As SCOPE board members formally wound up the program in Sydney on Friday, we reflected that there was much to be proud of. We developed a model for dancers' career development and management and, with Australia Council support, we've been able to assist 99 artists to realise their dreams through professional career advice and small retraining scholarships.
We are continuing with online advice and support, and we're also planning an evaluation of the program to help us find new funding partners to bring back the scholarships and professional career guidance.
The Training Package will be launched in November, and the User Guide with the section on dance organisations and national qualifications is now available online. It will form the basis of the Innovation & Business Skills Australia (IBSA) free information sessions around Australia and online starting in November.
The information sessions will be advised by IBSA, but we'll keep everyone informed about the schedule.
The final version of the The Shape of the Australian Curriculum—The Arts was launched by School Education Minister Peter Garrett and Arts Minister Simon Crean in Sydney on 2 September, after more than two years of consultation by ACARA. It's so exciting to see dance there with the other art forms as part of the new Australian Curriculum!
Curriculum writers and an advisory panel have been appointed, and will meet with ACARA for an induction week on 18 October. We will be talking with teachers in schools as the writing progresses, but ACARA has said they will not be announcing publicly the names of the curriculum writers for privacy reasons.
WDA and daCi met for two days in August to plan for next year’s big event, and it was an impressive team that got together for the first time. Yunyu Wang is head of dance at the Taipei National University of the Arts, and she has assembled team of her colleagues, students and graduates to work on a festival that will welcome up to 1,000 young people, teachers, students and academics.
This partnership will be a first for daCi, an organisation that has never before met in an Asian country. Their team was equally impressive, and the two days were managed with skill and lots of patience by the planning committee of Yunyu, Ralph Buck, Jeff Meiners and Ann Kipling-Brown. We heard about the planned opening and closing events, and helped to plan an amazing program of masterclasses, workshops, keynote addresses and performances. There are also and plans for cultural tours of Taiwan before and after the festival, all of which will be available to groups wishing to come early or stay on afterwards.
Registrations, details of accommodation and the full program will be announced shortly. Keep an eye out on the WDA-daCi website.
What used to be referred to as "the WDA Presidents’ meeting" has now become the WDA Global Executive, a name change decided at the meeting headed by WDA Secretary-General Cheryl Stock. Others at the meeting included Jin-Wen Yu, President of WDA Americas, Yunyu Wang, President-elect of WDA Asia Pacific, Urmimala Sarkar, WDA Asia Pacific Vice-President elect, and Ralph Buck, Vice President of the Pacific region (and convenor of the 2012 Global Assembly in Taipei). I was also present as Secretary of the Asia-Pacific region, with apologies from current WDA AP President Anis Mohd Nor and WDA Europe President Joseph Fontano.
ABC Radio National is preparing a series of programs about the arts and cultural policy from 1968 to the present day in a series will go to air within Artworks, their Sunday morning arts program.
On Friday the ABC called us to discuss what's in the National Cultural Policy and how it might impact on the dance sector. They also asked about major historical moments in contemporary dance in the last 25 years, so it was good to be able to pinpoint several positive moments, and to say why we thought it was important to have a national cultural policy.
The World Dance Alliance Asia Pacific will be meeting in Taiwan this week to plan two major events. We'll be there, leading plans for the first meeting of international dance support organisations in November, and helping to plan the second – the WDA Global Summit in Taipei in July 2012 in partnership with dance and the Child international (daCi).
The meeting was facilitated by Ausdance National President, Professor Susan Street, and included organisations from a diverse range of the arts, education and creative industries. Sue worked with co-convenors of ArtsPeak, Julie Dyson (Ausdance) and Tamara Winikoff (National Association for the Visual Arts) to create a framework of four major principles from the National Cultural Policy that could be agreed to by all arts sectors and would be inclusive of their views. These were: 'Mainstreaming' the arts; the impact of technology; artists' career pathways, and Australia's position in the world, including the promotion of our cultural diversity. This framework gave voice to various views which were shared with the Minister.
With the recent release of the National Cultural Policy discussion paper, there has been a flurry of interest in understanding its content and the ways in which it might impact on artists and on Australian society generally. Ausdance National has organised a meeting between Arts Minister Simon Crean and the CEOs of 30 arts service organisations on August 17, an event that will see an extremely diverse group coming together in Canberra for a Ministerial briefing. They include members of ArtsPeak and the National Advocates for Arts Education (NAAE), and their portfolios range across copyright law, Indigenous arts, arts and disability, literature, publishing, visual and performing arts and arts education.