As a major champion of the arts in regional North Queensland, Dancenorth balances a dynamic regional presence with a commitment to creating compelling contemporary dance that tours the globe. Led by Artistic Director, Kyle Page, Dancenorth is an integral part of the Australian dance ecology making a significant contribution to the dance sector and building literacy around contemporary dance nationally.
This exciting role is based in Townsville, Queensland. Townsville is the largest city in Northern Australia and is in the midst of transformation, with 62 new infrastructure projects currently underway. With 300 days of sunshine a year, Townsville has a relaxed tropical lifestyle coupled with a vibrant city life.
Dancenorth seeks an Executive Director who is:
- An inspirational leader with powerful interpersonal skills; someone who can inspire, internally and externally, and who can collaborate, mentor, and delegate
- A compelling, persuasive and effective communicator
- A willing, talented, and tested fundraiser who is comfortable asking for money and who has the ability to build and maintain long-term relationships with the Board and supporters.
Applications close Monday 11 December 2017
WDA Asia Pacific will elect a new Executive Board and regional Vice Presidents at its Annual General Meeting on Saturday 11 November in Taipei. Nominations were called for several weeks ago, and the AGM agenda circulated.
WDAAP President, Yunyu Wang (Taiwan), will step down at this meeting, as she has served a maximum term as President. Urmimala Sarkar Munsi (India), the current Vice President, has been nominated to step into that position, but at the time of writing nominations for other positions are still being received.
Also on the AGM agenda is a proposal to clarify the roles and responsibilities of regional Vice Presidents for East Asia, South East Asia, South Asia and the Pacific. The current edition of Asia Pacific Channels has a full list of the Executive Board members, and this list will be updated in the December edition following the election.
We also have a proposal from the Education & Training network co-chairs, Ralph Buck and Jeff Meiners, for formalising the selection of network chairs. At present these are un-elected positions, but the proposal is for a more formal approach to appointing network chairs (also listed in Channels), and for mentoring younger WDA members to take on these roles. The four networks are Education & Training, Creation & Presentation, Research & Documentation and Support & Development.
Finally, another reminder to put the dates in your diary for next year’s Joint Dance Congress, Panpapanpalya 2018, to be held in Adelaide from 8–13 July. There will be a hugely exciting and stimulating program of academic papers, performances, panel discussions, workshops and, of course, networking with peers from all over the world, with a special focus on young people and dance. Earlybird registrations are on sale until 1 February 2018.
Since our last report, NAAE has been engaged in meetings and correspondence with the NSW Education Minister, Mr Rob Stokes, and the NSW Education Standards Authority (NESA) about the development of a new Creative Arts syllabus in NSW.
NAAE’s concerns about the new syllabus centre around the exclusion of Media Arts as a discrete subject in the arts curriculum. In its meetings with NESA staff and in a letter to Mr Stokes, NAAE made several points about the essential role of Media Arts in a 21st Century curriculum:
- The exclusion of Media Arts means that NSW students are being denied the opportunity available to every student in every other educational jurisdiction in the country to engage with 21st Century media, art forms and learning. The NESA Creative Arts draft directions provide a very mid to late 20th Century approach, setting directions that are limiting rather than enabling.
- The notion of Media (Arts) being taught across the curriculum is fine as a tool to assist learning in other subject areas, but it denies the existence of Media Arts as a separate but equal art form. This ad hoc approach means it will not be taught at all or it will be covered inadequately, denying Media Arts practice as a discrete art form. Other jurisdictions have found with other subjects that ‘everywhere across the curriculum’ actually means nowhere.
NAAE also made a submission to the Gonski Review to Achieve Educational Excellence in Australian Schools, authored by lead writers Sandra Gattenhof and John Saunders (Drama Australia). In an eight-page submission we recommended:
- The full implementation of the Australian Curriculum: The Arts in all states and territories in Australia, across the primary and secondary years of schooling.
- Increased professional learning opportunities across the five Arts subjects (Dance, Drama, Media Arts, Music and Visual Arts) in primary schools to support teachers to effectively teach The Arts and improve student academic and non-academic outcomes in Arts and non-Arts areas.
- Increased time allocated in pre-service teacher training for primary teachers to gain further expertise in teaching The Arts.
While it only feels like yesterday that the 2017 Australian Dance Award winners were announced, nominations for the 2018 ADAs have opened! You can find information on selection criteria, an eligible works list, and a link to the nominations page at Australian Dance Awards 2018. The awards ceremony will be produced by partner Ausdance QLD and held in Brisbane in August 2018. Stay tuned for the confirmed dates and further information on this important ‘night of nights’ for the Australian Dance community.
