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Inquiry into innovation and creativity: workforce for the new economy

The Standing Committee on Employment, Education and Training invites you to make a submission to the inquiry into Innovation and Creativity: Workforce for the New Economy 

'On Wednesday 9 November 2016 the Committee adopted an inquiry referred by the Minister for Employment, Education and Training, Senator the Hon Simon Birmingham, asking the Committee to inquire into and report on matters that ensure Australia’s tertiary system—including universities and public and private providers of vocational education and training—can meet the needs of a future labour force focused on innovation and creativity.'

Make your submission by addressing the terms of reference by 13 January 2017.

National Indigenous Dance Forum—join the Curatorial and Community working groups

The National Indigenous Dance Forum (NIDF), in partnership with Yirramboi Festival (Melbourne Indigenous Arts Festival), will take place from 5–7 May 2017 in Melbourne.

It's time to get involved! Be part of the NIDF Curatorial, or Community, working groups (or join BOTH). 

Curatorial Working Group

The group will meet and communicate independently via teleconference and email to decide on the forum:

  • planning process
  • programming
  • representation
  • protocol
  • purpose

You will:

  • be advocates of the forum
  • be responsible for selecting speakers and final participants (if we get more than 250 expressions of interest).

Community Access Group

On your travels to communities, you will need to advocate for the NIDF and make sure everyone you are connected to knows about it. You will need to:

  • explain to communities when the dance forum is and why it’s important to come
  • explain that it’s for traditional, cultural and contemporary groups and individuals
  • explain that it is a platform for the right discussions to happen. If people have issues, they need to come and raise them.

Contact BlakDance if you would like to join either, or BOTH, working groups.

VET FEE-HELP funding cuts—impact on professional dance training

VET FEE-HELP funding cuts—impact on professional dance training—media release (246 KB PDF)

Senator the Hon. Simon Birmingham
Minister for Education and Training
PC Box 6100, Senate
Parliament House
Canberra ACT 2600

Dear Minister,

Ausdance is deeply concerned about your decision to include some of Australia's leading professional dance training courses in the crackdown on courses eligible for VET student loans.

We are particularly concerned about the statement that these professional dance training courses are being subsidised because they are 'used simply to boost enrolments, or provide 'lifestyle' choices, but don't lead to work'.

Apply for the Caroline Plummer Fellowship in Community Dance 2017

Apply now for the Caroline Plummer Fellowship in Community Dance. Applications close 1 June 2016.

Caroline Plummer Fellowship in Community Dance

The Caroline Plummer Fellowship in Community Dance is a six-month Fellowship offered by the University of Otago (School of Physical Education) in Dunedin, New Zealand. It is one of five prestigious Fellowships offered by the University and the only one offered internationally. Tenure is usually from 1 March to 31 August. It offers project costs and a salary equivalent with a Level One Lecturer at the University. 

The Fellowship was set up by Caroline Plummer’s parents in memory of Caroline who died of cancer in 2004 at the age of 24.

Successful applicants will create and perform a community dance project. Projects can be wide-ranging and diverse but must embrace Caroline’s passion and vision for dance in the community. 

For more information please visit the University of Otago Fellows website and the Caroline Plummer website.

National Arts Sector Meeting

National Arts Sector Meeting

  • Where: Arts House, North Melbourne Town Hall , Queensberry St, North Melbourne, Victoria 
  • When: 12.45 pm – 5.00 pm, 7 June
  • Register for the National Arts Sector Meeting (Space is limited, so please book early.)

In conjunction with the National Arts Election Debate, we are organising a National Arts Sector Meeting in Melbourne on 7 June—the day before the Debate. We hope that sector reps from across the country will be able to make it Melbourne for the meeting (and the Debate the following day). An agenda will be developed closer to the day.  We need a group of Melbourne-based people to help out with the organisation of the day. If you can help, please visit our Google doc to connect.

ArtsPeak Arts Sector Update #1 2016—an invitation to sector meetings and the Election Debate

Arts Sector update. ArtsPeak—April 2016

Welcome! ArtsPeak is producing a series of National Arts Sector Updates in the lead-up to the Federal election in July.  This work picks up on last year's Free the Arts updates and is being delivered as part of our partnership with Feral Arts. A National Election Strategy Group is coordinating the work. Membership is open to anyone. If you would like to get involved email [email protected]

Please share this update in your networks and with your members.

