Journals + newsletters

Journal articles and newsletters from Ausdance and industry partners.

An errand into two minds

In 1947 American modern dance pioneer Martha Graham commissioned a score from Italian composer Gian Carlo Menotti for a new work. The resulting collaboration, Errand into the Maze. Only a few years after premiere, another version of the piece premiered in Sydney, Australia, choreographed by Gertrud Bodenwieser to the same score.

Tracks dance company

Co-artistic directors, David McMicken and Tim Newth give us an insight into the rich cultural context and its impact on Tracks Dance Company in Australia’s Northern Territory

Big sticks—masters and apprentices

Dr Katrina Rank, Manager of Education and Training for Ausdance Victoria, outlines the guidelines developed in Australia to support effective and safe dance practice in schools and communities

The rise and rise of community dance

Michelle Silby, independent arts consultant based in Sydney and working in the UK and Australia, sets out some of the current developments in community dance in Australia

Dancing te moana: interdisciplinarity in Oceania

This seed for this article began at a conference at the University of Otago where there was much debate about the connections between, and the definitions of, 'interdisciplinarity' and 'interculturalism' within the Oceania context. The featured dance ethnography investigates the creative process and somatic philosophies of the Atamira Dance Company.

Body commons: toward an interdisciplinary study of the somatic spectacular

Kohe and Newman investigate the parallels between sport and dance studies and also consider the emerging discipline called 'physical cultural studies'. They suggest that an intercourse between study of dance and study of sport "could provide novel methodological, theoretical, and metaphysical spaces which transcend disciplinary moorings."

Sociography

In a departure from conventional Western concert dance choreography, Larry talks about his collaborative works with performers who "disengage aesthetic design-based constraints carried by codified dance techniquers and choreographic principles."

Page 3 of 7 pages  < 1 2 3 4 5 >  Last ›