Opportunities

Exciting opportunity to lead the renowned VCA Dance Program at the University of Melbourne

Job title: Senior Lecturer / Associate Professor / Professor in Dance
Department: Victorian College of the Arts, Faculty of Fine Arts and Music
Institution: The University of Melbourne
Salary: Level C $116,901 - $134,792 p.a Level D $145,685 - $160,500 p.a. or Level E $187,654 p.a., plus 17% superannuation. Level of appointment is subject to the appointee's qualifications and experience.

The VCA Dance program is nationally recognised and has received much acclaim for the development of dancers, choreographers and contributors to the profession. We are seeking an experienced practitioner and academic to lead the artistic and pedagogical vision of the program.

This is a full-time, continuing appointment where it is expected the appointee will be offered the position of Head of Dance for a period of three years in the first instance.

Applicants must have a doctoral qualification (or equivalent artistic and academic standing) combined with demonstrated experience in leadership and management. Also essential are: significant standing as a practitioner; knowledge of curriculum creation and transformation; substantial understanding of a University research environment; demonstrated track record of contribution to the strategic development of an organisation; involvement in public outreach; and the ability to develop local, national and international engagement opportunities.

The position is based at the Southbank Campus, in the heart of Melbourne’s Arts Precinct.

Applications close: 8 October 2018

How to apply

Online applications are preferred. Go to the University of Melbourne Careers website.

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Apply for Sydney Dance Company Pre-Professional Year Program 2019

Calling all aspiring professional dancers aged 18–24 years, applications are now open for Sydney Dance Company's Pre-Professional Year 2019.

“Sydney Dance Company’s Pre-Professional Year is an outstanding opportunity for aspiring dancers to gain exposure to Australia’s leading contemporary dance company. Pre-professional dancers will develop all the skills essential for a lifelong career in contemporary dance as well as being provided with unique professional development, networking and mentorship opportunities under the guidance of the artistic staff of Sydney Dance Company.” Rafael Bonachela, Artistic Director, Sydney Dance Company

Key information

Applications are
 open to Australian and New Zealand citizens or permanent residents only.

Application closing date: 
Monday 27 August 2018 

Audition: The first round of Pre-Professional Year auditions will be an online application process that includes a video submission.

Successful first round applicants will be invited to a second round in-person audition at Sydney Dance Company Studios on 17 September 2018 between 9am and 6pm.

For more information please visit 2019 Pre-Professional Year Audition Application.

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Australia Council Arts Project funding to support crucial dance sector priorities

Ausdance National has received $64,860 from the Australia Council’s Arts Projects program to support the position of a new executive director who, in 2018, will work towards achieving outcomes that support identified sector priorities.

Under the leadership of a senior arts professional, and supported by a skills-based board, Ausdance National will advance prioritised national agendas across education, research, health, employment, and sector development.

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Dancer–makers: apply for Tasdance Makers Company

Expressions of interest are sought from contemporary dancer–makers for Tasdance professional ensemble 2018–20.

Tasdance has embarked on a daring new approach to the nature of the professional contemporary dance ensemble to become the Tasdance Makers Company.

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Call for papers—The Oxford Handbook of Contemporary Ballet

Edited Volume: The Oxford Handbook of Contemporary Ballet
Editors: Dr Kathrina Farrugia-Kriel (Faculty of Education, RAD) and Dr Jill Nunes Jensen (Loyola Marymount University)

We are seeking contributions to an edited volume on contemporary ballet. The book will posit ‘Contemporary Ballet’ as a new domain within the broader frameworks presently recognised by discourses in dance.  

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Nail that 3-minute pitch closed workshop

We invite practitioners to submit an expression of interest to participate in a skills-based closed workshop. Facilitated by a panel of experts, this session will provide you with practical tools and develop your pitching skills.

This is a closed workshop session, open to practitioners who may or may not be using digital technology in their practice. The session is limited to 12 participants.

Please complete the EOI form, attach your proposal and a brief CV, and email to Ausdance National by Friday 15 September 2017.

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Shaun Parker & Company seeks executive producer

Shaun Parker & Company is one of Australia’s most far-reaching dance companies, having toured extensively internationally to 18 countries across Europe, the Middle East, Asia, and the United States. Based in Sydney, the Company has delivered a range of award-winning dance theatre productions, outdoor festival works and transformative dance education programs. Shaun Parker & Company has secured funding until the end of 2020, having been awarded multi-year funding from Arts NSW and four-year funding from the Australia Council. Shaun Parker & Company is renowned for its powerful, humanist, dance theatre productions, which have touched audiences across the globe, transcending borders and demographics.

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Call for applications—Sydney Dance Company pre-professional year 2017

We are pleased to announce that applications are now open for Sydney Dance Company's 2017 Pre-Professional Year. Australian and New Zealand dancers aged 18 or over are eligible to apply.

Led by course Director Linda Gamblin, this nationally accredited one year intensive offers students the chance to work with some of Australia’s most renowned choreographers and dance educators. Students will develop their technique, artistry and performance skills alongside members of Sydney Dance Company led by Artistic Director Rafael Bonachela.

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Sir Matthew Bourne auditions male dancers for Melbourne production

Arts Centre Melbourne, Matthew Bourne’s New Adventures and Re:Bourne, the charitable arm of New Adventures are working towards a major creative project that will culminate in a one week season at Arts Centre Melbourne’s State Theatre in Autumn 2017.

This project offers an opportunity for Melbourne-based dancers to work for one month with choreographer Sir Matthew Bourne’s leading international dance company. 

