Ausdance Educators Queensland (AEQ) is a voluntary group of dance teachers who work across primary, middle and senior secondary schools, from the independent, Catholic and state sectors. Collectively they form a strong support base for Queensland’s teachers of dance in schools. These teachers also represent Queensland’s teachers at national dance education meetings and forums.
The AEQ hosts workshops and meets to discuss current issues. They want to hear from you about your ideas and needs so join their Facebook group.
- Dates: Friday 5 May – Saturday 6 May
- Location: Queensland Ballet studios at the Thomas Dixon Centre in West End, Brisbane.
The conference will have professional development opportunities for primary and secondary dance generalists and specialists.
For conference program and registration, visit Ausdance Queensland.
Australian Dance Week 2017 will run from 1 – 7 May 2017.
The dates for the opening and closing of Australian Dance Week vary slightly from state to state according to local events, but it always takes place during the first week of May and follows International Dance Day on 29 April. Read the 2017 International Dance Day Message by Trisha Brown.
Dance Week celebrations across Australia
- 2017 Australian Dance Week in Perth
- 2017 International Dance Day celebrations in Victoria
- Follow Ausdance NSW on Facebook for updates on ADW activities.
Services to Dance
- Ben Cobham
- Nicolette Fraillon
- Jennifer Irwin
- Susan Mayes
- Philip Piggin
Service to Dance Education
- Sally Chance
- Lesley Graham
- Katrina Rank
- Joy & Dawn Ransley
- Kim Walker
Outstanding Achievement in Community Dance
- Mature Artists Dance Experience for Moment to Moment
- Sprung Integrated Dance Company for Encounters
- The Dirt SA for Dance Jungle Gym
- Liz Lea & collaborators for Great Sport!
- Tracks Dance Company for Landed
- Salamanca Arts Centre for Salamanca Moves Festival
Outstanding Achievement in Youth Dance
- 2nd Toe Dance Collective for Alice Can Dance
- Ann Roberts School of Dance for Miss Roberts Dream
- Ballet Theatre of Queensland for Aladdin
- Catapult Dance, The Flipside Project for Pushing Boundaries
- Catapult Dance, The Flipside Project for In Search of the Lost Things
- Co3 Youth Ensemble for Our City, Our Stories
- DRILL for Destructive Feedback
- DRILL for Trash This Place
- Origins Dance Company for Fibonacci
- QL2 Dance for Connected
- Restless Dance Theatre & The Audreys for In The Balance
- Slide Dance for Secrets
- Stompin for Face Value: Convergence
- Tracks Dance Company for Milpirri (Kurdiji)
- Yellow Wheel for Quark
Outstanding Achievement in Choreography
- Rafael Bonachela for Anima (Sydney Dance Company)
- Brendan Bradshaw for Dracula (Melbourne City Ballet)
- Kristina Chan for A Faint Existence (Force Majeure)
- Craig Davidson for Ambiguous Content (West Australian Ballet)
- Lucy Guerin for The Dark Chorus (Lucy Guerin Inc)
- Lucas Jervies for Little Red Riding Hood (Queensland Ballet)
- Stephanie Lake for Double Blind (Stephanie Lake Company)
- Melanie Lane for Re-make (Chunky Move)
- Jack Lister for Rational/Animal (Queensland Ballet)
- Jo Lloyd for Mermermer (Chunky Move)
- Larissa McGowan for Mortal Condition
- Danielle Micich for Off The Record (Force Majeure)
- Kyle Page & Amber Haines for Rainbow Vomit (Dancenorth)
- Andre Santos for In Black (West Australian Ballet)
- Garry Stewart for Objekt (Australian Dance Theatre)
- Anouk van Dijk for Lucid (Chunky Move)
- Anouk van Dijk for Rule of Thirds (Chunky Move)
- Natalie Weir for We Who Are Left (Queensland Ballet)
Outstanding Performance by a Company
- The Australian Ballet forNijinsky
- Australian Dance Theatre for
- Bangarra Dance Theatre forOur Land People Stories
- Chunky Move for Re-Make
- Chunky Move for Lucid
- Co3 for re:Loaded
- Dancenorth forRainbow Vomit
- Dancenorth for If__Was__
- Expressions Dance Company forBlack
- Force Majeure forOff The Record
- Lucy Guerin Inc for The Dark Chorus
- Queensland Ballet for Strictly Gershwin
- Queensland Ballet for A Midsummer Night’s dream
- Sydney Dance Company for Untamed
- West Australian Ballet for The Nutcracker
Outstanding Achievement in Independent Dance
- Australian Dance Artists for Seven Impossible Pieces for Four Dancers
- Australian Dance Party for Nervous
