Opportunities

Nail that 3-minute pitch closed workshop

We invite practitioners to submit an expression of interest to participate in a skills-based closed workshop. Facilitated by a panel of experts, this session will provide you with practical tools and develop your pitching skills.

This is a closed workshop session, open to practitioners who may or may not be using digital technology in their practice. The session is limited to 12 participants.

Please complete the EOI form, attach your proposal and a brief CV, and email to Ausdance National by Friday 15 September 2017.

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Call for expressions of interest—present at National Dance Forum 2017

2017 National Dance Forum

25–26 September, Victorian College of the Arts

Dance in the digital domainPhoto: Sydney Dance Company. Gideon Obarzanek’s L’Chaim! Photo by Wendell Teodoro.

NDF 2017 will address four key questions:

  • How do we approach or adapt artistic practice to take advantage of new digital technology, and use it to create meaning? Or is technology an art form in its own right?
  • How is work curated and created for digital distribution?
  • How can artists expand their reach to new and existing audiences?
  • What can we take from other industries that have successfully (or unsuccessfully) navigated digital disruption and/or developed an effective digital futures agenda?

Expressions of interest: 10-minute presentation

We welcome your proposal to make a 10-minute presentation about your work that directly addresses one or all of the four key questions. The program will be shaped by these questions, and we will choose presentations based on innovative practice, relevance to the topics, and by hearing about some of the challenges faced in creating work in a digital environment.

Expressions of interest: 3-minute pitch presentation

We invite practitioners who use digital technology in, or for, their work to demonstrate innovation and/or digital distribution strategies in a 3-minute pitch session.

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Shaun Parker & Company seeks executive producer

Shaun Parker & Company is one of Australia’s most far-reaching dance companies, having toured extensively internationally to 18 countries across Europe, the Middle East, Asia, and the United States. Based in Sydney, the Company has delivered a range of award-winning dance theatre productions, outdoor festival works and transformative dance education programs. Shaun Parker & Company has secured funding until the end of 2020, having been awarded multi-year funding from Arts NSW and four-year funding from the Australia Council. Shaun Parker & Company is renowned for its powerful, humanist, dance theatre productions, which have touched audiences across the globe, transcending borders and demographics.

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Call for applications—Sydney Dance Company pre-professional year 2017

We are pleased to announce that applications are now open for Sydney Dance Company's 2017 Pre-Professional Year. Australian and New Zealand dancers aged 18 or over are eligible to apply.

Led by course Director Linda Gamblin, this nationally accredited one year intensive offers students the chance to work with some of Australia’s most renowned choreographers and dance educators. Students will develop their technique, artistry and performance skills alongside members of Sydney Dance Company led by Artistic Director Rafael Bonachela.

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Sir Matthew Bourne auditions male dancers for Melbourne production

Arts Centre Melbourne, Matthew Bourne’s New Adventures and Re:Bourne, the charitable arm of New Adventures are working towards a major creative project that will culminate in a one week season at Arts Centre Melbourne’s State Theatre in Autumn 2017.

This project offers an opportunity for Melbourne-based dancers to work for one month with choreographer Sir Matthew Bourne’s leading international dance company. 

Sir Matthew Bourne and other members of the New Adventures team will be in Melbourne in August 2016 to audition six male dancers to join the company for this one-off project at Arts Centre Melbourne.

Key information

  • Audition date: Saturday 6 August 2016 (applications required)
  • Recalls: Sunday 7 August 2016
  • Where: Auditions and recalls will be held in a centrally located venue in Melbourne
  • Rehearsals & season: Sunday, 14 August 2016 (workshop) & Monday 13 March – Sunday 9 April 2017
  • For Melbourne-based male dancers with at least three years of professional level training in classical or contemporary dance with a stage appearance age between 14–22.
  • Audition notice and application information on the Arts Centre Melbourne website.
  • Applications close COB Tuesday 12 July 2016.

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Arts Centre Melbourne seeks two community dance artists for one-off project

Arts Centre Melbourne, Matthew Bourne’s New Adventures and Re:Bourne, the charitable arm of New Adventures are working towards a major creative project that will culminate in a one week season at Arts Centre Melbourne’s State Theatre in Autumn 2017.

This project offers an opportunity for Melbourne-based dance artists and physical performers to work with a leading international dance company.

Sir Matthew Bourne and other members of the New Adventures team will be in Melbourne in August 2016 to find two community dance artists to join the company for this one-off project at Arts Centre Melbourne.

