Includes ethical, legal and professional standards identified by the dance teaching profession in Australia.
Children have a fundamental right to be safe while involved in dance, sport or associated activities and teachers need to be aware of their legal obligations.
These Safe Dance ® practice guidelines include how to set up a safe learning environment, what makes a practice or performance venue safe, the importance of cater for physical different bodies and abilities, how movements might impact on the body, and simple injury prevention and management strategies.
A list of government and philanthropic organsiations that have funding available for dance artists who meet specific criteria.
In professional dance, as with all physical and athletic endeavours, there will always be a realistic expectation of some musculoskeletal complaints. The information gathered through the Safe Dance research studies develops a better understanding of the changing profile of professional dancers in Australia and their experience of injury. The findings can be used to assist in the tailoring and evaluation of evidence based injury prevention initiatives with the long-term goal of safely sustaining dancers in their professional dance careers for as long as they choose.
Safe Dance Report IV examines the Australian context and occurrence of injury in professional dancers (independent dancers and those based in companies), and how dancers manage their injuries and return to dance practice. It makes recommendations to support sustainable, healthy, and productive dancing careers.
Do the safe spaces checklist before you teach a dance class, lead a social dance event or give a dance performance.
In February 2017 we wrapped up data collection for the 4th Safe Dance research project, Safe Dance IV – Investigating injuries in Australia’s professional dancers. This is a continuation of the important work started by Ausdance National almost 30 years ago, which aims to better understand the occurrence of injuries in Australia’s professional dancers as the landscape of professional dance continues to change.
A vast amount of rich information will be analysed and interpreted in preparation for the launch of the 4th Safe Dance report in late 2017.
Marilyn Miller reflects on the importance of Creating Pathways National Indigenous Dance Forum, held at the National Museum in Canberra from 27 to 30 October 2005.
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From January 2017 we will start analysing the rich and valuable data provided though the Safe Dance IV questionnaire. We will also be writing the 4th Safe Dance report, which will be made available to the dance community via the Ausdance National website. In particular this report will detail the current prevalence of injuries in Australia’s professional dance population and describe progress that has been made in injury prevention and management since the 3rd Safe Dance report was published in 1999. The major study conclusions will be used to help set priority areas for future dance research and action, make updated safe dance practice recommendations and assist with evaluations of current injury prevention initiatives.
The International Association for Dance Medicine and Science (IADMS) 26th Annual Conference was held in Hong Kong on October 20–23 2016. A group of Australian academics, clinicians, dancers and students were thrilled to be able to travel to Hong Kong to present our work to the dance research community. Australia should be proud to be at the forefront of this field, and a presentation on bibliometric analysis of dance publications identified Australia as one of the top countries in the world for quality and collaborative dance research!
The words ‘safe dance’ mean many different things to different parts of the dance community. It could be safe dance practice recommendations for teachers and studio owners, safe physical dance environments, injury prevention and safe return to dance practices, supporting the mental and physical development of dance students, the list goes on.
But how far have we come in preventing and managing injuries in Australia’s professional dancers? And are our dance practices safe?
As you may know, the arts sector responded with overwhelming support for the role of The Australia Council when it responded to the Senate inquiry into the 'Impact of the 2014 and 2015 Commonwealth Budget decisions on the Arts', or, in other words, the sudden diversion of Australia Council funds to establish the National Program for Arts Excellence.
A overview of Ausdance National's key areas of publication: dance research, dance artists' voices, factsheets for Safe Dance and professional business practice.
What better way to wrap up our year in dance than to recall some of the big 2014 moments in dance.
This year dance gave us much celebrating—what a wonderful way to spend a year! We honoured the discipline and dedication of our professional dance artists. We danced to make us happier and healthier. We saw dance used for rehabilitation. We made dance that celebrated all bodies. We watched dance that challenged our ideas about what dance should be. We were excited by new choreographic talent. We were inspired by the latest Australian dance thinking on show at the 2014 World Dance Alliance Global Summit. We celebrated big birthdays and said goodbye to old friends.
Highlights from the 24th Annual Meeting of IADMS—enhancing the health, wellbeing, training and performance of dancers by cultivating educational, medical, and scientific excellence.
Our 2014 Australian Dance Awards sponsors were selected because they each offer outstanding professional dance products, services and resources.
Sam Small from Aon explains why Public Liability insurance is a must have for dance teachers and studios
Australian arts and health organisations, publications, conferences, research and workshops (2014).