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Dance Massive 2015

Dance Massive

When: 10–22 March 2015
Where: Arts House, Dancehouse, Malthouse Theatre, Melbourne

Dance Massive 2015 presents over 40 curated dance shows, events and activities over 13 days, including a number of bold new works, workshops, networking opportunities and special events.

The program introduces new ways of thinking about contemporary dance. It will surprise, challenge, entice and dare artists and dance-lovers from all over Australia in what is set to be another sell-out program.

The National Dance Forum 2015 (19–21 March) takes place in conjuction with Dance Massive.

For progam and ticketing information visit Dance Massive.

Ausdance National members presenting work at Dance Massive

Lucy Guerin Inc

  • What: Motion Picture
  • When: Tue 17 – Sun 22 March
  • Where: Arts House, North Melbourne Town Hall

Chunky Move

  • What: Depth of Field
  • When: Fri 6 – Sat 14 March
  • Where: The Coopers Malthouse, Forecourt

Force Majeure

  • What: Nothing to Lose
  • When: Wed 11 – Sat 21 March
  • Where: The Coopers Malthouse, Merlyn Theatre

Ausdance Victoria

Announcing Jerril Rechter as keynote artist-in-conversation #2

Jerril Rechter is the CEO of VicHealth. She has extensive experience in leadership across the areas of government and not-for-profit sectors.

Jerril is a World Health Organization Advisor, a board member of the International Network of Health Promotion Foundations, a member of Victoria’s Justice Health Ministerial Advisory Council and a member of the Liquor Control Advisory Council.

She regularly presents at state, national and international conferences and events to share her experiences in health promotion, leadership, the arts, and the potential of innovations to improve health and wellbeing for everyone.

She has served on various state and national boards and committees, including VicHealth's, as Board Member from 2004 to 2010. Her Ministerial appointments have included the Victorian Eating Disorders Taskforce, Australia Day Committee Victoria, Australia Council for the Arts Deputy Chair Dance Board, Arts Tasmania Board, Brand Tasmania Board and the Community Leaders Group Tasmania.

Jerril is a recipient of a Centenary Medal, Tasmania Day Award, and Fellowships from the Winston Churchill Memorial Trust, Australia Council, Harvard Club of Australia, the Australian Davos Forum-Future Summit, and Williamson Community Leadership Program (Leadership Victoria).

Jerril holds a Master of Business Leadership from RMIT University. She has held executive positions at Leadership Victoria, Melbourne International Festival of the Arts, Footscray Community Arts Centre, and founded Stompin Youth Dance Company.

The National Forum is a partnership between the Australia Council for the Arts and Ausdance National.

Australian Government. Australia Council for the Arts

IOTPD awards 2014 Philippe Braunschweig Grant

The International Organization for the Transition of Professional Dancers is pleased to announce that the 2014 Philippe Braunschweig Grant has been awarded to dancer Sébastien Thill.

The annual €3,000 competitive grant is given to a dancer at or near the end of their performance career to contribute towards the cost associated with retraining for a second profession.

This grant, given to honour the IOTPD’s Founding President, is for professional dancers who have had an international career and who do not qualify for transition support from any one of the countries where they have danced.

Read full press release.

The application deadline for the 2015 Philippe Braunschweig Grant is April 30, 2015.

For more details on how to apply visit the IOTPD website.

Announcing Lemi Ponifasio as keynote artist-in-conversation #1

National Dance Forum partners the Australia Council for the Arts and Ausdance National are thrilled to announce acclaimed New Zealand-based artist Lemi Ponifasio as the first keynote artist-in-conversation for NDF2015.

Lemi is a leading voice in contemporary dance and theatre making internationally, based in the Asia-Pacific, performing and collaborating worldwide. He will be in conversation with NDF2015 co-facilitator Fiona Winning on the afternoon of Thursday 19 March.

The second keynote and the full list of speakers will be unveiled in early February.

Lemi Ponifasio

Lemi PonifasioLemi Ponifasio. Photo: Christian Westerback

Theatre artist Lemi Ponifasio founded the MAU in Auckland in 1995, a collaboration of communities and artists from all over the world.

MAU is a Samoan word that means a declaration to the truth of a matter or revolution as an effort to transform.