Key information

  • For artists with experience in classical or contemporary dance, physical performance, mentoring of young people and dance workshop delivery.
  • Interview & workshop date: Monday 8 August 2016
  • Training: Friday 12 – Monday 15 August 2016
  • Outreach workshops: Monday 3 October – Sunday 11 December 2016 (P/T) &  Saturday 18 February and Sunday 19 February 2017
  • Rehearsals & season: Monday 13 March – Sunday 9 April 2017 (P/T and F/T)
  • Further details and position description on the Arts Centre Melbourne website.
  • Applications close COB Tuesday 12 July 2016.

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Write for Brolga—an Australian journal about dance

Submissions are open for Brolga #41 under the broad theme 'A place for dance'.

Key information

Brolga covers

The art and community ecology in which dance exists is delicate and complex. As with the fight for survival by animals in compromised environments perhaps it is the ‘charismatic’ or ‘innovative’ artists who survive. If so, where is the place for the dancers and dance makers who exist outside the realm of publically notable; who eschew spectacle or even notoriety? And how is it possible for a dancer to find their dance place in the rich history of skill and experimentation?

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Choreographic Practices journal: call for contributions

Key information

This special journal issue of Choreographic Practices—WORDS and DANCE—aims to draw together, contribute to and exemplify debates around the use of spoken word in current and future 21st Century dance practices as well as its place in the contemporary cultural landscape.

What are the intersections between spoken words (in the form of live narrative, poetry, dialogue or writing) and choreographic practices?
What is the relationship between the word and the move?
How can/do spoken words and dance work together, especially in improvisatory practice?
What implications does the use of voice have in dance practice?

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FINE LINE—develop dance theatre writing skills

Force Majeure and Australian Theatre for Young People (ATYP) have launched FINE LINE, a three-year partnership to discover the next generation of writers for dance. Led by Force Majeure's Danielle Micich and ATYP's Frasier Corfield, the program will give young writers the opportunity to develop skills in writing for the medium of dance theatre. In 2016, FINE LINE will kick off with a skills masterclass. Writers aged 18–26 interested in telling stories through dance theatre are encouraged to apply.

Skills masterclass

  • Date: 5–6 March, 10 am – 4 pm at ATYP
  • Expressions of interest: Complete the online application form by 5 pm Thursday 11 February.
  • More info: bit.ly/1WOSt3f

Script workshops

Following on from the skills masterclass, a group of up to three young writers will be selected for a series of script workshops. Danielle Micich will mentor the selected writers on every aspect of writing for dance theatre – from research and development, to how to write for a devised work with performers, to delivering a text. These will run from 4–9 July 2016.

The final stage of the three-year FINE LINE program will be the full-scale production of one or two scripts at ATYP.

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fLiNG Physical Theatre is hiring!

We are seeking an associate artist to work with Co-Artistic Director Rob McCredie to deliver our 2016/17 program. This is a maternity leave cover position for one year, from April 2016 to April 2017.

This is a full-time position offering the right person a unique insight and experience in working with a growing arts organisation. The associate artist will be creating new performance work, engaging with our vibrant community through education programs and working as part of a small and passionate team to deliver regional art at its best.

fLiNG Physical Theatre is located on the pristine Sapphire Coast in NSW. We work primarily in Bega and Tathra. And, you guessed it, there is a whole lot more happening here than just cheese!

So why work with fLiNG Physical Theatre?

  • fLiNG Physical Theatre is a flagship company that produces original contemporary performance for local and national audiences.
  • The associate artist will receive opportunities to develop their practice, make and present work.
  • fLiNG has a strong and supportive community around us who are excited to learn.
  • The associate artist will get to work with a company of young artists who are energised, inspiring, hungry for new experiences and willing to work hard!

If you are interested in this position, please download the job description.

Applications close 27 February 2016.

For more information, contact Gabrielle Rose, co-artistic director, fLiNG Physical Theatre.

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Chunky Move’s NEXT MOVE 2016 EOIs now open

NEXT MOVE is our commitment to developing the next generation of leading dance makers. Since its inception, we have commissioned, produced and presented nine new works through the Next Move program, some of which have gone on to tour nationally and internationally.

In 2016, we will commission two artists to each create a new short work for the Next Move program as part of a double bill. The works will be presented over a two-week season in September 2016 at the Chunky Move Studios.

We are now calling for expressions of interest and invite Australian dance makers with a least 5 years of professional practice to apply.

For further information, download the information pack.

Expressions of Interest are due no later than midnight on Friday 29 January 2016.

Please send any questions to Ben Ryan at [email protected] or call 03 9645 5188.