Register to get future email updates.

National Arts Election Debate 2016

ArtsPeak is organising a National Arts Election Debate in Melbourne on the 8 June. The debate will bring the arts leaders of each of the major parties together to share their big ideas and respond to the burning questions of industry leaders and commentators from across the industry. 

Patricia Karvelas (ABC and Sky news) will moderate a three-cornered contest. Arts Minister Senator Mitch Fifield has been invited, and Shadow Arts MinisterMark Dreyfus and Greens Arts Spokesperson, Adam Bandt are already confirmed. Space is limited so book early.

The debate will be live streamed—details to follow in future updates.

Election debate questions

Ideas for questions for the debate are being gathered online. Everyone is invited to add their thoughts. The final list of questions will be distilled by a steering group of representatives from across the sector.

Add your ideas

National Arts Sector Meeting

  • Where: Arts House, North Melbourne Town Hall , Queensberry St, North Melbourne, Victoria 
  • When: 12.45 pm – 5.00 pm, 7 June
  • Register for the National Arts Sector Meeting (Space is limited, so please book early.)

In conjunction with the National Arts Election Debate, we are organising a National Arts Sector Meeting in Melbourne on h June—the day before the Debate. We hope that sector reps from across the country will be able to make it Melbourne for the meeting (and the Debate the following day). An agenda will be developed closer to the day.  We need a group of Melbourne-based people to help out with the organisation of the day. If you can help, please visit our Google doc to connect.

Communications and social media

Collaborative Online Space

We have set up a Google docs folder to help people connect and work together during the campaign.

Media coverage has started to pick up again and we encourage everyone to start to speak up and make noise again. 

Recent Media Highlights include:

Facebook

We are continuing to post updates to the Free the Arts Facebook page.

It would be great to get some more active sharing and commenting on this page over the coming weeks.

Twitter #AusVotesArts

We propose all using this one hashtag for the period leading up to the election. 

Wherever possible it would good to also use #AusVotes with it to make sure the arts issue are part of the broader election sharing.

For more info or feedback

[email protected]

New low as Government pumps Catalyst funds out the door in blatant pre-election pork barreling

ArtsPeak Media Release (45 KB PDF)
9 May 2016

The arts sector is reeling today at news that an extraordinary $13m in Catalyst funds were secretly pushed out the door over the weekend just in advance of the election being called and caretaker mode beginning.

In total $23,317,301 has now been spent – nearly half the $48m allocated for the next 4 years of Catalyst operations. When Senate Estimates sat last Thursday evening the committee were only made aware of the $10m of grants announced by Arts Minister Mitch Fifield last week.

ArtsPeak spokeperson and CEO of the National Association of Visual Arts NAVA Tamara Winikoff said:

Our worst suspicions are now being confirmed that the government is using arts funding for thinly disguised political purposes. Of course we congratulate the successful applicants and we hope at least some of the cash splash lands in places that will help sustain artists who will be hit hard by this week’s Australia Council 4 year funding announcements. It just makes a complete mockery of all the hard work artists do in planning their programs and making applications. What is going to happen over the next four years now that half the Catalyst money is gone?

The arts and cultural sector has been further confused by the allocation of significant monies to capital works projects such as the $1m for the redevelopment of the Primrose Potter Australian Ballet Centre. This would appear to fall outside the remit and original intention of the Catalyst Fund.

It simply is not appropriate for Catalyst to fund things like this regardless of how important it might be. The capacity of the sector to be adventurous and innovative is being smothered in favour of government anointed programs. Funding for capital works should come from other sources – not cripple the already scant funding available to small to medium companies and individual artists who are actually innovating. This sends a terrible message to the arts community about the government’s priorities ahead of the election.

For further comment contact Tamara Winikoff – 0411 162156, [email protected]

New study investigating injuries in Australia’s professional dancers

Safe Dance IV: Investigating injuries in Australia's professional dancers

Ausdance National has joined with the University of Sydney to conduct a research study about the different types of injuries in company and independent professional dancers across Australia, their contributing risk factors, access to health services and return to dance practices. 