- Laura Boynes for Dark Matter
- Dance Makers Collective for Dads
- Emma Fishwick for microLandscapes
- Ghenoa Gela for Fragments of Malungoka-Women of the Sea
- Lina Limosani for One’s Wicked Ways
- Paul Malek for Boyz
- Alice Dixon, Caroline Meaden & William McBride for Fallen O'er
- Larissa McGowan for Mortal Condition
- Pepa Molina for Bush Bailando
- Liesel Zink for The Stance
Outstanding Performance by a Female Dancer
- Natalie Allen for Decadance Perth 2016 (STRUT Dance)
- Michelle Barnet for When Time Stops (Expressions Dance Company)
- Juliet Burnett for Re-Make (Chunky Move)
- Juliette Barton for Lux Tenebris (Sydney Dance Company)
- Jana Castillo for Off The Record (Force Majeure)
- Kristina Chan for A Faint Existence (Force Majeure)
- Janessa Dufty for Lux Tenebris (Sydney Dance Company)
- Zoë Dunwoodie for Habitus (Australian Dance Theatre)
- Amber Haines for Spectra (Dancenorth)
- Amy Harris for Nijinsky (The Australian Ballet)
- Sarah Hepburn for The Nutcracker (West Australian Ballet)
- Lina Kim for Cinderella (Queensland Ballet)
- Ako Kondo for Coppélia (The Australian Ballet)
- Stephanie Lake for The Dark Chorus (Lucy Guerin Inc)
- Lauren Langlois for Lucid (Chunky Move)
- Talitha Lee Maslin for The Cry (Co3)
- Elise May for When Time Stops (Expressions Dance Company)
- Larissa McGowan for Mortal Condition
- Ashley McLellan for If___ was ___ (Dancenorth)
- Pepa Molina for Bush Bailando (Pepa Molina Dance Company)
- Clare Morehen for Lest We Forget (Queensland Ballet)
- Meg Parry for Romeo and Juliet (West Australian Ballet)
- Yanela Pinera for Strictly Gershwin (Queensland Ballet)
- Tara Jade Samaya for Rule of Thirds (Chunky Move)
- Taree Sansbury for (Mis)conceive (Thomas ES Kelly)
- Jesse Scales for Untamed (Sydney Dance Company)
- Lilian Steiner for The Dark Chorus (Lucy Guerin Inc)
- Leanne Stojmenov for Nijinsky (The Australian Ballet)
- Rachael Walsh for Strictly Gershwin (Queensland Ballet)
- Brooke Widdison-Jacobs for Radio & Juliet (West Australian Ballet)
Outstanding Performance by a Male Dancer
- Joshua Arkey for La Choreografia (Danza Del Arte)
- Vito Bernasconi for Lest We Forget - Tico Tico (Queensland Ballet)
- Thomas Bradley for Mortal Condition (Larissa McGowan)
- Richard Causerfor Black (Expressions Dance Company)
- Benjamin Chapman for When Time Stops (Expressions Dance Company)
- Richard Cilli for Lux Tenebris (Sydney Dance Company)
- Nelson Earl for Lux Tenebris (Sydney Dance Company)
- Chengwu Guo for Vitesse (The Australian Ballet)
- Benjamin Hancock for The Dark Chorus (Lucy Guerin Inc)
- Mitchell Harvey for The Cry (Co3)
- Rudy Hawkes for Little Atlas (The Australian Ballet)
- Alexander Idasak for The Nutcracker (Queensland Ballet)
- Kevin Jackson for Nijinsky (The Australian Ballet)
- Kris Kerr for Strictly Gershwin (Queensland Ballet)
- Bernhard Knauer for Wildebeest (Sydney Dance Company)
- Matthew Lehmann for The Nutcracker (West Australian Ballet)
- Gakuro Matsui for The Nutcracker (West Australian Ballet)
- Josh Mu for Spectra (Dancenorth)
- James Vu Anh Pham for Rule of Thirds (Chunky Move)
- Matte Roffe for Habitus (Australian Dance Theatre)
- Andre Santos for The Nutcracker (West Australian Ballet)
- Andre Santos for Romeo and Juliet (Western Australian Ballet)
- Russell Thorpe for re:Loaded 2016 (Co3)
- Joel Woellner for A Midsummer Night's Dream (Queensland Ballet)
- Shane Wuerthner for Strictly Gershwin (Queensland Ballet)
- Jack Ziesing for Decadance Perth 2016 (STRUT Dance)
Outstanding Achievement in Dance on Film or New Media
- Stephen< Agisilaou for New York City (Vertical Shadows Dance Company)
- Richard James Allen for Spotlight (The Physical TV Company)
- Juliet Burnett forLetting Blood
- Lucy Doherty for Mandala (One Dance Collective)
- Jonathan Homsey for Shujin
- Tara & Pippa Samaya for The Samaya Wives
- Sally Wicks & Dan Crestani for Empathy is the Devil (Sumi Productions)
Outstanding Achievement in Commercial Dance, Musicals or Physical Theatre
- Marko Panzic for The Secret Society (The Dream Dance Company)
- Jack Chambers for Singin’ in the Rain Stage Entertainment and Chichester Festival
- Christopher Horsey for Swing on This
- Company 2 for Scotch & Soda
- Sarah Boutler for Dance Academy ABC TV
The Award for Lifetime Achievement 2017 will be announced mid August.