Sir Matthew Bourne and other members of the New Adventures team will be in Melbourne in August 2016 to audition six male dancers to join the company for this one-off project at Arts Centre Melbourne.

Key information

  • Audition date: Saturday 6 August 2016 (applications required)
  • Recalls: Sunday 7 August 2016
  • Where: Auditions and recalls will be held in a centrally located venue in Melbourne
  • Rehearsals & season: Sunday, 14 August 2016 (workshop) & Monday 13 March – Sunday 9 April 2017
  • For Melbourne-based male dancers with at least three years of professional level training in classical or contemporary dance with a stage appearance age between 14–22.
  • Audition notice and application information on the Arts Centre Melbourne website.
  • Applications close COB Tuesday 12 July 2016.

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Arts Centre Melbourne seeks two community dance artists for one-off project

Arts Centre Melbourne, Matthew Bourne’s New Adventures and Re:Bourne, the charitable arm of New Adventures are working towards a major creative project that will culminate in a one week season at Arts Centre Melbourne’s State Theatre in Autumn 2017.

This project offers an opportunity for Melbourne-based dance artists and physical performers to work with a leading international dance company.

Sir Matthew Bourne and other members of the New Adventures team will be in Melbourne in August 2016 to find two community dance artists to join the company for this one-off project at Arts Centre Melbourne.

Key information

  • For artists with experience in classical or contemporary dance, physical performance, mentoring of young people and dance workshop delivery.
  • Interview & workshop date: Monday 8 August 2016
  • Training: Friday 12 – Monday 15 August 2016
  • Outreach workshops: Monday 3 October – Sunday 11 December 2016 (P/T) &  Saturday 18 February and Sunday 19 February 2017
  • Rehearsals & season: Monday 13 March – Sunday 9 April 2017 (P/T and F/T)
  • Further details and position description on the Arts Centre Melbourne website.
  • Applications close COB Tuesday 12 July 2016.

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Write for Brolga—an Australian journal about dance

Submissions are open for Brolga #41 under the broad theme 'A place for dance'.

Key information

Brolga covers

The art and community ecology in which dance exists is delicate and complex. As with the fight for survival by animals in compromised environments perhaps it is the ‘charismatic’ or ‘innovative’ artists who survive. If so, where is the place for the dancers and dance makers who exist outside the realm of publically notable; who eschew spectacle or even notoriety? And how is it possible for a dancer to find their dance place in the rich history of skill and experimentation?

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Choreographic Practices journal: call for contributions

Key information

  • Choreographic Practices is an international peer-reviewed journal.
  • Full article should be approx 6,000 words.
  • Deadline for full essays: 1 June 2016
  • To submit a contribution email [email protected].
  • For questions about the theme or focus of your submission, please email Robert Vesty (associate editor for this special issue).

This special journal issue of Choreographic Practices—WORDS and DANCE—aims to draw together, contribute to and exemplify debates around the use of spoken word in current and future 21st Century dance practices as well as its place in the contemporary cultural landscape.

What are the intersections between spoken words (in the form of live narrative, poetry, dialogue or writing) and choreographic practices?
What is the relationship between the word and the move?
How can/do spoken words and dance work together, especially in improvisatory practice?
What implications does the use of voice have in dance practice?

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FINE LINE—develop dance theatre writing skills

Force Majeure and Australian Theatre for Young People (ATYP) have launched FINE LINE, a three-year partnership to discover the next generation of writers for dance. Led by Force Majeure's Danielle Micich and ATYP's Frasier Corfield, the program will give young writers the opportunity to develop skills in writing for the medium of dance theatre. In 2016, FINE LINE will kick off with a skills masterclass. Writers aged 18–26 interested in telling stories through dance theatre are encouraged to apply.

Skills masterclass

  • Date: 5–6 March, 10 am – 4 pm at ATYP
  • Expressions of interest: Complete the online application form by 5 pm Thursday 11 February.
  • More info: bit.ly/1WOSt3f

Script workshops

Following on from the skills masterclass, a group of up to three young writers will be selected for a series of script workshops. Danielle Micich will mentor the selected writers on every aspect of writing for dance theatre – from research and development, to how to write for a devised work with performers, to delivering a text. These will run from 4–9 July 2016.

The final stage of the three-year FINE LINE program will be the full-scale production of one or two scripts at ATYP.

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fLiNG Physical Theatre is hiring!

We are seeking an associate artist to work with Co-Artistic Director Rob McCredie to deliver our 2016/17 program. This is a maternity leave cover position for one year, from April 2016 to April 2017.

This is a full-time position offering the right person a unique insight and experience in working with a growing arts organisation. The associate artist will be creating new performance work, engaging with our vibrant community through education programs and working as part of a small and passionate team to deliver regional art at its best.

fLiNG Physical Theatre is located on the pristine Sapphire Coast in NSW. We work primarily in Bega and Tathra. And, you guessed it, there is a whole lot more happening here than just cheese!

So why work with fLiNG Physical Theatre?

  • fLiNG Physical Theatre is a flagship company that produces original contemporary performance for local and national audiences.
  • The associate artist will receive opportunities to develop their practice, make and present work.
  • fLiNG has a strong and supportive community around us who are excited to learn.
  • The associate artist will get to work with a company of young artists who are energised, inspiring, hungry for new experiences and willing to work hard!

If you are interested in this position, please download the job description.

Applications close 27 February 2016.

For more information, contact Gabrielle Rose, co-artistic director, fLiNG Physical Theatre.

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