In his artistic universe, Ponifasio orients the modern individual towards other dimensions of consciousness by way of the decelerated rhythm of his strict aesthetic, making use of striking images, movement and dynamic interplay of light and darkness. A pioneer at the international frontier of dance and theatre art, his theatre vision transcends the barriers between genres and cultures and transmits the universal power of art. Lemi Ponifasio presents his productions in such places as the Avignon Festival, BAM, Ruhrtriennale, Edinburgh International Festival, Theatre de la Ville Paris, London's Southbank, Holland Festival, Luminato Festival, Vienna Festival and Berliner Festspiele.

I AM, Ponifasio’s most recent work, premiered at the Avignon Festival 2014 followed by seasons at the Edinburgh International Festival, the Ruhrtriennale, Germany, and I AM MAPUCHE for Festival Santiago a Mil, Chile. His other creations include Birds With Skymirrors responding to the disappearing Pacific Islands, homelands to most of his dancers and devastated by climate change; Tempest: Without A Body, concerning our collective paralysis in the face of truth, symbolized by increased and unlawful use of state power post 9/11; Le Savali: Berlin confronting the imperial City of Berlin with its own communities, the young generation of immigrant families in search of belonging and constrained by threat of deportation; The Crimson House probing the nature of power and subjectivity in our panoptic state – a world that sees all and no longer forgets; and Stones In Her Mouth, a work with Maori women as transmitters of a life force through oratory, ancient chants, choral-work and dance. In 2012 Ponifasio staged the epic opera Prometheus by Carl Orff for the Ruhrtriennale.

Watch some of Lemi's work with MAU

Stones in her mouth (2014)

Birds with sky mirrors

Tempest: without a body

The Crimson House

 
The National Forum is a partnership between the Australia Council for the Arts and Ausdance National.
 
Australian Government | Australia Council for the Arts

2015 World Dance Alliance events in Singapore

When: 16–18 October 2015
Where: Nanyang Academy of Fine Arts (NAFA), Singapore

World Dance Alliance Singapore is proud to present the 2015 Annual General Meeting, Network Meetings and Young Scholars Meeting of World Dance Alliance Asia-Pacific as well as the Global Executive Meeting alongside the conference Asia-Pacific Dance Bridge 2015: Connectivity through Dance. Coinciding with the da:ns festival organised by the Esplanade, Singapore, conference events at venues located in Singapore’s arts and culture district are outlined below.

The conference aims to cultivate dance connectivity within Singapore’s own dance community as well as forge alliances between dancers, academics, educators and administrators throughout the Asia-Pacific region and beyond.

The conference will include scholarly papers, performative presentations and Pecha Kucha style presentations. Other conference events include showcases, a choreolab, masterclasses and workshops.

Asia-Pacific Dance Bridge 2015: Connectivity through Dance

Conference papers: call for abstracts

We now invite abstracts for presentations addressing the conference theme for the following categories by 2 March 2015. You will be notified of acceptance by 1 April 2015.

All modes of presentation require a 250-word abstract and a 100-word biography, plus up to four keywords to identify themes relevant to your topic. The conference will also include lunchtime conversations with invited speakers.

Email your proposal to Stephanie Burridge and cc Secretariat Sarah Knox.

Scholarly papers

Submit an abstract of 250 words maximum. These will be double-blind refereed by an international review committee as per academic research conventions and published in the conference proceedings.

Performative presentations

This format is designed to privilege the voice of practitioners through showing digital footage of a choreographic work or a community/teaching/video project they have undertaken. Proposals should comprise a 250-word concept statement of the practice/project, together with a 10-minute maximum online (Vimeo/YouTube) excerpt of recent work. Promotional footage will not be considered.

Pecha Kucha style presentations

(for students in Honours year and above)

Pecha Kucha is a presentation format in which 20 slides are timed to be shown each for 20 seconds (7 minutes total). Research students are encouraged to present in this format. Initial submissions are in the form of a 250-word abstract summarising the topic, methodology and summary of the research to date, with an extra page of no more than 7 contextual/bibliographic references in APA style. If selected, more detailed instructions on the format will be provided.

Associated performance events

There will be an opportunity for members to participate in the following events. Chapter Heads and members will be advised about application processes by 1 March.

Performance showcases

  • The Small Company/Independent Artist Showcase, chaired by Susan Yeung, will be presented at the Recital Studio, Esplanade. The focus will be on cutting-edge contemporary dance works by choreographers from the Asia-Pacific region. The collection of works speaks of a new generation of dance-making that is uniquely contemporary Asian.
  • The Singapore Tertiary Showcase will feature Nanyang Academy of Fine Arts (coordinated by Gillian Tan) and Lasalle College of the Arts (coordinated by Susan Yeung). Both institutions will present their own dance works as well as a collaborative dance work in the Next Generation platform of Esplanade’s da:ns festival.
  • The Community Showcase, chaired by Peter Gn, will be presented at the Plaza @ National Library. It aims to celebrate the diversity of dance through enjoyable dance performances of amateur groups from the Asia-Pacific region.