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Summer Brisbane Contemporary Dance Intensive with Expressions Dance Co

  • Dates: 11–15 January 2016 (Week one) and 18–22 January 2016 (Week two)
  • Venue: Brisbane, Queensland (venue TBC)
  • Times: 9 am–5 pm daily
  • Cost: $570 per person or $1050 per person for 2 weeks
  • For bookings and more info, visit Expressions Dance Company

Dance into your future at Expressions Dance Company’s Summer Brisbane Contemporary Dance Intensive (BCDI), held 11–15 and 18–22 January 2016 in Brisbane.

BCDI is regarded as one of Australia’s best contemporary dance training programs. Over the course of two weeks, you’ll have the chance to work exclusively with EDC’s award-winning dancers as well as some of Australia's most respected dance artists including Craig Bary and Kristina Chan. You’ll get to master your performance skills and deepen your ability to create unique and engaging dance, and have fun while doing it!

The 2016 Summer program has been curated by internationally celebrated dance artist Amy Hollingsworth. Amy brings her extensive skills as both a dancer, working with some of the best dance companies and choreographers, and as a rehearsal/dance director.

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Ausdance Queensland seeks Executive Director

During this 12-month contract, the executive director at Ausdance Queensland will manage Ausdance Queensland’s operations, programs and services in line with the Strategic Plan approved by the Ausdance Qld Management Committee. A key focus of the role in 2016 is the business renewal of the organisation to enhance Ausdance Queensland’s impact.

This role will suit someone with excellent written and verbal communication skills and a strong knowledge of the Queensland dance sector. Previous experience in a management role in the arts or not-for-profit sector is desirable. Key duties include the management of the organisation, sector leadership, development of the organisation’s next triennial funding application and implementation of the organisation’s Business Plan.

Key information

  • Salary: The salary is negotiable with a range $58,000 – $68,000 p.a. (F.T.E) plus superannuation of 9.5%.
  • Hours: The Executive Director role may be full-time or a three or four-day-per-week role with salary pro-rata-ed. This is negotiable with the successful candidate.
  • Location: Ausdance Queensland office, Level 4, 420 Brunswick Street, Fortitude Valley
  • Application deadline:  Deadline for applications is 5.00 pm Monday 23 November 2015.
  • For more information and to apply, visit Ausdance Queensland.

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Join the Ausdance NSW team

Ausdance NSW has an exciting program set for 2016–2018. We are seeking two new members of the team including a Marketing and Administration Officer and an exciting new role of Manager Ausdance NSW.

Key information

  • Application closing date: 9 pm Monday 16 November 2015
  • Interviews: Thursday 19 November 2015

Details

Marketing and Administration

You will have the overall responsibility for the look, brand and feel of Ausdance NSW. You will have major input into the new 2016–2018 marketing and communication plan. You will lead the promotion of the organisation's projects and events and undertake general administration tasks. You will lead membership drives and facilitate the promotion of our members events and projects.

Read the full marketing and administration position description

Manager Ausdance NSW (Organisations & Projects)

Oversee the operational management of the organisation and its projects, on a day-to-day basis. Work closely with the Director to implement the 2016–2018 program of activities, strategic plan and KPI’s. Be a positive driver of the organisation to enable the dance sector to thrive.

Read the full Manager position description.

Ausdance NSW is committed to workplace diversity.

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World Dance Alliance Asia Pacific 2016 conference: call for performances, choreolab and symposium

In 2016, the Korean chapter of World Dance Alliance Asia Pacific (WDAAP) will host the WDAAP Annual General Meeting and surrounding activities as the event Dance routes—danced roots: connecting the local and the global. It will include showcase performances, an international choreolab and a symposium.

Key information

  • Conference theme: Dance routes—danced roots: connecting the local and the global
  • Conference location and date: Seoul, Korea, 21–24 July 2016
  • Apply to present: performances, scholarly, performative and Pecha Kucha style presentations
  • Apply to participate in the Choreolab
  • Submission deadline: 10 January 2016
  • Acceptance notification: 28 February 2016
  • For detailed information and to apply, visit the World Dance Alliance website

Applications are now open for participation in the following events:

  • Showcase Performances
  • International Choreolab
  • Symposium—call for proposals

The Showcase provides a concert platform for professional choreographers and performers, and pre-professional artists training in dance academies. The performances will take place in the theaters located in the ShangShin Univeristy or Arko Theater and will be open to registered participants of the WDAAP event and the general public.

The International Choreolab is designed for four emerging and mid-career choreographers to work intensively for almost one week under the mentorship of one Korean established dance artist and one internationally known choreographers (to be announced) resulting in a public showing of works in progress. You can apply to participate in the Choreolab as a choreographer or as a dancer.

The Symposium theme focuses on the idea of global and local connectivity through dance, looking at roots as well as routes that dance and dancers negotiate in different cultures of the contemporary world. Presentation formats include scholarly, performative and Pecha Kucha style presentations.

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