In professional dance, as with all physical and athletic endeavours, there will always be a realistic expectation of some musculoskeletal complaints. The information gathered through the Safe Dance research studies develops a better understanding of the changing profile of professional dancers in Australia and their experience of injury. The findings can be used to assist in the tailoring and evaluation of evidence based injury prevention initiatives with the long-term goal of safely sustaining dancers in their professional dance careers for as long as they choose.
Safe Dance Report IV examines the Australian context and occurrence of injury in professional dancers (independent dancers and those based in companies), and how dancers manage their injuries and return to dance practice. It makes recommendations to support sustainable, healthy, and productive dancing careers.
Monica Stevens on the highlights and hard core issues discussed at Creating Pathways 2005.
Professor Gene Moyle outlines findings from a research project that centred on a review of existing career development and transition programs at an organisational level, both in Australia and overseas. Read the full report Career transition programs for professional dancers: Exploration of the current Australian context.
From January 2017 we will start analysing the rich and valuable data provided though the Safe Dance IV questionnaire. We will also be writing the 4th Safe Dance report, which will be made available to the dance community via the Ausdance National website. In particular this report will detail the current prevalence of injuries in Australia’s professional dance population and describe progress that has been made in injury prevention and management since the 3rd Safe Dance report was published in 1999. The major study conclusions will be used to help set priority areas for future dance research and action, make updated safe dance practice recommendations and assist with evaluations of current injury prevention initiatives.
The International Association for Dance Medicine and Science (IADMS) 26th Annual Conference was held in Hong Kong on October 20–23 2016. A group of Australian academics, clinicians, dancers and students were thrilled to be able to travel to Hong Kong to present our work to the dance research community. Australia should be proud to be at the forefront of this field, and a presentation on bibliometric analysis of dance publications identified Australia as one of the top countries in the world for quality and collaborative dance research!
Australian choreographer Lewis Major was one of eight choreographers selected to participate in the International Young Choreographer Project (IYCP) held in southern Taiwan in July/August this year.
As you may know, the arts sector responded with overwhelming support for the role of The Australia Council when it responded to the Senate inquiry into the 'Impact of the 2014 and 2015 Commonwealth Budget decisions on the Arts', or, in other words, the sudden diversion of Australia Council funds to establish the National Program for Arts Excellence.
WDA is free to us at Ausdance, yet so few artists know about this amazing opportunity each year in different locations around the world. Each conference has been an eye-opener for my choreographic practice—understanding the links between it and academic research, studio practice, dance in the rest of the world and most significantly for me, intercultural dance. Every topic is covered: from dancer-choreographer relationships to education to the role of women in dance and politics. Many people have become good friends, and we have formed a strong bond. I love it.
A seven-year campaign on behalf of arts educators across the country came to an end this week with the final endorsement of The Australian Curriculum: The Arts! Thanks go to the National Advocates for Arts Education - NAAE, which represents the five art forms included as separate subjects in the curriculum. The Arts were not initially included in the national curriculum at all, and this week therefore marks a significant occasion, when The Arts are not only in the curriculum, but they include all five art forms: Dance, Drama, Media Arts, Music and the Visual Arts.
Philip Channells reflects on Singapore’s 2015 World Dance Alliance Asia–Pacific conference.
An original member of Garry Stewart's Australian Dance Theatre (ADT), Lina as been a choreographer since 2000. Her recent work, A Delicate Situation, was shortlisted for the 2015 Australian Dance Award for Outstanding Contribution to Independent Dance. Lina will use her Peggy van Praagh Choreographic Fellowship honing her theatrical devising practices including her approach to constructing narrative and characters and working with the voice, particularly techniques for warm-up, projection, endurance and dynamic range.
Karen Veldhuizen shares her personal highlights from National Dance Forum 2015. 'I offer them to you as representative of the sense of belonging I found amongst the Australian dance community.'
Annette Carmichael responds to Andrew Morrish's National Dance Forum 2015 provocation.
Andrew Morrish, 2015 National Dance Forum facilitator, shares his vision for this forum: an NDF that embodies our diversity, its history, its present and its future, and to experience the forum as a living community.
Highlights from the 24th Annual Meeting of IADMS—enhancing the health, wellbeing, training and performance of dancers by cultivating educational, medical, and scientific excellence.
It's been described as the most significant platform for dialogue across the Australian contemporary dance sector. For two days, escape the isolation and immerse yourself in discussion, debate, networking, new ideas and reflection on artistic practice.
Julie Dyson and Cheryl Stock discuss Australian Dance in Shifting Sands: Dance in Asia and the Pacific.
Summaries of the projects and/or areas of interest of the dance professionals and students who attended the 2012 National Dance Research Forum.
BlakDance intern and dance and journalism student Ann-Maree Long shares her experience of the performance Blakdance 2012.