In professional dance, as with all physical and athletic endeavours, there will always be a realistic expectation of some musculoskeletal complaints. The information gathered through the Safe Dance research studies develops a better understanding of the changing profile of professional dancers in Australia and their experience of injury. The findings can be used to assist in the tailoring and evaluation of evidence based injury prevention initiatives with the long-term goal of safely sustaining dancers in their professional dance careers for as long as they choose.
Safe Dance Report IV examines the Australian context and occurrence of injury in professional dancers (independent dancers and those based in companies), and how dancers manage their injuries and return to dance practice. It makes recommendations to support sustainable, healthy, and productive dancing careers.
Monica Stevens on the highlights and hard core issues discussed at Creating Pathways 2005.
Professor Gene Moyle outlines findings from a research project that centred on a review of existing career development and transition programs at an organisational level, both in Australia and overseas. Read the full report Career transition programs for professional dancers: Exploration of the current Australian context.
From January 2017 we will start analysing the rich and valuable data provided though the Safe Dance IV questionnaire. We will also be writing the 4th Safe Dance report, which will be made available to the dance community via the Ausdance National website. In particular this report will detail the current prevalence of injuries in Australia’s professional dance population and describe progress that has been made in injury prevention and management since the 3rd Safe Dance report was published in 1999. The major study conclusions will be used to help set priority areas for future dance research and action, make updated safe dance practice recommendations and assist with evaluations of current injury prevention initiatives.
The dancer’s performing life is highly focused, demanding dedicated vocational training from an early age, and it depends on time-consuming creative and physical regimes. Dance artists, in contrast with other artists, are particularly challenged when it comes to professional career development.
Ausdance National is working with the National Advocates for Arts Education to:
- reinstate professional dance courses on the VET Student Loans eligible course list
- make a case to redefine the methods used to assess courses eligible for student loans—recognising the cultural sector as one of Australia's major employers and arts graduates as key contributors to the creative economy in Australia.
Australia is at the forefront of dance injury epidemiology efforts; the Safe Dance Project Report on dance injury prevention and management in the Australian dance profession, known as Safe Dance®, was launched almost 30 years ago. It was the first study of its kind conducted in Australia and showed an alarming prevalence of both chronic and acute injuries in Australian dancers. These findings led to a variety of recommendations and initiatives, including a recommendation to repeat the Safe Dance study regularly to evaluate the effect of these initiatives and provide further insight into dancer health and wellbeing.
The biennial Keith Bain Choreographic Travel Fellowship supports international travel and experiences by emerging choreographers (under 40 years) across any dance genre.
The 2017 National Dance Forum brought together makers, producers and presenters to discuss and share knowledge on current digital practices and technological developments. The two-day forum focused on strengthening the dance sector’s capacity within the digital domain. It engaged artists in developing and sharing skills in this environment.
The fourth National Dance Forum (NDF2017) took place from 25–26 September 2017 at the Victorian College of the Arts in Melbourne, Victoria.
Creating Pathways was a national Indigenous dance forum for mid-career dance artists held in October 2005 at the National Museum of Australia in Canberra. Participants came from all over Australia to discuss issues such as identity, training, the question of contemporary Indigenous dance, career opportunities and professional practice.
As a result of recommendations made at Creating Pathways, a new position of National Indigenous Dance Coordinator was funded by the Australia Council.
Creating Pathways was managed by Ausdance National and funded by the Aboriginal and Torres Strait Islander Arts Board and the Dance Board of the Australia Council, and the Arts ministries of NSW, Queensland, Western Australia, South Australia and the Northern Territory.
Moving on presents the findings of research into problems and prospects for career transition amongst professional dancers in Australia.
This report presents some of the debate from a series of Dance Summits held in each State and Territory during February/March 2001. In 1991, under the auspices of the Australia Council, 148 members of the Australian dance community gathered in Canberra to debate the future of dance for the following decade. Much was achieved from those recommendations, but with a new decade about to begin, Ausdance assumed the role of facilitator and organised a series of State and Territory meetings, culminating in a national summit in Canberra on 26 March 2001. More than 220 members of the Australian dance community debated a wide range of issues during these consultations, and agreed on six priorities for action.