For those that were in attendance at the 2017 National Dance Forum – ‘Dance in the Digital Domain’, keep an eye out for a survey that will arrive in your inboxes shortly. The NDF 2017 program was action-packed, and now that everyone has had a bit of time to digest and reflect on all the inspiring and thought-provoking presentations, it will be important to hear from you about what worked well and what might be done differently for next time!
The Australian Alliance for Wellness in Entertainment (AAWE), launched on World Mental Health Day (10th October), has gained impressive cross-sector support! A significant number of organisations and individuals have signed up as members, with the national AAWE Roadshow about to commence. For further information on the events across the country, please visit their website.
Ausdance National continues to work with the broader arts sector in supporting and advocating for dance. Working closely with colleagues from the Australian Major Performing Arts Group (AMPAG) and Symphony Australia, an individual submission for dance was made in October in response to the consultation by the Federal Government on the Skilled Migration Occupation Lists regarding 457 Visas. Additionally, Julie Dyson, Ausdance National’s representative for a range of peak arts bodies, provides an update below regarding sector activities, issues and advocacy.
The Safe Dance Report IV will soon be released, which will provide a critical snapshot of issues related to injuries in professional dancers in Australia. Building upon the previous Safe Dance Reports, this current research by Amy Jo Vassallo has identified important information that will advance the knowledge, application and education of all within our sector to ensure safe dance practice continues to support the health and wellbeing of our dancing careers.
Have a wonderful month of November!
After much consultation and discussion, the ArtsPeak Executive Committee has sent the following letter to all members. The committee will monitor any developments at national political level to ensure that there is still a voice, when, for example, a Federal election is called. The letter reads as follows:
Thanks so much for your feedback and thoughts, and also your kind words about the Executive’s role with ArtsPeak. We heard back from more than half of the current ArtsPeak membership.
Overwhelmingly you have supported our proposal to put ArtsPeak on the backburner for now, to support other initiatives such as The New Approach, to monitor where the advocacy gaps are, and to look at what model would be appropriate to build for the future.
It was clear from responses that ArtsPeak is well regarded for its work to date, particularly its role in reversing the budget changes of 2014 and 2015, and there is sadness around having to put that work on hold.
No alternative suggestions were made about how we might resource some pro-active work in the short-term, and everyone agrees that the work can’t continue at the same pace without human and dollar resources.
The following has been agreed (from November 2017):
- Observe and support the work of the Australian Academy of the Humanities and Newgate Communications (as the successful tenderers for the New Approach project), as well as projects such as Arts Front, and the new wave of First Nations service organisations;
- Retain the ArtsPeak brand and collateral under the supervision of the Executive, to use at a future date if and when appropriate;
- Support the current individual ArtsPeak members to continue to liaise with each other and work towards a stronger arts sector (but not for the moment under the ArtsPeak brand);
- As the New Approach rolls out and other work is implemented, the Executive will monitor where the gaps are, and look at what model would be appropriate to build, at a future date.
You are welcome to get in touch with any of the executive members, or the broader ArtsPeak membership at any time. Below is the list for your information and for one-on-one communication.
- Henry Boston, Chamber of Arts and Culture WA
- Merryn Carter, Performing Arts Touring Alliance (PATA)
- Norm Horton & Sarah Moynihan, Feral Arts
- Julie Dyson, Ausdance National, the Childers Group and NAAE
- Lena Nahlous, Diversity Arts Australia
- Nicole Beyer, Theatre Network Australia (until November 2017).
Expressions of interest are sought from contemporary dancer–makers for Tasdance professional ensemble 2018–20.
Tasdance has embarked on a daring new approach to the nature of the professional contemporary dance ensemble to become the Tasdance Makers Company.
Well what a month it’s been! September saw the successful delivery of the Australian Dance Awards AND the National Dance Forum—in a fabulous partnership with our producing and presenting partners Ausdance Victoria.
The 2017 Australian Dance Awards was a truly wonderful evening of celebration of all things dance, particularly the winning artists, companies, choreographers, educators, and creatives announced. To give you a quick sense of what the night entailed, check out Ausdance Victoria’s Facebook page. Congratulations to all nominees and winners, and a big thank you to the sponsors—Arts Centre Melbourne, Harlequin Floors, Equity, Aon, Gaynor Minden and various Victorian-based supporters; the ADA Panel, and Ausdance National and Ausdance Victoria team members who made this event so successful.
Earlier this month Ausdance SA organised a wonderful event at Government House to celebrate its 40th birthday.
Sandra Macarthur-Onslow and I continue to catalogue the contents of the 200 boxes of Ausdance National’s archives, now lodged at the National Library of Australia.