Choreolab

Melissa Quek will chair the Choreolab in consultation with the Creation & Presentation Network Chair, Nanette Hassall. Selected emerging choreographers from the Asia-Pacific region will be in an intensive residence prior to the conference and will present works-in-progress during the conference.

Masterclasses and workshops

Masterclasses will include traditional and contemporary dance forms with international artists and choreographers from the Asia-Pacific region. Workshops addressing one or more of the following WDA network areas may also be presented: Research & Documentation, Creation & Presentation, Education & Training, Support & Development.

Funding to attend the 2015 National Dance Forum

Are you looking for support to attend the National Dance Forum from 19 to 21 March 2015 in Melbourne?

Funding applications and Expressions of Interest close soon:

  • WA artists: 23 January 2015
  • SA artists: 30 January 2015
  • Vic artists: 30 January 2015

WAB seeks male soloist

Male dancer

West Australian Ballet is currently seeking an experienced male soloist dancer with a strong classical technique. Minimum height required is 185cm and preferred availability from 1 April 2015 or later.

To apply, send your CV and video to West Australian Ballet.

Annual company auditions

To register your interest for an audition, please email your resume, headshot, 2 – 3 dance photographs and a video footage link to West Ausralian Ballet.

SMUDGE: Phillip Adams BalletLab project auditions

SMUDGE: an exciting new collaboration between Phillip Adams BalletLab and artist Brook Andrew.

Phillip Adams BalletLab is seeking professional and experimental industry individuals from the wider sector of performing arts, interdisciplinary and visual arts practitioners that include researchers, architects, musicians, designers, etc. The project will require a level of physical/movement practice and understanding of contemporary performance and/or creative collaborations, depending on the discipline of the applicant, (e.g. an architect may be utilised to perform physically and create ‘spaces’ through objects placed in the space for performers).

SMUDGE 2015 creative development project dates: 11–29 May (three weeks full time Monday to Friday)

New Artistic Director for Force Majeure

Jo Dyer, Chair of the Board of Force Majeure has announced the appointment of Danielle Micich as the incoming Artistic Director/CEO for the company, replacing founding Director Kate Champion. Jo said:

The Board of Directors is delighted that Danielle has accepted the role of Artistic Director of Force Majeure. Danielle’s body of work demonstrates an immensely talented and rigorous artist who has thought passionately and deeply about dance theatre and the role it occupies in the Australian and international arts landscape. We can think of no-one better to build on the wonderful legacy being left by Kate Champion. We believe that under Danielle’s leadership, Force Majeure will continue to flourish in the unique space Kate has carved out for us, a genuine cross-artform blend of theatre and dance, dedicated to exploring ideas and ourselves.

Danielle is currently a core artist with Performing Lines WA and recently premiered her new work Overexposed at the State Theatre Centre of WA. She is a graduate of the Victorian College of the Arts and was Artistic Director of STEPS Youth Dance Company in Perth for four years. Her choreography for Barking Gecko’s Driving Into Walls was nominated for a 2012 Helpmann Award.

Danielle said:

Watching Force Majeure over many years define its unique place in Australian theatre drew me towards making dance theatre myself. If anyone told me that the last ten years was preparation for something much bigger, I should have listened earlier. The many people and companies I have worked with along the way have shaped the artist I am today.

Working with Kate Champion was a defining moment. I knew then I would pursue my practice in dance theatre. It's a great honour to follow on from one of Australia’s finest Artistic Directors and continue her legacy. Seeing the bigger picture is one thing, but knowing how to contribute and lead is another. I am very excited about my role in the future of Force Majeure.

Danielle will join Executive Producer Bec Allen, the staff, Board and artists of Force Majeure in the position of Artistic Director/CEO in mid-2015.

Jo Dyer commented:

Kate had no involvement in the recruitment of her successor, so the Board was thrilled—and not a little relieved—that upon being advised of our choice for the role and Danielle’s subsequent acceptance of the job, Kate has thoroughly endorsed Danielle’s appointment.

