Careers in dance

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    Creating Pathways keynote speech by Raymond Blanco

    What is contemporary Indigenous dance? When did this term become associated with our culture, our dance? Or is it Indigenous Contemporary? Have we an Historical Dance Culture or are we living a Dance Culture History? Do we make now from then or is it from then now? For some of us exposure to contemporary Indigenous dance came from television. If we were really lucky we had a group of dancers come to our town and teach and perform at our schools, and for the unlucky our only exposure came from Bangarra.

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    Sustainable careers for dance artists

    The dancer’s performing life is highly focused, demanding dedicated vocational training from an early age, and it depends on time-consuming creative and physical regimes. Dance artists, in contrast with other artists, are particularly challenged when it comes to professional career development.

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    National Dance Forum 2017

    The 2017 National Dance Forum will bring together makers, producers and presenters to discuss and share knowledge on current digital practices and technological developments. The two-day forum will focus on strengthening the dance sector’s capacity within the digital domain. It will engage artists in developing and sharing skills in this environment.

    The fourth National Dance Forum (NDF2017) will take place from 25–26 September 2017 at the Victorian College of the Arts in Melbourne, Victoria.

    Australian Dance Awards

    The annual Australian Dance Awards recognise and honour professional Australian dance artists who have made an outstanding contribution to Australian dance. The event aims to publicly honour and reward those who have, through their achievements, raised the standards of dance in Australia; raise the profile and prestige of dance and acknowledge the depth and diversity of the dance profession in our society; and present a performance program representing excellence and diversity in the pinnacle of both innovative and established dance.

    Investigating injuries in Australia’s professional dancers

    Australia is at the forefront of dance injury epidemiology efforts; the Safe Dance Project Report on dance injury prevention and management in the Australian dance profession, known as Safe Dance®, was launched over 25 years ago. It was the first study of its kind conducted in Australia and showed an alarming prevalence of both chronic and acute injuries in Australian dancers. These findings led to a variety of recommendations and initiatives, including a recommendation to repeat the Safe Dance study regularly to evaluate the effect of these initiatives and provide further insight into dancer health and wellbeing.

    Creating Pathways National Indigenous Dance Forum

    Creating Pathways was a national Indigenous dance forum for mid-career dance artists held in October 2005 at the National Museum of Australia in Canberra. Participants came from all over Australia to discuss issues such as identity, training, the question of contemporary Indigenous dance, career opportunities and professional practice.

    As a result of recommendations made at Creating Pathways, a new position of National Indigenous Dance Coordinator was funded by the Australia Council.

    Creating Pathways was managed by Ausdance National and funded by the Aboriginal and Torres Strait Islander Arts Board and the Dance Board of the Australia Council, and the Arts ministries of NSW, Queensland, Western Australia, South Australia and the Northern Territory.

    Keith Bain Choreographic Travel Fellowship

    The Keith Bain bequest provides financial assistance for an emerging choreographer to travel internationally with the sole purpose of developing and extending their choreographic practice.

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    Ausdance National newsletter

    Published every two months, and themed around an event or popular dance topic, our email newsletter reflects on professional dance practice and shares ways for you to get involved.

    Brolga 40

    Articles in this issue explore ideas that relate to improvisation as it has been experienced in a practical, bodily way.

    Marchant’s article Dance Improvisation: Why warm up at all? considers what takes place before improvising begins, while warming up. In Improcinemaniac, Reid describes her simultaneous practice of screendance and improvisation. Reid uses language that is deliberately poetic, and deconstructs and reassembles words in order to question or reconfigure meanings, particularly those of conventional dance language. Using improvisational play with light and lens is also described by Wilson who applies a deeply embodied approach, developed over years working as a dancer, to her visual art practice in experimental photography. Millard’s What’s the score? explores the use of scores or verbal propositions as supports for dance improvisation. In Gaps in the Body, Fraser writes of having arrived at an understanding of improvisation that, rather than being about moving, is about ‘attention’. McLeod’s article, The Ethos of the Mover/Witness Dyad, describes the response of an invited public to a performative Authentic Movement event over three evenings.

    Dancehouse Diary

    The Dancehouse Diary aims to bring the independent dance makers’ thinking to wider audiences. It aims at developing rigorous content around their work and triggering new perspectives and connections around their research. It is a catalyst for provoking critical thinking, discourse and a poetic vision of dance and other related arts forms. It is Dancehouse’s mission to cultivate access and appreciation of this art form and for that, the Diary is a less ephemeral and a more in-­depth attempt to make those connections.

