdance and MEAA will continue discussions with dancers on how best to support dancers to access appropriate remuneration.

Ausdance Victoria is currently surveying free-lance and studio based teachers of dance on rates of pay and qualifications. Participate here before 30 June.

If you have any thoughts on this topic please leave them in the comments below.

You can read more about the issue here.

Contribute to the twitter discussion

Talking dance—meet the makers at the 2014 Australian Performing Arts Market

Ausdance celebrates Australian dance makers at APAM 2014

In February 2014, Ausdance National and Ausdance Queensland hosted Talking dancemeet the makers, a networking event for the dance makers participating in the Australian Performing Arts Market (APAM).

The following slideshow, which was projected during the event, showcases the latest work of Australian dance companies and independent dance artists who were presenting work at APAM 2014.

NAAE concerned for future of UNESCO cultural program

National Advocates for Arts Education (NAAE), have expressed concern UNESCO has recently voted to downgrade its cultural program (including arts education), thus risking the program's eventual elimination. Writing to the Australian National Commission for UNESCO, NAAE have outlined concerns about the possible downgrading of UNESCO's cultural program, and requesting Australia's representatives prioritise this program when it votes again at its November meeting. NAAE also acknowledges the leadership role UNESCO has played as an active advocate for Arts Education internationally.

Toshi Kawaguchi, Secretary-General of the Australian National Commission for UNESCO has recently responsed:

Australia is not a member of the Executive Board. As such, we were not involved in the decision. The Australian National Commission for UNESCO intends to participate in the General Conference, however, and has registered National Advocates for Arts Education’s (NAAE) views. We appreciate your input as the peak national arts education association.

Australia has much to offer in the cultural and arts education sphere and places value in arts education, including working to elevate creativity and cultural expression nationally.  As you note, education ministers endorsed the Australian Curriculum for the arts in July 2013 so that for the first time, all Australian students from Foundation to Year Ten will have access to an arts education that covers five art forms of drama, dance, media arts, music and visual arts.  To the credit of cultural bodies such as NAAE and Drama Australia, the Australian Curriculum for the arts recognises the opportunities that the arts learning area offers students in relation to further developing their general capabilities such as literacy, personal and social capability, and intercultural understanding.
 

NAAE will continue to monitor the progress of the decision and the outcome of the General Conference.

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