Out-going Artistic Director/CEO Kate Champion:

After thirteen years building Force Majeure’s reputation as a dance theatre company that is artistically adventurous and thematically contemporary, I am delighted with the Board’s decision to appoint Danielle Micich as the new Artistic Director. Danielle is at a point in her career where her talent, passion and enthusiasm for the art form fits perfectly with the company’s creative legacy and vision for the future. This represents an exciting new stage in Force Majeure’s direction and one I wholeheartedly support.

Victorian dance artists: apply for Arts Victoria support to attend NDF2015

National Dance Forum, in partnership with Arts Victoria, is pleased to announce a first-time opportunity for Victoria-based dance artists to receive financial support to attend National Dance Forum 2015.

This opportunity is available to eligible Victorian dance artists who are interested in contributing to the most significant platform for dialogue across the Australian contemporary dance sector.

NDF2015 will take place in Melbourne 19–21 March 2015 at Footscray Community Arts Centre.

Criteria for eligibility

(Both 1 and 2 should apply)

  1. Any Victoria-based artist who is able to commit to attendance for the duration of NDF2015, March 19–21.
  2. Any Victoria-based artist who is considered independent or freelance and is working primarily in the field of contemporary dance

Eligible applicants can apply for the following expenses

  • NDF2015 full registration (the cost for independent artists in 2015 is $145)
  • travel to and from Melbourne (where an applicant does not reside within Melbourne or its surrounding suburbs)
  • 2 nights accommodation in Melbourne (where an applicant does not reside within Melbourne or it’s surrounding suburbs)

Eligible applications will be assessed by an industry panel consisting of representatives from National Dance Forum, Arts Victoria and Ausdance National. National Dance Forum particularly encourages artists who are based in regional Victoria, are of Aboriginal or Torres Strait Island descent and/or are in the first five years of their professional practice to apply.

Key dates

  • National Dance Forum: Thursday 19 – Saturday 21 March 2015
  • EOI open: Friday 12 December 2014
  • EOI close: Friday 30 January 2015
  • Successful applicants will be notified: week commencing 16 February 2015

To apply

  1. Download the EOI form.
  2. Return the form via email to National Dance Forum
  3. Please mark the subject line 'NDF2015 EOI VIC'

More information

Please contact NDF2015 co-producer Kath Papas (email or phone 0422 570 837).

Asia-Pacific Dance Bridge 2015: Connectivity through dance—call for abstracts

World Dance Alliance Singapore is proud to present the 2015 Annual General Meeting of World Dance Alliance Asia-Pacific alongside Asia-Pacific Dance Bridge 2015: Connectivity Through Dance, a major conference taking place in Singapore 16 – 18 October 2015.

Asia-Pacific Dance Bridge 2015: Connectivity through Dance aims to cultivate dance connectivity within Singapore’s own dance community as well as forge alliances between dancers, academics, educators and administrators throughout the Asia-Pacific region and beyond. The three-day conference is proposed for October 2015 during or around the dates of the dance festival organized by the Esplanade, Singapore.

For further general details of the event, please contact World Dance Alliance Singapore.

We now invite abstracts for presentations addressing the conference theme for the following categories by 22 February 2015. You will be notified of acceptance by 1 April 2015.

Scholarly papers

Submit an abstract of 250 words maximum. These will be double-blind refereed by an international review committee as per academic research conventions and published in the conference proceedings.

Performative presentations

This format is designed to privilege the voice of practitioners through showing digital footage of a choreographic work or a community/teaching/video project they have undertaken. Proposals should comprise a 250-word concept statement of the practice/project, together with a 10-minute maximum online (Vimeo/YouTube) excerpt of recent work. Promotional footage will not be considered.

Pecha Kucha style presentations

(for students in Honours year and above)

Pecha Kucha is a presentation format in which 20 slides are timed to be shown each for 20 seconds (7 minutes total). Research students are encouraged to present in this format. Initial submissions are in the form of a 250-word abstract summarising the topic, methodology and summary of the research to date, with an extra page of no more than 7 contextual/bibliographic references in APA style. If selected, more detailed instructions on the format will be provided.

Note: All modes of presentation require a 250-word abstract and a 100-word biography, plus up to four keywords to identify themes relevant to your topic. The conference will also included lunchtime Conversation panels with invited speakers and a Critics' Circle. Submit all proposals to Stephanie Burridge, WDAAP Singapore 2015 Symposium convener.

National Indigenous Choreographers Residency—expressions of interest

Arts House is excited to present a new initiative: the National Indigenous Choreographers Residency.