At the 21st Australian Dance Awards (8 September 2018), Ausdance National awarded the Keith Bain Choreographic Travel Fellowship to Lewis Major. The fellowship provides financial assistance for an emerging choreographer to travel internationally with the sole purpose of developing and extending their choreographic practice.
Lewis has designed a program of mentorship and career development activities designed to build his professional networks and further develop skills in dramaturgy, choreography and independent producing in an international context. The program includes activities to strengthen his choreographic and broader artistic development and practice by facilitating face-to-face dialogue and creative output with international artistic collaborators.
Lewis will travel to Israel, Taiwan and Europe.
Being raised in the rural heart of the Antipodes, there was a scarcity of art being made available to regional audiences as I was growing up. Hence, as an emerging artist, I am passionate about making dance accessible; strongly believing that intelligence in art and its relevance to audiences is fundamental in its power to enact change.
Lewis Major is an award-winning choreographer, dancer and creative entrepreneur based in the deep south of regional South Australia. Not having set foot in a theatre until his mid-teens, he finds it ironic to now be working in the most maligned and misunderstood sector of the arts industry: contemporary dance.
He is the only dance artist he’s ever heard of who can both shear a sheep, has danced with Hugh Jackman and travelled to all three axis-of-evil countries. His work is invested in the potential of choreography and performance to inform a cultural discourse of sorts and to enable affective experiences.
As a performer and dance maker, he has worked with and alongside Akram Khan, Sidi Larbi Cherkaoui, Russell Maliphant, Shaun Parker, Hans van Den Broeck/Cie Soit and Australian Dance Theatre. He was a founding member of Aakash Odedra Company. With an extensive back catalogue of choreographies, he has created and staged his own work on six continents.
Alongside his choreographic work, Lewis is dedicated to mentoring and supporting young male dancers from regional and less privileged areas of Australia. He has the sole rights in South Australia to Shaun Parker’s outdoor work, TROLLEYS, and has toured it to regional areas in the South East of SA, with a secondee program running alongside for regionally based dancers. He has also initiated collaborations and an exchange program between dance students in Taiwan and South Australia. He is currently setting up a not-for-profit artist in residence creative hub and art hotel in Adelaide, with the profits being funneled back into supporting creative practice in state.
We are currently representing the dance sector by contributing knowledge to three urgent issues that impact healthy growth in Australia’s creative economy:
- Access to professional mental health support for those who work in the entertainment industry, because we can't tackle these issues in isolation. We need to support each other.
- Access to education and training resources to prevent discrimination, harassment, sexual harassment and bullying, because these impact our mental health and wellbeing. Together we can create healthy work environments free from these threats.
- Sustainable access to international expertise that transfers skills to Australian organisations and creatives, because this will stimulate innovation.
Congratulations to all who took part in BIG DANCE this year. It was wonderful to be part of the handover at Cathedral square on Sunday 29 April and fantastic to meet Jacqueline Rose, and learn of the Big Dance legacy.
Our AGM took place on Sunday the 13 May, at Ausdance NSW meeting room. The Annual Report is now available. 2017 was a big year of activity, advocacy and change.
Five Australian entertainment industry professionals attempt suicide every week. The time for change is now!
We need you, as an Australian entertainment industry professional, to share your thoughts surrounding the mental health needs of our industry people, how they should be supported and what are the most pressing issues.
There is still time to have your say. Your opinion matters.
In less than 25 minutes, you can complete the survey and help guide the development of programs aimed at enhancing the mental health and wellbeing of Australian entertainment industry professionals.
Conducted on behalf of Entertainment Assist and the Australian Alliance for Wellness in Entertainment, findings from the new Everymind study will inform the development and implementation of a Prevention First Framework for Mental Health in the Australian Entertainment Industry.
Please share far and wide. Mental health and wellbeing in our industry is our shared responsibility, and we are looking for perspectives from all industry sectors.
If your job is technical, creative, behind-the-scenes or in front of a microphone or camera, we want to hear from you!
Survey link: bit.ly/MHEntertainAUSDANCE
Your response will remain strictly confidential and any published results de-identified.
We have identified that our industry has significant mental health and wellbeing problems. It’s now time to work on a solution together.
Twitter: @entertainassist #haveheart
About the Australian Alliance for Wellness in Entertainment
The Australian Alliance for Wellness in Entertainment is an Entertainment Assist cross-sector peer-to-peer initiative, for shared interest in positive mental health and wellbeing behaviours for a sustainable Australian entertainment industry.
