The Big 4-0! While turning the big 40 can provoke anxiety, soul-searching and the purchase of sports cars in humans, for an organisation to reach this marker is a cause for unadulterated celebration. This year marks this milestone for Ausdance, Australia’s national body for dance advocacy, education and outreach. First established in 1977 as the Australian Association for Dance Education (AADE) in Melbourne, Ausdance’s mission was to provide a united voice for Australia’s burgeoning dance community. Over these last four decades the accomplishments of Ausdance have been as varied as they have been numerous but the goal has remained the same: to educate, inspire and support the dance community to reach its potential as a dynamic force within local, national and international spheres.
Lucky Lartey reflects on his first two weeks residency and mentorship with Serge Aimé Coulibaly, supported by Ausdance National's Keith Bain Choreographic Travel Fellowship and the Innovating Practice Grant (Ausdance NSW).
Monica Stevens on the highlights and hard core issues discussed at Creating Pathways 2005.
Marilyn Miller reflects on the importance of Creating Pathways National Indigenous Dance Forum, held at the National Museum in Canberra from 27 to 30 October 2005.
Professor Gene Moyle outlines findings from a research project that centred on a review of existing career development and transition programs at an organisational level, both in Australia and overseas. Read the full report Career transition programs for professional dancers: Exploration of the current Australian context.
The dancer’s performing life is highly focused, demanding dedicated vocational training from an early age, and it depends on time-consuming creative and physical regimes. Dance artists, in contrast with other artists, are particularly challenged when it comes to professional career development.
Australia is at the forefront of dance injury epidemiology efforts; the Safe Dance Project Report on dance injury prevention and management in the Australian dance profession, known as Safe Dance®, was launched over 25 years ago. It was the first study of its kind conducted in Australia and showed an alarming prevalence of both chronic and acute injuries in Australian dancers. These findings led to a variety of recommendations and initiatives, including a recommendation to repeat the Safe Dance study regularly to evaluate the effect of these initiatives and provide further insight into dancer health and wellbeing.
The 2017 National Dance Forum brought together makers, producers and presenters to discuss and share knowledge on current digital practices and technological developments. The two-day forum focused on strengthening the dance sector’s capacity within the digital domain. It engaged artists in developing and sharing skills in this environment.
The fourth National Dance Forum (NDF2017) took place from 25–26 September 2017 at the Victorian College of the Arts in Melbourne, Victoria.
The annual Australian Dance Awards recognise and honour professional Australian dance artists who have made an outstanding contribution to Australian dance. The event aims to publicly honour and reward those who have, through their achievements, raised the standards of dance in Australia; raised the profile and prestige of dance and acknowledge the depth and diversity of the dance profession in our society; or presented a performance program representing excellence and diversity in the pinnacle of both innovative and established dance.
Creating Pathways was a national Indigenous dance forum for mid-career dance artists held in October 2005 at the National Museum of Australia in Canberra. Participants came from all over Australia to discuss issues such as identity, training, the question of contemporary Indigenous dance, career opportunities and professional practice.
As a result of recommendations made at Creating Pathways, a new position of National Indigenous Dance Coordinator was funded by the Australia Council.
Creating Pathways was managed by Ausdance National and funded by the Aboriginal and Torres Strait Islander Arts Board and the Dance Board of the Australia Council, and the Arts ministries of NSW, Queensland, Western Australia, South Australia and the Northern Territory.
The Keith Bain bequest provides financial assistance for an emerging choreographer to travel internationally with the sole purpose of developing and extending their choreographic practice.
Dance Education Conference Papers by the Australian Association for Dance Education. These papers are an edited version of the talks and discussion of the Dance Education Conference held in Melbourne in August 1977.
Published every two months, and themed around an event or popular dance topic, our email newsletter reflects on professional dance practice and shares ways for you to get involved.
Articles in this issue explore ideas that relate to improvisation as it has been experienced in a practical, bodily way.
Marchant’s article Dance Improvisation: Why warm up at all? considers what takes place before improvising begins, while warming up. In Improcinemaniac, Reid describes her simultaneous practice of screendance and improvisation. Reid uses language that is deliberately poetic, and deconstructs and reassembles words in order to question or reconfigure meanings, particularly those of conventional dance language. Using improvisational play with light and lens is also described by Wilson who applies a deeply embodied approach, developed over years working as a dancer, to her visual art practice in experimental photography. Millard’s What’s the score? explores the use of scores or verbal propositions as supports for dance improvisation. In Gaps in the Body, Fraser writes of having arrived at an understanding of improvisation that, rather than being about moving, is about ‘attention’. McLeod’s article, The Ethos of the Mover/Witness Dyad, describes the response of an invited public to a performative Authentic Movement event over three evenings.
The Dancehouse Diary aims to bring the independent dance makers’ thinking to wider audiences. It aims at developing rigorous content around their work and triggering new perspectives and connections around their research. It is a catalyst for provoking critical thinking, discourse and a poetic vision of dance and other related arts forms. It is Dancehouse’s mission to cultivate access and appreciation of this art form and for that, the Diary is a less ephemeral and a more in-depth attempt to make those connections.
Asia–Pacific Channels is the bi-annual newsletter of the World Dance Alliance (WDA), published by Ausdance National in collaboration with MyDance Alliance in Malaysia. It profiles dance events and activities from WDA members throughout the Asia–Pacific region.
Expressions of interest are sought from contemporary dancer–makers for Tasdance professional ensemble 2018–20.
Tasdance has embarked on a daring new approach to the nature of the professional contemporary dance ensemble to become the Tasdance Makers Company.
The NAAE will have its next meeting on 11 December, but NSW reps will in the meantime be meeting with NSW Education Standards Authority (NESA) to discuss concerns about the way in which the Creative Arts K-6 Syllabus is being rewritten, and about the exclusion of Media Arts from the NSW curriculum, despite agreement by all Australian governments to adopt the Australian Curriculum: The Arts. It’s clear that NSW’s options clearly do not represent the agreement endorsed at COAG (which included the NSW Education Minister). (Minister’s response [PDF 2.9MB]
In the meantime NAAE member Sandra Gattenhoff will be attending an open forum in Brisbane with Arts Minister Mitch Fifield on Thursday 21 November. We hope there will be an opportunity for Sandra to ask whether the Minister would be willing to receive a proposal to fund an inquiry similar to Arts Council England’s Commission to explore the benefits of arts for children.
NAAE has also supported the development of the WA Play Strategy for Early Childhood Australia, as requested by Sandra Hesterman of the Early Childhood Association WA.
Congratulations to Kristina Chan who received the Ausdance National Peggy van Praagh Choreographic Fellowship at the 2017 Australian Dance Awards on Sunday 24 September 2017.
Can you even remember life before the internet? Hang on, perhaps you weren’t alive.
The digital domain has transformed almost every facet of our lives—but for those of us in the arts, it’s been especially influential in the way we make and consume art. In many ways there have never been more ways to get your art out there, and the artistic possibilities of new technologies are seemingly endless…but life for dance in the digital domain is not without its challenges.
Tuesday 22 August 2017
For immediate release
Australia’s peak dance organisation, Ausdance National, will host a two-day forum next month bringing together dance makers, producers and presenters for a highly topical forum focusing on the future of dance within the digital domain. The National Dance Forum is Australia’s key platform for dance artists, industry professionals and educators in providing rich opportunities to discuss, debate and collaborate with some of the most influential individuals and organisations in the country.