Five established Indigenous choreographers from around Australia will work with Melbourne-based Indigenous choreographers in an intensive and immersive residency during Dance Massive 2015. Successful participants will work together in North Melbourne, Victoria in a development environment where they will explore and exchange choreographic language, technique, inspirations and skills.

As well as the residency, during Dance Massive the participants will be guided through a bespoke program of events including

  • an international market session
  • opening nights
  • studio showings
  • artists' breakfasts
  • networking opportunities
  • pitch sessions with the international and national delegations.

Victorians Jacob Boehme and Mariaa Randall will lead artists on the National Indigenous Choreographers' Residency.

Participants must be available for all of the residency from Sunday 8 March to Tuesday 17 March 2015.

Motion capture

Edith Cowan University is excited to announce that WAAPA has a new motion capture facility that will be used to prevent injuries to dancers as well as a teaching and performance tool for its elite dancers.

This facility is the only motion capture setup of its kind to incorporate the skills of a biomechanist directly into a university dance program in the interest of preventing dance injuries.

What makes motion capture at Mount Lawley unique is that we have access to a large cohort of talented dancers, in addition to scientific and artistic academics who are willing and able to use the lab in the investigation of the prevention of dance injuries.

—Dr Luke Hopper, Biomechanist and health in performing arts specialist, ECU

Read the extended articles

Performing Arts Market NZ 2015

9 –11 March, Auckland 2015

The Performing Arts Market is run by the Performing Arts Network of New Zealand (PANNZ). It is New Zealand’s sole marketplace for the promotion of professional tour ready dance, theatre and music productions.

It is also an important forum for connecting artists and presenters, debating the issues facing our industry and building capacity within our sector. PANNZ is attended by festival directors, venue managers, artists, producers and industry stakeholders.

Important dates

29 Sep: Registrations/applications open
27 Oct: Producer submissions to Cyberpaddock close
 3  Nov: Presenter voting round opens
17 Nov: Presenter voting round closes
24 Nov: Pitches announced
20 Dec: Earlybird registrations close
30 Jan: Registrations close (late fees begin)
9 –11 Mar: PANNZ Market 2015

For more information visit the PANNZ website.

Help us shape the NDF2015 program: submit your ideas, proposals and feedback

Submit your ideas and proposals

Please use the NDF2015 proposals form (1MB PDF) to submit your ideas and feedback. Email the form to NDF2015 by Friday 3 October 2014.

We welcome your suggestions for topics, speakers or proposals for sessions including but not limited to:

  • Five-minute presentations that may be thematically grouped with others to form the basis for longer sessions that will include both presentations and discussion
  • 'Pecha kucha' style presentations (20 slides x 20 seconds)
  • Studio-based sessions such as lecture demonstrations

Please note: proposals for showings and classes will not be eligible. NDF2015 is about fostering critical dialogue, and there will be other avenues for showings through Dance Massive managed by Ausdance Victoria. For more information visit Dance Massive.

Give us your feedback

We encourage any feedback you have about the proposed NDF2015 lines of focus:

  • Transforming the form: changing structures and their effects
  • The subtleties and nuances of innovation.
  • Discourse: How is dance written about, spoken about and communicated?

Please use the NDF2015 proposals form and complete the feedback section.

Keir Choreographic Award—winner announced

The inaugural Keir Choreographic Award has been awarded to Atlanta Eke. The People's Choice Award went to Sydney artist Jane McKernan, as selected by audience members at the grand final at Carriageworks.

Four of the eight commissioned artists—Sarah Aiken, Matthew Day, Atlanta Eke, Jane McKernan—competed for the inaugural award at Carriageworks in Sydney in July.

Dancehouse residency programs

The Housemate programs reflect Dancehouse's commitment to advancing innovative contemporary dance in Australia by instigating and nurturing rigorous discourse and encouraging wide-ranging, movement-based experimentation and innovative choreographic practices.

Both Performance and Research Housemate programs provide the artist with extensive time, generous financial support and a thoroughly mentored environment. The Housemate program is one of the very few fully paid artist-in-residence programs in the world. Artists are given between 8 and 14 weeks of free studio space, a salary package (or pro rata), and administrative, mentoring and production support. Housemates are selected by a peer advisory panel from a national call for applicants.

World Alliance for Arts Education Global Summit 2014 calls for abstracts

Theme: ‘Transform: from inception to innovation in arts education’

We invite you to share your research evidence, innovations and best practices in arts education globally.