Why is Ausdance National supporting this research?
Ausdance National is a founding member of the Australian Alliance for Wellness in Entertainment.
As a member, we strive to uphold the AAWE Statement of Values that highlight respect, integrity, empathy, courage and collaborative leadership. We aim to provide advocacy and practical support to the mental health and wellbeing of industry professionals.
‘AAWE officially launched on World Mental Health Day on 10 October 2017, and it is a very exciting network for dance to be involved with, given it is a world-first, cross-sector initiative for shared interest in positive mental health and wellbeing behaviours for a sustainable Australian entertainment industry.’ —Professor Gene Moyle, Ausdance National President
The Safe Dance Report IV: Investigating injuries in Australia’s professional dancers, published today on the Ausdance National website, examines the Australian context and occurrence of injury in professional dancers and makes recommendations to support sustainable, healthy, and productive dancing careers.
A collaboration between The University of Sydney and Ausdance National, Safe Dance IV is the fourth in a series of Safe Dance research projects. It continues the important work started by Ausdance National almost 30 years ago.
The survey of 195 Australian professional dancers found 97% experienced at least one significant injury in their dance career, compared with 89% in 1999. And 73% of dancers reported experiencing a dance-related injury in the past 12 months.
Author and lead researcher Amy Jo Vassallo, a PhD candidate at the Faculty of Health Sciences at The University of Sydney, said the consequences of these injuries can be quite substantial and include missed performance opportunities and income, ongoing pain and disability, and expensive treatment including surgery. Serious injuries can even lead to early retirement from dance careers and lifelong disability.
‘The proportion of dancers reporting fatigue as a contributing factor to their injury has increased from 26% in 1990 and 33% in 1999 to 48% in 2017’ she said.
‘However, compared with previous Safe Dance survey results, fewer dancers reported poor technique or environment as a contributor to their injury. This demonstrates the benefits of education, policies and interventions regarding safe dancing practice for dancers and teachers at all stages of a dance career, including early teaching and pre-professional training’.
Ausdance National President, Professor Gene Moyle, said the Safe Dance Report IV continues an important lineage for the Australian dance community. Hearing the words “safe dance practice” being so much a part of our language and approach within the dance sector today is a testament to the impact and contribution of the collective Safe Dance reports within our industry.
Recommendations have outlined that access to dance-educated or dance-specialised healthcare services is essential; addressing the cultural aspects of injury reporting is critical; and that a better acknowledgement of the psychological and psychosocial aspects of injury is required.
Survey respondents’ employment as a dance performer was most commonly with a dance company (66%) or as an independent dance artist (38%).
Injuries remain common in professional dance, with 73% of professional dancers reporting experiencing an injury in the past 12 months. The most common site of injury was the ankle (26%), followed by the knee (11%) and hip (10%).
The most common injury type was a strain (25%), followed by chronic inflammation (19%) and a sprain (18%).
There was one accidental or traumatic injury for every two overuse or gradual injuries. The most common responses regarding the self-reported contributor to injury were fatigue (48%), followed by new or difficult choreography (39%) and ignoring early warning signs (31%).
Despite 62% of respondents reporting belief that there is still stigma associated with sustaining injuries as a professional dancer, 75% of dancers did say they would seek professional opinion if they suspected an injury. However, only 50% stated they would tell someone within their dance employment and 49% said they would also take their own preventative steps to manage their injury.
Despite seeing a clinician for treatment of their injury, 40% of dancers whose injury was currently unresolved were unsure if their injury would resolve in the foreseeable future. This indicates that many dancers need to be provided with improved and realistic expectations of their injury, capacity to dance during their injury and likely return to full dance ability.
For interview contact:
Amy Vassallo | PhD Candidate
Faculty of Health Sciences
The University of Sydney
Email: [email protected]
Phone: 02 9351 9010 and 02 9351 9108
Professor Gene Moyle ARAD MAPS MCSEP GAICD SFHEA
Ausdance National Council – Ausdance Inc.
Email: [email protected]
Phone: +61 7 3138 3616
Download Safe Dance Report IV media release
Congratulations to Kristina Chan who received the Ausdance National Peggy van Praagh Choreographic Fellowship at the 2017 Australian Dance Awards on Sunday 24 September 2017.