Following our Annual General Meeting on 19 March 2017, members of the new Ausdance National Council have commenced their roles. Their first meeting will take place in Canberra in April.
The new Council is made up of highly experienced and skilled individuals who will now take charge of your national peak body and continue its work into the future.
The new National Executive is:
- Gene Moyle, National President
- Shaun Comerford and Elizabeth More, National Vice Presidents
- Marinda Burger, National Treasurer.
New National Council members are:
- Jasmine Moseley (Ausdance Victoria) as the representative of the National Advisory Committee
- Katarina Baykitch
- Annette Carmichael
- Jacqueline Simmonds
Read about the new Ausdance National Council members.
The Green Room Awards were presented on 27 March 2017. For winners in other artforms, visit the Green Room Awards website.
Lilian Steiner, The Dark Chorus (Lucy Guerin Inc as part of Melbourne Festival)
Benjamin Hancock, The Dark Chorus (Lucy Guerin Inc as part of Melbourne Festival)
CounterMove (Sydney Dance Company)
Ben Cobham for Bluebottle (Set and Lighting Design) and James Sandri and Pete Brundle for PDA (Video System Design), Lucid (Chunky Move)
Music Composition and Sound Design
Duane Morrison, Mermermer (Jo Lloyd and Nicola Gunn for Next Move 9 presented by Chunky Move)
Outstanding Work by an Emerging Artist/Choreographer
Thomas ES Kelly, [MIS]CONCEIVE
Concept and Realisation
Lucid (Chunky Move)
Big Dance Darwin
Nightcliff Seabreeze Festival, May 6 2017
In 2017, Tracks Dance Company invites Darwin to take part once again in the biggest world-wide participatory dance event: Big Dance.
Tracks brings world-renowned artist Akram Khan’s choreography to the Nightcliff Seabreeze Festival. All ages and abilities are welcome. Register for Big Dance Nightcliff now.
Workshops to learn the Big Dance choreography will be held between 26 April and 5 May, and led by Tracks Artistic Co-Director David McMicken, assisted by local dancers.
Tracks is excited to offer this opportunity to keep the momentum of Big Dance alive while Big Dance UK prepares to officially handover to Australia in 2018. Big Dance Darwin 2017 is part of the Tracks Participation Program.
Ausdance National and the Ausdance network welcome news today that the Arts Minister, Senator Mitch Fifield, has decided to return Catalyst funds to the Australia Council.
The sudden removal of funds from the Australia Council, the loss of transparent peer reviewed decision-making processes and uncertainty about the role of Catalyst have caused enormous disruption and distress across the sector.
Ausdance National President-elect, Associate Professor Gene Moyle, said: ‘The Minister’s decision to return remaining Catalyst funds to the Australia Council is a very welcome step. The Minister is to be congratulated for acting on the strong messages he has received about the loss of highly-regarded dance companies and organisations, and has moved to address the ongoing concerns of the arts profession.
‘We now want to ensure that some funding balance will be returned to the small to medium dance sector in particular, so we welcome the Minister’s comment that “This will allow the Australia Council to continue to focus on supporting small to medium arts organisations.'
We look forward to working with the Minister and the Australia Council to ensure that this goal is realised.