Participation in this summit is by invitation only. If you are successful you will be part of approximately 90 presentations from quality arts educators across the globe in dance, drama, media arts, music, visual arts and cross-arts education.

Abstracts due 30 June 2014.

Summit date and location

26 – 28 November 2014
Griffith University, School of Education and Professional Studies, Mt Gravatt Campus, Brisbane

2014 International Dance Day message

On 29 April every year, the international dance community celebrates International Dance Day.

We celebrate our art form's ability to cross all political, cultural and ethnic barriers and bring people together with a common language—dance.

Pay the dancers

The payment of professional dancers has been an important discussion over the last few days for independent performers in Australia. Following an initial call-out for performers to be part of a new video clip for Kylie Minogue filming on Friday 25 April, concerns were raised about remuneration for participating dancers. 

Paul Malek of Dancechat and Jordan Beth Vincent, President of Ausdance Victoria have helped raised awareness of the ongoing problems associated with the valuing of performers in the commercial dance sector, noting this is not an isolated incident.

Ausdance believes that dancers are trained professionals who study and work hard to maintain their performance abilities. Like other artists, they deserve recognition and remuneration for the work they do. There may be times a dancer chooses to donate their skills and time, but we hope a professional video opportunity would come with professional remuneration.

The Media Entertainment Arts Alliance have been in negotiations with the production company since the filming was announced, resulting in award payments now being offered to performers under the Broadcast and Recorded Entertainment Award.

Ausdance and MEAA will continue discussions with dancers on how best to support dancers to access appropriate remuneration.

Ausdance Victoria is currently surveying free-lance and studio based teachers of dance on rates of pay and qualifications. Participate here before 30 June.

If you have any thoughts on this topic please leave them in the comments below.

You can read more about the issue here.

Contribute to the twitter discussion

Talking dance—meet the makers at the 2014 Australian Performing Arts Market

Ausdance celebrates Australian dance makers at APAM 2014

In February 2014, Ausdance National and Ausdance Queensland hosted Talking dancemeet the makers, a networking event for the dance makers participating in the Australian Performing Arts Market (APAM).

The following slideshow, which was projected during the event, showcases the latest work of Australian dance companies and independent dance artists who were presenting work at APAM 2014.

NAAE concerned for future of UNESCO cultural program

National Advocates for Arts Education (NAAE), have expressed concern UNESCO has recently voted to downgrade its cultural program (including arts education), thus risking the program's eventual elimination. Writing to the Australian National Commission for UNESCO, NAAE have outlined concerns about the possible downgrading of UNESCO's cultural program, and requesting Australia's representatives prioritise this program when it votes again at its November meeting. NAAE also acknowledges the leadership role UNESCO has played as an active advocate for Arts Education internationally.

Toshi Kawaguchi, Secretary-General of the Australian National Commission for UNESCO has recently responsed:

Australia is not a member of the Executive Board. As such, we were not involved in the decision. The Australian National Commission for UNESCO intends to participate in the General Conference, however, and has registered National Advocates for Arts Education’s (NAAE) views. We appreciate your input as the peak national arts education association.

Australia has much to offer in the cultural and arts education sphere and places value in arts education, including working to elevate creativity and cultural expression nationally.  As you note, education ministers endorsed the Australian Curriculum for the arts in July 2013 so that for the first time, all Australian students from Foundation to Year Ten will have access to an arts education that covers five art forms of drama, dance, media arts, music and visual arts.  To the credit of cultural bodies such as NAAE and Drama Australia, the Australian Curriculum for the arts recognises the opportunities that the arts learning area offers students in relation to further developing their general capabilities such as literacy, personal and social capability, and intercultural understanding.
 

NAAE will continue to monitor the progress of the decision and the outcome of the General Conference.

Dance and science—knowledge and creativity.

There is so much we still have to learn about dance. Human bodies have been dancing for centuries and some of our training techniques have been passed on from generation to generation.

At Trinity Laban Conservatoire of Music and Dance, Dr Emma Redding, head of dance science, is leading a growing group of researchers and students applying scientific methods to the dance training we do every day, seeking to gain knowledge about the body and the impact of dance.

National Dance Forum program

Opening and closing with interactive visioning sessions, the program featured a full morning 'Open Space' session on the Sunday tapping the pulse of the forum, and through it that of the dance sector in Australia.

Keynote artists-in-conversation were Dalisa Pigram, co-Artistic Director of Marrugeku, with David Pledger, and Artistic Director of Australian Dance Theatre Garry Stewart with Anne Thompson.

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