We are looking for professional dancers to participate in this research. For more information about the study, or to be involved, please visit Safe Dance IV—Investigating injuries in Australia's professional dancers.

Please help us in spreading the word about this study by forwarding this notice to any dancers you think may be interested in participating. 

If you have any questions, please don’t hesitate to email Amy Vassallo, a PhD candidate at the Faculty of Health Sciences, University of Sydney.

Australian arts funding—September 2015 update

In 2013, 702,000 Australians attended a performance, workshop, or school activity facilitated by a national dance organisation (Key Arts Organisation (KAO) or Major Performing Arts company (MPA)). Australian dance continued to make a significant impact overseas, reaching an international audience of 69,000 through 122 performances by KAOs and MPAs across Europe, South America and the Middle East. From a small amount of funding support our dance companies are engaging audiences, sharing Australian cultural experiences and supporting developing artists.

However, this is all at risk due to the changes in funding being rolled out following the May 2015 Federal Budget. The Australia Council for the Arts has suffered a $34 million cut over the past two budgets, reducing overall funding from $218.7million to $184.5 million.

These reductions have been focused on initiatives and sector grants and the cessation of programs such as ArtStart, Australian Fellowships and Artists In Residence programs. 

$110 million over four years has been directed to the Ministry for the Arts to facilitate the National Program for Excellence in the Arts (NPEA). The guidelines for this program are being drafted, but initial indications show the NPEA will not support individual artists or organisational sustainability.

The arts sector, concerned about these changes, were successful in lobbying the Senate to inquire into these changes. The inquiry is being undertaken by the Senate Legal and Constitutional Affairs Reference Committee and received over 2000 submissions from the public, many opposing the changes.

The inquiry is hearing from a diverse range of artists and organisations, including many dance focused groups. The Committee is due to report in November.

The arts broadly and the professional dance sector specifically contributes to the understanding of Australia’s culture and international profile. While MPA dance companies earn 73 percent of their income via box office and other non-government support, internal Australia Council reporting highlights the reliance small to medium companies have on government support to be able to deliver their creative output. In 2013, dance key organisations received 69 percent of all income from government sources, compared to 37 percent in music and 50 percent in theatre.

Despite a recent increased focus on growing private sector funding by KAO dance companies, it remains only approximately $1 million a year, spread across 13 organisations. While this focus has seen an increase on previous years (260 percent since 2008), private funding for the arts has predominately been directed at larger, more established arts organisations. Small to medium organisations need a growth in base capacity and ongoing stability to be able to harness such relationships.

This is a challenging time for all involved in making professional dance. Follow the debate at #freethearts on Twitter and Facebook and via the Ausdance advocacy page.

ArtsPeak’s response to the draft guidelines for the National Program for Excellence in the Arts

ArtsPeak's response to National Program for Excellence in the Arts draft guidelines (360KB PDF)

Dear Minister Brandis

Re: draft guidelines for the National Program for Excellence in the Arts (NPEA)

ArtsPeak (the confederation of Australian national peak arts organisations and arts industry councils) welcomes the opportunity to respond to the recently released draft guidelines for the Federal Government’s National Program for Excellence in the Arts (NPEA). ArtsPeak particularly welcomes the Government’s statement about the intrinsic value of the arts:

While valuing the many secondary benefits which flow from arts activities, the Program seeks to celebrate the intrinsic capacity of the arts to engage, inspire and make meaning for all Australians.

1. Sustainability

Ausdance responds to the Draft Guidelines for the National Program for Excellence in the Arts

Draft Guidelines for the Program

Ausdance responds to the Draft Guidelines for the National Program for Excellence in the Arts (300KB PDF)

The Australian Dance Council – Ausdance National is Australia's peak body for dance: educating, inspiring and supporting the dance community in reaching its potential as a dynamic force within local, national and international communities. As part of a network of Ausdance organisations working across Australia, we design and deliver accessible services and integrated programs to support dance in Australia. Ausdance is a member of ArtsPeak and the National Advocates for Arts Education, and facilitates the Tertiary Dance Council of Australia.

We welcome the opportunity to review the guidelines in draft format, noting this new funding process exists under the Commonwealth Grants Rules and Guidelines and will need to be approved by the Finance Minister before commencing.