The ArtsPeak executive is currently exploring possible restructuring and support for the new privately-funded arts advocacy team formed by the Myer Foundation, the Tim Fairfax Family Foundation and the Keir Foundation’s program called A New Approach. The foundation recently announced that the Australian Academy of the Humanities and Newgate Communications have been engaged to deliver the program, and that the foundation will provide $1.65m to establish the lobby group to ‘defend and promote the benefit of intellectual and creative life’.
We have also recently attended a meeting with Andrew Leigh (Member for Fenner), the Opposition Assistant Treasurer, and discussed some options for arts advocacy at Shadow Cabinet level. We hope to respond to the ALP’s invitation to have input into a revised Creative Australia policy prior to the next federal election.
We urge all Ausdance members to re-read the Creative Australia: national cultural policy and send us any suggestions that we might feed into the consultation process.
The NAAE will have its next meeting on 11 December, but NSW reps will in the meantime be meeting with NSW Education Standards Authority (NESA) to discuss concerns about the way in which the Creative Arts K-6 Syllabus is being rewritten, and about the exclusion of Media Arts from the NSW curriculum, despite agreement by all Australian governments to adopt the Australian Curriculum: The Arts. It’s clear that NSW’s options clearly do not represent the agreement endorsed at COAG (which included the NSW Education Minister). (Minister’s response [PDF 2.9MB]
In the meantime NAAE member Sandra Gattenhoff will be attending an open forum in Brisbane with Arts Minister Mitch Fifield on Thursday 21 November. We hope there will be an opportunity for Sandra to ask whether the Minister would be willing to receive a proposal to fund an inquiry similar to Arts Council England’s Commission to explore the benefits of arts for children.
NAAE has also supported the development of the WA Play Strategy for Early Childhood Australia, as requested by Sandra Hesterman of the Early Childhood Association WA.
WDA has convened a small sub-committee to review the structure of the organisation in order to streamline membership and the role of the four networks: Creation & Presentation, Education & Training, Research & Documentation, and Support & Development). I will chair the review team, made up of Linda Caldwell (Americas), Fiona Bannon (Europe) and Urmimala Sarkar Munsi (Asia Pacific). We hope to report back to the Global Executive at the Joint Dance Congress, Panpapanpalya, in Adelaide next year.
The annual Australian Dance Awards (ADAs) recognise and honour professional Australian dance artists who have made an outstanding contribution to Australian dance.
TThe 2017 ADAs were presented by Ausdance Victoria, Harlequin Floors and Ausdance National on Sunday 24 September at Arts Centre Melbourne.
Congratulations to the winners and all the shortlisted nominees! And the winners are....
Kim will provide an exploration and scan of the creative technology intersection—from the beginnings of the digital age and beyond.
It is all systems go at Ausdance National in light of the upcoming Australian Dance Awards and National Dance Forum—which are only a handful of weeks away! The shortlisted nominees, and the LIfetime Achievement and Hall of Fame recipients have been announced already. The invited speakers and presenters for the 2017 NDF are shaping up to be exceptionally exciting, and the announcement of the final program will be out very soon. Please ensure you book your ADA tickets and register for the NDF as soon as possible as tickets to both events are selling fast!
Can you even remember life before the internet? Hang on, perhaps you weren’t alive.
The digital domain has transformed almost every facet of our lives—but for those of us in the arts, it’s been especially influential in the way we make and consume art. In many ways there have never been more ways to get your art out there, and the artistic possibilities of new technologies are seemingly endless…but life for dance in the digital domain is not without its challenges.
Australia's first male ballet dancer of Indigenous heritage, Noel was inspired by a performance of Les Sylphides at the National Theatre in Melbourne. He took classes at the National Theatre Ballet School, studied ballet with Madame Borovansky, Drew Hardy, London Afro Cuban with Katherine Dunham, jazz with Matt Mattox, singing with Joan Arnold at the Melbourne Conservatorium and Rita Godfrey in London, and acting with Hayes Gordon.
Helen has been an inspirational figure in the world of Australian dance for over four decades. She has led a highly-regarded and multi-faceted career over that time as a performer, choreographer, artistic director, creative collaborator, independent producer, project manager, teacher, performance coach, arts adviser and academic.
Tuesday 22 August 2017
For immediate release
Australia’s peak dance organisation, Ausdance National, will host a two-day forum next month bringing together dance makers, producers and presenters for a highly topical forum focusing on the future of dance within the digital domain. The National Dance Forum is Australia’s key platform for dance artists, industry professionals and educators in providing rich opportunities to discuss, debate and collaborate with some of the most influential individuals and organisations in the country.