Dance research

Contemporising the past: envisaging the future

This publication of 31 papers with authors from 13 countries takes as its focus the theme that was the title and driving force of the activities comprising the 2014 WDA Global Summit. The Summit embraced Contemporising the past: envisaging the future in an interconnection between theory and practice, as echoed in the Proceedings through papers by artist/scholars and artist/teachers. The Summit program featured 346 presenters across 38 countries and included: an international conference of 197 presentations; 31 showcase performances featuring 83 dancers; 34 masterclasses with 24 teachers and 650 participants; and a choreolab with mentors Robert Swinston and Germaine Acogny working with 4 emerging international choreographers and 38 dancers. In addition there were evening performances featuring the work of French companies including Robert Swinston’s Event and Olivier Dubois with his controversial work Tragedie. The principal aim of the Summit was to provide a supportive platform for sharing research and creative work, as well as nurturing professional development opportunities. Importantly this gathering was a networking opportunity to forge new partnerships, potential collaborations and to strengthen existing relationships.

Dancehouse Diary

The Dancehouse Diary aims to bring the independent dance makers’ thinking to wider audiences. It aims at developing rigorous content around their work and triggering new perspectives and connections around their research. It is a catalyst for provoking critical thinking, discourse and a poetic vision of dance and other related arts forms. It is Dancehouse’s mission to cultivate access and appreciation of this art form and for that, the Diary is a less ephemeral and a more in-­depth attempt to make those connections.

Dance, young people and change

Dance, Young People and Change brought together young people, parents, educators and others from around the world to share and consider the role of dance in young people’s lives. It provided critical evaluation and reflection on approaches to dance learning, teaching and curriculum for young people and offered opportunities to critique the relevance of dance for young people within education and community contexts.

Choreographic cognition: researching dance 1999–2008

An overview of the three linked choreographic cognition research projects Unspoken Knowledges (1999 – 2001), which looked at expanding industry productivity and value through strategic research into choreographic practice, Conceiving Connections (2002 – 2004), which looked at increasing industry viability through analysis of audience response to dance and Intention and Serendipity (2005 – 2008), which investigated improvisation, symbolism and memory in creating Australian contemporary dance.

Dance dialogues: Conversations across cultures, artforms and practices

These Proceedings, arising from the 2008 World Dance Alliance Global Summit, reflect both its spirit and diversity, re-appraising what dance is and might be in the 21st century. Through 53 papers from 14 countries in the Americas, Europe and the Asia-Pacific region, the authors—ranging from seasoned scholars to emerging artists publishing for the first time—span the perspectives of academics, educators, performance and community artists, health professionals and cognitive scientists; predominantly from dance but also from film, visual arts, science, performance and philosophy.

Dance rebooted: initializing the grid

Dance Rebooted: Initializing the Grid brought together five international keynote speakers and 75 delegates from Australia, New Zealand and around the world to focus on the sustainability of dance practice and research. The 31 papers published here represent a broad diversity of methodology and of thought on how we might begin to address the critical issue of sustainability of dance practice and research.