Ausdance supports the feedback provided by ArtsPeak relating to the Guidelines and adds these further comments.

Watch National Dance Forum 2015 panel discussions

National Dance Forum 2015 (19–21 March) addressed the inherent concerns and realities affecting current professional practice in Australia. It was framed by three specific lines of focus:

  • Transforming the form: changing structures and their effects
  • The subtleties and nuances of innovation.
  • Discourse: How is dance written about, spoken about and communicated?

A partnership between the Australia Council for the Arts and Ausdance National, the NDF is a biennial gathering for the Australian professional contemporary dance sector. It fosters the artistic development of dance in Australia by providing a platform for discussion between Australian choreographers, dancers, independent artists, artistic directors, educators, researchers and dance producers.

Help us shape the NDF2015 program: submit your ideas, proposals and feedback

Submit your ideas and proposals

Please use the NDF2015 proposals form (1MB PDF) to submit your ideas and feedback. Email the form to NDF2015 by Friday 3 October 2014.

We welcome your suggestions for topics, speakers or proposals for sessions including but not limited to:

  • Five-minute presentations that may be thematically grouped with others to form the basis for longer sessions that will include both presentations and discussion
  • 'Pecha kucha' style presentations (20 slides x 20 seconds)
  • Studio-based sessions such as lecture demonstrations

Please note: proposals for showings and classes will not be eligible. NDF2015 is about fostering critical dialogue, and there will be other avenues for showings through Dance Massive managed by Ausdance Victoria. For more information visit Dance Massive.

Give us your feedback

We encourage any feedback you have about the proposed NDF2015 lines of focus:

  • Transforming the form: changing structures and their effects
  • The subtleties and nuances of innovation.
  • Discourse: How is dance written about, spoken about and communicated?

Please use the NDF2015 proposals form and complete the feedback section.

Keir Choreographic Award—winner announced

The inaugural Keir Choreographic Award has been awarded to Atlanta Eke. The People's Choice Award went to Sydney artist Jane McKernan, as selected by audience members at the grand final at Carriageworks.

Four of the eight commissioned artists—Sarah Aiken, Matthew Day, Atlanta Eke, Jane McKernan—competed for the inaugural award at Carriageworks in Sydney in July.

TAFE funding cuts and the arts

At the recent meeting of the Tertiary Dance Council of Australia (TDCA), serious concerns were raised about the massive cuts to TAFE training in several eastern States.

In this article for Artshub, Tamara Winikoff, Executive Director of the National Association for the Visual Arts, also raises these concerns, and the broader issues of career pathways for artists. While Tamara focuses on the visual arts, much of her analysis could be applied to dance in the TAFE sector, especially with the imminent introduction of the new Australian Curriculum: The Arts.

We'll be making our concerns known to the Victorian, New South Wales, South Australian and Queensland governments about their proposals to so drastically cut TAFE funding. We suggest you read Tamara's article and respond to your own governments about the future of arts training in your State.

Good news from major performing arts companies

The latest Australia Council Snapshot of Major Performing Arts Company Key Trends shows that Australia’s major performing arts companies are robust, stable and have continued to expand their city audiences in line with population growth. They have also extended their reach and engagement in regional and remote communities.

National Cultural Policy only weeks away

We understand that the National Cultural Policy is now only weeks away, so we've written to Arts Minister Simon Crean again, this time in response to the media release from the Arts & Cultural Ministers' meeting on 30 March.

This was our last opportunity to comment prior to the NCP's release, so we've reproduced the text here, following correspondence with the Office for the Arts after my colleague, Tamara Winikoff, and I visited the department on behalf of ArtsPeak.

ArtsPeak has also written to the Minister, particularly emphasising the importance of the small to medium arts sector in Federal Budget considerations. The letter reads as follows:

Arts service organisations—telling the story

Today I went with my ArtsPeak colleague, Tamara Winikoff, to visit the Office for the Arts in Canberra, where we continued the conversation about our work.

It was useful to share the ArtsPeak map that outlines the broad reach of arts service organisations, especially as we’d like to see it acknowleged as part of the bigger arts support picture in the National Cultural Policy .

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