In professional dance, as with all physical and athletic endeavours, there will always be a realistic expectation of some musculoskeletal complaints. The information gathered through the Safe Dance research studies develops a better understanding of the changing profile of professional dancers in Australia and their experience of injury. The findings can be used to assist in the tailoring and evaluation of evidence based injury prevention initiatives with the long-term goal of safely sustaining dancers in their professional dance careers for as long as they choose.
This article is an account of Sela Kiek-Callan’s postgraduate research journey in “Dancing Design”, an exploration of affinities between architecture and dancing bodies which become manifest in embodied responses of weight, rhythm and intensity when dancers pay attention to the built environment in which they are encased.
Avril Huddy and Kym Stevens (both lecturers in dance at Queensland University of Technoology) cover the latest pedagogical concepts in the training of dance teachers across a broad spectrum at a university level.
A historical overview of the development of the New Zealand dance curriculum from the early twentieth century to the present day reveals shifting meanings and emphases from military drills to gymnastics, eurhythmics, creative movement, European folk dance and cultural Maori dance. In the last decade however, dance in the New Zealand school curriculum has arguably gone through its most influential change as it shifted from the physical education curriculum to the arts curriculum.
This curriculum shift refined and focussed the academic study of dance in New Zealand primary, secondary and tertiary education contexts. This article focuses upon curriculum and the key persons shaping curriculum development and its delivery in New Zealand from the early 1900s to the present day.
Andrew Morrish, 2015 National Dance Forum facilitator, shares his vision for this forum: an NDF that embodies our diversity, its history, its present and its future, and to experience the forum as a living community.
Ausdance National is working with the National Advocates for Arts Education to:
- reinstate professional dance courses on the VET Student Loans eligible course list
- make a case to redefine the methods used to assess courses eligible for student loans—recognising the cultural sector as one of Australia's major employers and arts graduates as key contributors to the creative economy in Australia.
For the first time in a generation, the arts are claiming space in the lead-up to a federal election. While ‘jobs and growth’ and ‘putting people first’ are dominating the debate, after 18 months of cuts, despair and confusion, the arts community is coming together and calling for our voices to be heard.
Here's our guide to putting arts on the political agenda.
The National Dance Forum 2015 focused on the inherent concerns and realities affecting current professional practice in Australia.
After nation-wide research, Innovation and Business Skills Australia concluded that 'there is strong industry and community demand for national qualifications to help lift standards across the profession and set clear national benchmarks which promote consistency while maintaining flexibility'.
Identifies four ambitions for 2012, with a list of achievable objectives. These ambitions reflect the diversity and dynamism of dance in our communities. They require our energy and attention to ensure that dance, as an artform and an enjoyable form of recreation for all, remains at the heart of Australian life.
Dance Education Conference Papers by the Australian Association for Dance Education. These papers are an edited version of the talks and discussion of the Dance Education Conference held in Melbourne in August 1977.
This report uses the experience of arts teachers to show how the key competencies may have a generic function across the five arts areas.
Calling all aspiring professional dancers aged 18–24 years, applications are now open for Sydney Dance Company's Pre-Professional Year 2019.
“Sydney Dance Company’s Pre-Professional Year is an outstanding opportunity for aspiring dancers to gain exposure to Australia’s leading contemporary dance company. Pre-professional dancers will develop all the skills essential for a lifelong career in contemporary dance as well as being provided with unique professional development, networking and mentorship opportunities under the guidance of the artistic staff of Sydney Dance Company.” Rafael Bonachela, Artistic Director, Sydney Dance Company
Applications are open to Australian and New Zealand citizens or permanent residents only.
Application closing date: Monday 27 August 2018
Audition: The first round of Pre-Professional Year auditions will be an online application process that includes a video submission.
Successful first round applicants will be invited to a second round in-person audition at Sydney Dance Company Studios on 17 September 2018 between 9am and 6pm.
For more information please visit 2019 Pre-Professional Year Audition Application.
Since our last report, NAAE has been engaged in meetings and correspondence with the NSW Education Minister, Mr Rob Stokes, and the NSW Education Standards Authority (NESA) about the development of a new Creative Arts syllabus in NSW.
The NAAE will have its next meeting on 11 December, but NSW reps will in the meantime be meeting with NSW Education Standards Authority (NESA) to discuss concerns about the way in which the Creative Arts K-6 Syllabus is being rewritten, and about the exclusion of Media Arts from the NSW curriculum, despite agreement by all Australian governments to adopt the Australian Curriculum: The Arts. It’s clear that NSW’s options clearly do not represent the agreement endorsed at COAG (which included the NSW Education Minister). (Minister’s response [PDF 2.9MB]
Tuesday 22 August 2017
For immediate release
Australia’s peak dance organisation, Ausdance National, will host a two-day forum next month bringing together dance makers, producers and presenters for a highly topical forum focusing on the future of dance within the digital domain. The National Dance Forum is Australia’s key platform for dance artists, industry professionals and educators in providing rich opportunities to discuss, debate and collaborate with some of the most influential individuals and organisations in the country.
The NAAE supports the review of the VET FEE-HELP rules, and understands the need to weed out those rorting the system and those private providers delivering sub-standard courses in line with Australian Quality Framework (AQF) that applies to all post-compulsory education. However, we have major concerns about the methodology used to identify courses that will no longer qualify for government assistance, and take this opportunity to provide information that may not have been available earlier.
NAAE noted firstly that the department must take account of poorer SES students who may use VET courses as a gateway to university study. If reputable RTOs offering arts courses are eliminated, these opportunities will immediately disadvantage some students, particularly those from regional and remote schools where the arts have been a major factor in eliminating poor attendance records, and where career pathways in the arts are identified.
NAAE also questioned why some previously eliminated providers are already back on the list, and yet the larger reputable TAFEs and arts training institutions are not. NAAE would like to know what criteria were used to make these decisions.
In response to a question about whether there was another sector like the Arts, NAAE noted that the arts industry was unique in the ways in which it trained and employed artists.