Stories + essays

Dance people share personal and inspirational experiences

An extraordinary career: Cheryl Stock, AM

Julie Dyson pays tribute to Cheryl Stock who was recently awarded an AM. Cheryl is an artist and scholar who has influenced four decades of Australian policy, dance education, scholarship and research, dance leadership and artistic vision.

News from Dance Integrated Australia

Creative Director of Dance Integrated Australia talks about Corner Dance Lab and New Works Forum in Hong Kong, which will explore ways of producing inclusive performances for artists with diverse backgrounds and physical abilities.

5 dancing TED talks you don’t want to miss!

Humanoid robots performing a surprisingly emotive performance, emerging global street-dance culture, revved up by the Internet, a choreographer's creative process in real time, Angela Patton: A father-daughter dance ... in prison and Matt Cornell demonstrates the power of movement and its effect on our state of being.

Slow touring: longer, slower, deeper

Slow touring expresses a desire (from artists, communities, tour presenters and funding bodies) for audiences to experience a deeper engagement with a touring performance, often through activities such as skill sharing (e.g., workshops, residencies, exchanges and collaborations) and collaboration on creative projects (e.g., recreating the work for/with local audiences). We highlight Shiver by Danielle Micich, a 2012 West Australian dance tour that successfully managed and delivered community engagement activities.

AYDF 2012 video diary

If you’ve ever wondered what happens each day of the festival, this video diary from the last AYDF gives you a taste of the festival experience. How does it feel to perform in a professional theatre before your peers? What type of dance will we make with the choreographic mentors? What are the other dancers like? What will I learn? What is site-specific performance? What is it like being a choreographic mentor? Young dancers and their choreographic mentors answer these questions and more.

Festival participants and choreographic mentors discuss movement, meaning, collaboration and site-specific performance.

Foreshore dancing at the 2009 AYDF

It's standard Aussie holiday fare—families line the grassy foreshore, and picnics, cricket games and shrieking children abound. However, there are a few surprises in store along the foreshore on this particular Saturday. Scattered along the promenade are tents, caravans and campervans from a variety of eras, and 160 young dancers who dance in and around these temporary homes. This is Foreshore Cruisin', the performance that is the culmination of the 2009 Australian Youth Dance Festival (AYDF).

Erin-Louise Nash’s 2006 AYDF diary

As soon as the lights and music started, I had this amazing feeling rush over me. It was then that I really knew that I was a part of something huge! Here I was, hours away from home, performing in a new town, right next to dancers from all over the country! Not only that, but I was dancing beside people from all different dance backgrounds and skill levels.

Both performances went so well that it was hard to believe we’d only choreographed the pieces a few days earlier. The show looked like we had been rehearsing together for months!

Nubrico Youth Dance at the 2006 Australian Youth Dance Festival

Tracey Brown and Sharon Teear, youth dance leaders from UK's Rubicon Dance, discuss their time at the 2006 Australian Youth Dance Festival with their youth dance group Nubrico.

The festival was great in exploring, sharing and learning different dance styles as well as sharing our passion for dance. Having the chance to go to Australia has been a fantastic experience for me and one that I will never forget! – Sophie

Diedre Atkinson’s 2006 Australian Youth Dance Festival experience

Diedre Atkinson, a teacher at John Curtain College of the Arts, accompanied her students to several Australian Youth Dance Festivals. She described the AYDF as "an irreplaceable experience in the students’ development and discovery of dance. Total immersion in dance through participation in workshops, choreographic process, observation, performances, reflection and evaluation results in an intensive learning experience, and opens eyes wide to so many more possibilities".

Samara Cunningham’s 2004 AYDF experience

When Samara Cunningham attended the 2004 AYDF she was a Perth-based independent artist. Samara graduated from WAAPA with a Bachelor of Arts (Dance) in 1998. In this article she shares her experience of the Festival's choreographic development process and performance outcome.

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