Challenging questions explored at Ausdance dance sector meetings
Ausdance coordinated a meeting of eight representatives of the nationally funded dance companies with the CEO of the Australia Council and senior staff on 12 December 2015.
The aim was multiple: to understand the further implications of the diversion of funds to the National Program for Excellence in the Arts (now Catalyst); to query the status of the vacant role of Chair of Dance, as an announcement had not been made about retaining this role; and to discuss the role of funding in sustaining the dance ecology so carefully developed over the past years.
The diversion of funds does challenge the current number of nationally funded small to medium dance companies, and the announcement of funding or otherwise in April 2016 will reveal the extent of the loss. We note the recent departure of the Australia Council Director Dance Carin Mistry and thank her for many years of dedicated championing of professional dance. We congratulate the new Arts Practice Director, Dance, Adrian Burnett, and look forward to a similarly productive relationship.
Other meetings attended include a teleconference with ArtsPeak; a teleconference convened by the MEAA at the request of freelance commercial dancers to consider minimum pay rates, which will result in a first-ever survey of this sector (think #paythedancers); and a teleconference to consult with youth theatre companies with the thought of learning for youth dance funding.
Summer Brisbane Contemporary Dance Intensive with Expressions Dance Co
- Dates: 11–15 January 2016 (Week one) and 18–22 January 2016 (Week two)
- Venue: Brisbane, Queensland (venue TBC)
- Times: 9 am–5 pm daily
- Cost: $570 per person or $1050 per person for 2 weeks
- For bookings and more info, visit Expressions Dance Company
Dance into your future at Expressions Dance Company’s Summer Brisbane Contemporary Dance Intensive (BCDI), held 11–15 and 18–22 January 2016 in Brisbane.
BCDI is regarded as one of Australia’s best contemporary dance training programs. Over the course of two weeks, you’ll have the chance to work exclusively with EDC’s award-winning dancers as well as some of Australia's most respected dance artists including Craig Bary and Kristina Chan. You’ll get to master your performance skills and deepen your ability to create unique and engaging dance, and have fun while doing it!
The 2016 Summer program has been curated by internationally celebrated dance artist Amy Hollingsworth. Amy brings her extensive skills as both a dancer, working with some of the best dance companies and choreographers, and as a rehearsal/dance director.
2016 Keir Choreographic Award finalists announced
Congratulations to the eight commissioned artists Sarah Aiken, James Batchelor, Chloe Chignell, Ghenoa Gela, Martin Hansen, Alice Heyward, Rebecca Jensen and Paea Leach.
The Award increases the profile of and cultivates new audiences for contemporary dance within Australia by commissioning and presenting new choreographic works in a competitive context.
For more information, visit Carriageworks.
World Dance Alliance Asia Pacific 2016 conference: call for performances, choreolab and symposium
In 2016, the Korean chapter of World Dance Alliance Asia Pacific (WDAAP) will host the WDAAP Annual General Meeting and surrounding activities as the event Dance routes—danced roots: connecting the local and the global. It will include showcase performances, an international choreolab and a symposium.
Key information
- Conference theme: Dance routes—danced roots: connecting the local and the global
- Conference location and date: Seoul, Korea, 21–24 July 2016
- Apply to present: performances, scholarly, performative and Pecha Kucha style presentations
- Apply to participate in the Choreolab
- Submission deadline: 10 January 2016
- Acceptance notification: 28 February 2016
- For detailed information and to apply, visit the World Dance Alliance website
Applications are now open for participation in the following events:
- Showcase Performances
- International Choreolab
- Symposium—call for proposals
The Showcase provides a concert platform for professional choreographers and performers, and pre-professional artists training in dance academies. The performances will take place in the theaters located in the ShangShin Univeristy or Arko Theater and will be open to registered participants of the WDAAP event and the general public.
The International Choreolab is designed for four emerging and mid-career choreographers to work intensively for almost one week under the mentorship of one Korean established dance artist and one internationally known choreographers (to be announced) resulting in a public showing of works in progress. You can apply to participate in the Choreolab as a choreographer or as a dancer.
The Symposium theme focuses on the idea of global and local connectivity through dance, looking at roots as well as routes that dance and dancers negotiate in different cultures of the contemporary world. Presentation formats include scholarly, performative and Pecha Kucha style presentations.
NAAE welcomes final endorsement of The Australian Curriculum: The Arts
The National Advocates for Arts Education (NAAE) welcomes the endorsement of The Australian Curriculum: The Arts by the Australian Education Council, and the release this week of the updated Australian Curriculum website (version 8.0).
