One of the great advantages of working with Ausdance National is the opportunity to see performances and appreciate some of the excellent dance training we have in this country.
In Perth recently for the Ausdance directors’ meeting, I was lucky enough to catch Summerdance, the end-of-year performance by WAAPA students who premiered Balanchine’s great classic, Serenade, staged by Balanchine Trust repetiteur Eve Lawson. The work was beautifully performed, as WA’s 7.30 program reported, and the students also gave outstanding performances of works by Gabrielle Nankivell, Xiao-Xiong Zhang and Natalie Weir.
This week we’ve seen On Course in Canberra, QL2’s program of student work from a range of tertiary dance courses in Australia. Apart from exceptionally strong technique, the students’ maturity in communicating their ideas made for an entertaining and thought-provoking program.
I’d also been lucky enough to see the Paris Conservatoire student season in November in a program that included Noces by Angelin Preljocalj, and works by Hofesh Shechter and Thomas Lebrun. These students were also outstanding, but it's no surprise that it confirms Australian dance training as being up there with the world’s best!