Contact: Gene Moyle (0411 640 012) or Julie Dyson (041 2211 513)
Members of the new Ausdance National Council will commence in their roles following the Annual General Meeting on 19 March 2017. Led by National President Gene Moyle, this is a group of highly experienced and skilled individuals who will now take charge of your national peak body and continue its work into the future. I thank the Australia Council for providing additional funding to allow the new council to meet face to face during 2017 as they consider the future of the organisation.
Last year, the interim executive developed a draft strategic plan with a vision that states that by 2020, Ausdance National will be:
- reaffirmed as the leading national advocate for dance in Australia
- the leader of a respected, integrated and sustainable Ausdance network supporting and promoting professional dance practice in Australia
- financially sustainable and empowered in a new funding environment.
What should a peak service organisation look like in 2020? What priority services, programs and projects should it provide? How should it build and engage with its membership?
While we celebrate Ausdance’s 40th Anniversary this year and many significant achievements, Ausdance National also needs to consider these critical questions as the new council sets in place a viable plan for the future without core operational funding. The support and contribution of our members around the country will be an essential part of that conversation.
Ausdance National and the Ausdance state and territory organisations that make up the network will continue to make a significant contribution to dance across Australia and internationally. While acknowledging that the future is not without its challenges for Ausdance National in the short-medium term, I am also excited at this unique opportunity to build and secure the future of dance in Australia through the uniquely integrated services of Ausdance.
I take this opportunity to again acknowledge and thank our hard working staff—Rachael Jennings, our publications & communications manager and Leanne Craig, who co-ordinates the Australian Dance Awards selection process and assists with administration.
I look forward to reporting on Ausdance National’s 2016 activities and our plans for 2017 at the AGM—I hope some of you will be able to join us in Melbourne to meet some of the new council members and to join me in congratulating them and wishing them the very best.
Interim National President
The National Advocates for Arts Education (NAAE) has had a very productive start to 2017, with the NAAE paper advocating for inclusion of the Arts in the STEM agenda being submitted to the Federal Government’s Inquiry into Innovation and Creativity: Workforce for the new economy. The paper was co-authored by John Saunders and Sandra Gattenhof (Drama Australia), with input from all other artform members of NAAE, including dance educators Jeff Meiners (SA) and Sue Fox (Qld).
While most people only refer to STEM (Science, Technology, Engineering and Mathematics) when discussing innovation and creativity, the Arts are considered in many countries to be an essential element of an innovative economy, hence the increasing advocacy for STEAM in Australia. We note with real concern that the arts were not included in the Federal Government’s original National Innovation & Science Agenda, nor do most submissions to the current inquiry mention the Arts.
However, strong submissions were made for a STEAM agenda by several prominent organisations, including the Australian Major Performing Arts Group (AMPAG), the National Association for the Visual Arts (NAVA), the Australian Copyright Council, and Arts Educators, Practitioners & Researchers Australia, as well as several universities.
NAAE wants to bring together all those advocates for STEAM and develop a new strategy for increasing the voice of the Arts in this country’s innovation agenda.
To keep up with current NAAE agendas and discussions about future activities, go to our NAAE Facebook page and join the conversation.
Julie Dyson – Chair
This year’s WDA Global Summit will be held from 23–28 July in St John’s, Newfoundland, a beautiful Canadian city on the east coast. Titled ‘Dancing from the Grassroots’, there will be many exciting events—performances, a conference including Pecha Kucha presentations, panel discussions and papers, and of course a Choreolab and master classes. We hope many Australians have made submissions to participate and look forward to once again having great representation from Australia at all events. Registrations will be open shortly.
Another wonderful opportunity available to Australian Ausdance members is the International Young Choreographer Program (ICYP), which offers fellowships to eight young artists: three from Taiwan, three from other Asia Pacific countries, and one each from WDA Europe and WDA Americas.
This year another Australian, Scott Ewen, has been selected ICYP in Taiwan, to be held in July this year. Scott also attended the WDA Choreolab as a a highly regarded choreographer last year in Seoul. Congratulations Scott!
Ausdance members are automatically members of the WDA through Ausdance National’s partnership arrangement that includes publication of Asia Pacific Channels, access to choreographic fellowships, and discounted event attendance. Make sure you’re an Ausdance member before applying for any of these events.
The 2017 Annual General Meeting for Ausdance National will be held on Sunday 19 March 2017 from 1.00 – 2.30 pm at Arts House in Melbourne.
The agenda, minutes, proxy form, membership information and biographies of the new eight-member national council are available below.