The NAAE, which represents the five art forms included as separate subjects in the curriculum, has been campaigning for seven years on behalf of arts educators across the country. The Arts were not initially included in the national curriculum at all, and this week therefore marks a significant occasion, when The Arts are not only in the curriculum, but they include all five art forms: Dance, Drama, Media Arts, Music and the Visual Arts.
NAAE welcomes ACARA’s response to the Review of the Australian Curriculum, which had recommended a reduction of the Arts curriculum from five arts subject to two. In response to the review's concerns about the 'crowded curriculum', ACARA has introduced optional, single learning area achievement standards for The Arts, while keeping existing subject specific achievement standards as an alternative (NAAE's preferred option). There will be no changes to content descriptions.
The Australian Curriculum: The Arts has already received international recognition as a leader in 21st Century curriculum. Australia is in the unique position of having an Arts curriculum that provides sequential development for each art form, achieving language cohesion without homogenisation, and using appropriately more specialised language in the secondary years. The curriculum provides teachers with information for implementation support across the five art forms.
However, NAAE recognises that schools and teachers have flexibility to make decisions about how they teach the curriculum in accordance with the needs of their students, the requirements of their school and local curriculum authorities. We will continue to work on advocacy and implementation issues as the curriculum is rolled out across the country.
Working with children in performing arts—industry consultation
Working with Children in performing arts? Innovation and Business Skills Australia, in conjunction with Focus on Skills and Ausdance, is developing a working with children skill set and units of competency in performing arts.
This project will involve working with AUSDANCE to address identified gaps in the current Dance qualifications and units:
- Safe dance environments and equipment
- Dances appropriate to age groups
- Student health and wellbeing
- Regulated environment for good teaching practice and code of conduct.
The first round of industry consultation has been completed and revised drafts of the Working with Children in Performing Arts skill sets and units have been updated to reflect stakeholder feedback. A new draft unit applicable to all people working with children in performing arts environments and an additional skill set were developed in response to feedback. All materials are now available for final validation and stakeholder input. Responses are required by close of business Monday 19 October.
Draft materials f or feedback
IBSA invites final comment on the following new materials:
Skill set:
- CUASS00054 Working With Children in Performing Arts Skill Set
- CUASS00055 Assistant dance teaching skill set
Units of competency (and their assessment requirements):
- CUADTM412 Promote the physical and emotional wellbeing of children in performing arts
- CUAWHS405 Provide a safe performing arts environment for children
- CUAWHS406 Interact appropriately with children in performing arts environments
To read the draft materials for feedback, visit the Working with Children in performing arts web page on the IBSA website.
Call for applicants—a secondment/professional development program with Shaun Parker
Shaun Parker & Company is calling for applicants for its annual TRIGGER program, which will take place in December 2015.
Key information
- What: TRIGGER secondment program.
- Where: IO MYERS Theatre, University of NSW, Sydney.
- When: 9.30 am – 6.00 pm, 7–18 Dec 2015
- Who: We are looking for five dancers who were born with the XY male chromosome. ie. Male dancers or dancers born with the male XY chromosome, but who identify as being female.
- Cost: Free.
- Deadline for application: 19 October 2015
The five chosen applicants will join our company of nine dancers who will be working on the creative development of our new work XY.
The program will include a daily technique class in yoga and contemporary dance, followed by task-based improvisation processes with artistic director and award-winning choreographer Shaun Parker. This two-week workshop is free of charge and is invitation only, so please ensure that you submit a strong application for selection.
Shaun Parker will be using this time to develop the skills of the applicants, as well as looking for dancers for various projects for 2016 and 2017.
To apply
Please email the following material to the General Manager Sonia Grebenshikoff at: [email protected]
- 1-page CV
- Headshot
- Link to edited footage of your performance work.
(Please choose carefully the footage you include, as this will be what the artistic director will be basing selection upon.)
Successful applicants notified by early November.
Australian Talented Youth Project 2015–2016: Call for Nominations
The Australian Talented Youth Project 2015–2016 is a creative opportunity for young emerging artists aged 16–25, with a particular emphasis on those from regional and remote Australia.
The selected young artists will be mentored by leading professionals in the various artistic fields. The year-long face-to-face and electronic mentoring program includes a week-long residential component to be held in Canberra in February 2016, and all accommodation, catering and transportation to and from the residential component are included.
This year, mentorship is available in the following artistic fields:
- Music (Voice)
- Music (Jazz) (keyboard, double bass, guitar, saxophone, vocals
- Dance
- Filmmaking
- Theatre/acting
- Writing for Theatre
- Digital Arts
Since there are only 16 places available, which are spread over the various creative and performing arts, the organisers are calling for arts organisations to nominate candidates of the highest calibre. For more information, and the nomination form, please visit the Australian Talented Youth Project website.
