A biennial fellowship of $10,000 awarded to a mid-career choreographer.
The biennial Keith Bain Choreographic Travel Fellowship supports international travel and experiences by emerging choreographers (under 40 years) across any dance genre.
The Australian Dance Council—Ausdance has for nearly forty years led, inspired, supported and informed the Australian dance community.
Now we need your support to continue this work. All donations to Ausdance National above $2 are tax deductible.
For the first time in a generation, the arts are claiming space in the lead-up to a federal election. While ‘jobs and growth’ and ‘putting people first’ are dominating the debate, after 18 months of cuts, despair and confusion, the arts community is coming together and calling for our voices to be heard.
Here's our guide to putting arts on the political agenda.
The Commonwealth Budget 2015–16 announced major changes to arts funding. With funds cut from the Australia Council, the Federal Minister for Arts established the National Program for Excellence in the Arts. This led to reduced funding programs across the professional dance sector, increased uncertainty about the sustainability of artists' careers, and the potential loss of arms’ length funding and genuine peer assessment.
We are working with our members and ArtsPeak to contribute policy direction and provide advice.
The National Dance Forum 2015 focused on the inherent concerns and realities affecting current professional practice in Australia.
Identifies four ambitions for 2012, with a list of achievable objectives. These ambitions reflect the diversity and dynamism of dance in our communities. They require our energy and attention to ensure that dance, as an artform and an enjoyable form of recreation for all, remains at the heart of Australian life.
Ausdance supported the development of Australia's National Cultural Policy. We believed it should not only deliver new ideas and strategies, but also reflect the ambitions of the Australian community (including those identified in Dance Plan 2012).
It should respect and promote Indigenous perspectives, and encompass the cultural ambitions of our multicultural society. It should reflect and acknowledge the breadth of cultural activity and diversity, including professional excellence in artistic performance and education, community access and participation, and artists’ career development and sustainability.