This is an important moment for the future of Ausdance National as your peak sector organisation. The AGM has been scheduled during Dance Massive in the hope that some of you may be able to attend to hear about current plans and the appointment of the new national council. I am delighted at the calibre of nominations received by the due date. As the number of nominations does not exceed the required positions, there is no need to hold an election.
If you are unable to attend the meeting, please consider providing a proxy on the form included below. Email your signed proxy form to Ausdance National by Friday 17 March 2017.
Please note that a performance of Lucy Guerin Inc’s Split is at Arts House commencing at 3.00 pm, so you may like to take advantage of that following the AGM. More information and tickets are available on the Dance Massive website.
I look forward to seeing some of you on Sunday 19 March 2017. Many thanks.
Interim National President
2017 AGM papers
- Agenda (200 Kb PDF)
- 2016 Annual General Meeting minutes (210 Kb PDF)
- Extraordinary General Meeting minute (280 Kb PDF)
- Proxy form (60 Kb PDF)
- Ausdance National Council biographies
- Membership information (17 Kb PDF)
- 2016 Annual report (3.4 MB PDF)
Nominations close 28 February.
Were you excited or moved by a performance in 2016? Did a particular dancer deliver a stunning performance? Perhaps you saw some outstanding and innovative choreography? Now is the time to submit your nominations for the 2017 Awards, to be presented in Melbourne in November.
You can nominate a choreographer, a dancer, a company or a piece of choreography for an Australian Dance Award.
You might like to look at the eligible works list if you need help remembering what your saw last year. This list is collated throughout the year and is intended as a reminder only. If you think a work is missing please email the nominations coordinator.
For an effective nomination in the most appropriate category, you should read the selection criteria first and be sure to provide a meaningful and concise comment about why you think a performance/performer is exceptional and worthy.
Professional writers, teachers, designers etc. working extensively in the dance sector over many years may also be nominated for an award for services or education. Nominees for a Lifetime Achievement award must be prominent senior figures in the Australian dance community who have dedicated at least 40 years to the industry.
The single biggest challenge for Ausdance National in the coming months is the election of a new skills-based National Council at the March 2017 Annual General Meeting. The formal call for nominations has now opened and members have until 17 February 2017 to nominate yourself or a colleague to join the new Council.
If you care about the future of dance in Australia, and of its peak professional body, then please take some time to consider whether you or any individuals you know have the skills and experience to contribute to the future of dance. Under recent changes to the Constitution, all members of Ausdance state and territory organisations, together with our national members, have the opportunity to nominate and vote for the new Council.
As well as recovering from the ArtsPeak National Arts Election Debate six months ago, there has been ongoing work: following up with the Australia Council on the Service Organisations Scan (complete, to be released by the Australia Council in the first quarter of 2017); advocating for the arts courses that will be affected by the VET student loans proposal (ongoing); and continuing to voice the sector’s concerns about the impact of the 2015 budget changes. The Executive has also played a part in Arts Front, and is currently monitoring (with great interest) the new initiative for a Myer, Tim Fairfax Family and Keir Foundations cultural think tank.
Toronto, Canada, 11–12 Nov 2016
LEAP Together: Career and Life Transitions in Dance and Sport was one of the key initiatives of a pioneering partnership between Dancer Transition Resource Centre (DTRC) and Canadian Sport Institute Ontario (CSIO), and is funded by the Ontario Trillium Foundation.
The conference included a wide diversity of stakeholders from the sport and dance sectors to learn and exchange knowledge on various topics related to transition for high performers – professional dancers and elite athletes.
The Special General Meeting of September 19 this year adopted a vastly amended constitution for Ausdance National.
The main purpose of the changes is to implement a skills-based board and governance structure. The board of the National Council before the changes was the Ausdance National Executive (president, two vice presidents and treasurer) with the president of each Ausdance state and territory organisation a director on the board.
2–23 July 2017 (dates TBC) Kaohsiung, Taiwan
The Standing Committee on Employment, Education and Training invites you to make a submission to the inquiry into Innovation and Creativity: Workforce for the New Economy
'On Wednesday 9 November 2016 the Committee adopted an inquiry referred by the Minister for Employment, Education and Training, Senator the Hon Simon Birmingham, asking the Committee to inquire into and report on matters that ensure Australia’s tertiary system—including universities and public and private providers of vocational education and training—can meet the needs of a future labour force focused on innovation and creativity.'
Make your submission by addressing the terms of reference by 13 January 2017.