    Asia–Pacific Channels

    Asia–Pacific Channels is the bi-annual newsletter of the World Dance Alliance (WDA), published by Ausdance National in collaboration with MyDance Alliance in Malaysia. It profiles dance events and activities from WDA members throughout the Asia–Pacific region.

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    Professor David Throsby AO to speak at National Dance Forum 2017

    We are thrilled to announce our third key speaker for National Dance Forum 2017—David Throsby, Distinguished Professor of Economics at Macquarie University.

    David ThrosbyDavid Throsby, Distinguished Professor of Economics at Macquarie University in Sydney.

    David is internationally recognised for his research and writing on the economics of art and culture. 

    His current research interests include the economic circumstances of creative artists, culture in sustainable economic development, heritage economics, the creative industries, and the relationships between economic and cultural policy. 

    His recent books include Economics and Culture (2001) and The Economics of Cultural Policy (2010), both published by Cambridge University Press.

    In 2004 he was involved in an international research project on dancers’ transition, and published a short monograph Dance in Australia: A Profile.

    About the National Dance Forum 2017

    • Dates: 25–26 September 2017 
    • Venue: Victorian College of the Arts in Melbourne, Victoria.

    The National Dance Forum will bring together makers, producers and presenters to discuss and share knowledge on current digital practices and technological developments. The two-day forum will focus on strengthening the dance sector’s capacity within the digital domain.

    Register for the 2017 National Dance Forum.

    First National Dance Forum 2017 speakers announced

    We know the dance sector wants a chance to share, inspire, connect and to be inspired by the whole dance industry—that includes the broader ecology, from independents to majors. At NDF 2017 we'll hear inspiring talks from our National Dance Forum 2017 speakers.

    Here are our first speakers for this year's forum.

    Wesley Enoch

    Wesley Enoch Wesley Enoch is the Director of the Sydney Festival. He has been a theatre director/writer for over 25 years specialising in Aboriginal Theatre. Wesley has been Artistic Director of Queensland Theatre Company 2010–15, Ilbijerri 2003–06 and Kooemba Jdarra 1994–97; Resident Director at Sydney Theatre Company 2000–01; Associate Artistic Director Company B Belvoir 2007–10, and he worked on the Opening Ceremony of the 2006 Commonwealth Games. Wesley has worked with all the large theatre companies, arts centres and festivals in Australia and won multiple awards. Wesley was a Trustee of the Sydney Opera House 2006–13 and is the Chair of the ATSI Strategy Panel for the Australia Council.

    Sue Healey

    Sue HealeySue Healey is a choreographer and filmmaker based in Sydney. Experimenting with form and perception, Healey creates dance for diverse spaces and contexts: theatres, galleries and the camera. Her work has toured to Asia, USA, UK and throughout Australia and New Zealand. Healey received a Creative Fellowship in 2014 from the Australia Council for Arts, and was made an Honorary Fellow of the Victorian College of the Arts, University of Melbourne 2015. Her films are widely acclaimed and have won awards including five Australian Dance Awards for Outstanding Achievement in Dance on Film/New Media and Independent Dance, winner Reeldance Australia and winner Il Coreografo Elettronico, Napolidanza, Italy. She has created ten major films with cinematographer Judd Overton, her key film collaborator. Her 2017 films include En Route for the new Wynscreen public art project at Wynyard train station and City as Portrait Gallery currently being exhibited at the Customshouse, Circular Quay. Sue is currently filming and creating On View: Asia, a major performance and film installation, produced by West Kowloon Cultural District Authority in Hong Kong and Taiwan in 2017/2019. She recently choreographed for the New Zealand Dance Company ‘Kiss the Sky’ season in Auckland June 2017. www.suehealey.com

    The fourth National Dance Forum (NDF2017) will take place from 25–26 September 2017 at the Victorian College of the Arts in Melbourne, Victoria.

    This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

    2017 Australian Dance Awards shortlist

    Congratulations to the shortlisted nominees for one of the country’s most prestigious performing arts awards. The Australian Dance Awards recognise and honour outstanding achievement.

    Dancer on stage floor leaning back with head tilted skyward and one arm reaching up.iD by Bangarra Dance Theatre. Choreographed by Stephen Page. Photography by Jeff Busby
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