Sustainable dance making: dancers and choreographers in collaboration
Karen Barbour, Senior Lecturer in dance at the University of Waikato (NZ), talks about her personal experiences and her ideas about the sustainability of collaborative dance ventures
Artists—the new elite
Professor Sue Street presented the eighth Dame Peggy Van Praagh Memorial Address alongside David McAllister Artistic Director of The Australian Ballet. She explores some of the major challenges faced by the dance sector and reflects on some of the achievements.
Sustainability
Strategies for sustaining dance in the following papers occur from two perspectives: culturally in terms of preserving and contemporising traditions in India, Cambodia and Thailand; and pedagogically through strategies for life-long learning in the tertiary sector and improved teacher training for children.
National qualifications for the dance industry
For the first time in Australia there are national qualifications for the dance industry. Innovation & Business Skills Australia (IBSA), in consultation with experts in the dance industry, have created a new training package for the dance sector. It is called the Live Performance Training Package (CUA11).
“Follow your heart and something will come”: subjective factors in the sustainability of early
Dr Kim Vincs (Deakin University, Melbourne) reports on her investigation into the reasons that dancers continue their practices and manage to sustain themselves in a bleak economic environment.
Sustainability in dance practice—the case of the ‘mature artist’
Liz Schwaiger (PhD Candidate, Victoria University of Technology, Melbourne) looks at an underfunded and underresourced Australian dance industry. She talks to dancers about how they perceive the term 'mature dancer' and about how we might creatively develop hybrid microcosms of opportunity in a culture which does not highly value dance.
Artists in the academy: reflections on artistic practice as research
Sarah Rubidge PhD,(Senior Research Fellow, School of Visual and Performing Arts, University College Chichester) reflects on the practice-led research she did for her PhD in this keynote address, and how it led to a radical shift in her artistic practice—from live dance works to interactive installation works.
Scenes from another life
Dianne Reid (Dancehouse, Melbourne) writes poetically and fluently about her working processes and what dance means for her. As a dancer she reflects on the world through the instrument of her body. Her choreography is a montage of her other lives "public and private, past & present, actual & virtual, real & imagined, stage & screen, as live body and televisual body."
Diversified moves of a specialised ecology: can this art form be sustainable?
Dr Maggi Phillips (Western Australian Academy of the Performing Arts, Edith Cowan University Perth) examines the two ecologies of which human dance activity partakes within the frames of diversity, change and balance. Can environmental thinking shed any light on the problem of the sustainability of dance?
Cecil street studio: improvised community and sustainable practices
Shaun McLeod (Deakin University Melbourne) pays tribute to some of the people who have been vital to establishing and sustaining regular meetings for dance artists to practice improvisation as performance. He talks about the groups' activities and some of the values and artistic concerns that meld the disparate individuals and practices into a flexible but functioning community.