Nominations close 15 October 2015.
Ausdance WA seeks new Director
Key information
- Job title: Director, Ausdance WA
- Location: King Street Arts Centre, Perth
- Applications close 5.00 pm 16 October 2015
- Annual salary: $60,000—$80,000
Ausdance WA exists to ensure dance is integrally embedded in the cultural life of Western Australians as an art form, career pathway, recreational pursuit and healthy life choice.
‘Lifelong Dance’ is the vision informing our strategies for the 2016-18 triennial. The proposed program of activities will realise this vision across the spectrum of professional and non-professional dance.
We are seeking a leader in program delivery, dance education and policy development to champion innovation, excellence and creativity in dance.
The successful candidate will provide a range of assistance and support to the elected Management Committee; manage the day-to-day affairs of Ausdance-WA; be accountable and responsible for the organisations financial, human and physical resources; and create and maintain effective relationships to be an active advocate and provide leadership for dance in WA.
To express your interest in this role, please email the following to [email protected]:
- Your resume
- A statement outlining why you would be effective in this position (max 1000).Your statement must relate to the responsibilities of the position and provide evidence indicating you have the required competencies and experience for the position.
Applications must be received by 5.00 pm 16 October 2015.
Adoption of The Australian Curriculum: The Arts
Today the Education Council endorsed the Australian Curriculum in eight learning areas, INCLUDING THE ARTS! Congratulations to all our NAAE colleagues, to Linda Lorenza, and to all the wonderful teachers out there who supported the consultation process and contributed their expert knowledge to the writing of the curriculum. What a fabulous outcome for the Arts and for Australian students everywhere!
Adoption of The Australian Curriculum: The Arts by Australian education Ministers is an exciting development, especially after the Pyne review recommended that five art forms in the draft curriculum be reduced to two. However, in response to the review's concerns about the 'crowded curriculum', ACARA has introduced optional, single learning area achievement standards for The Arts, while keeping existing subject-specific achievement standards as an alternative (NAAE's preferred option). There will be no changes to content descriptions. Version 8.0 of the curriculum will be available on ACARA's website from 18 October.
2015 Australian Dance Award Winners
The 2015 Australian Dance Awards were announced and presented at Her Majesty's Theatre in Adelaide on Saturday 12 September. Congratulations to the winners and all the shortlisted nominees!
Hall of Fame Inductees
Marilyn Jones OBE
Marilyn Jones OBE, Australia’s first new prima ballerina of The Australian Ballet is an iconic figure of dance. From her first season with the company to her last, she sustained an innately lyrical aesthetic. Marilyn’s warmth and humility in such classics as Swan Lake, Raymonda, Sleeping Beauty and, perhaps above all, Giselle with her (then) husband Garth Welch, made her a favourite with audiences nationally and abroad.
Following her performance career, Marilyn taught at the National Theatre Ballet School and was artistic director of The Australian Ballet (1979-1982), where she established the Dancers Company involving final year students of The Australian Ballet School. In 1995 she became Artistic Director of the National Theatre School, and later, Senior Lecturer and Coordinator of Classical Dance at the Western Australian Academy of Performing Arts.
Today Marilyn is the artistic director of the Australian Institute of Classical Dance, which she established to produce a new Australian ballet-training syllabus. In 1996 she launched the much-valued Dance Creation competition for emerging choreographers. Marilyn continues to lead the Institute’s valuable work, which comprises workshops for students, teachers’ seminars, examinations, scholarship competitions and residencies at the Royal New Zealand Ballet School and the Houston Ballet School in Texas USA.
One of our greatest classical dancers, Marilyn has inspired and influenced generations of young dancers throughout her distinguished life in dance.
Dr Elizabeth Cameron Dalman OAM
Nationally and internationally renowned as a choreographer, teacher and performer, Elizabeth has been passionate and dedicated to dance and the arts for her entire life. Part of a generation of artists seeking a spiritual and holistic way of expressing themselves, she has helped to define Australia's cultural identity and expression in the modern world and has made a significant and lasting impact on the development of Australian contemporary dance.
Originally trained in Adelaide, Elizabeth left to study with remarkable choreographers before returning to found and lead Australian Dance Theatre, following which she taught and choreographed in Europe before returning to the freelance life in Australia and founding Mirramu Creative Arts Centre in New South Wales. She continues to dance, teach and choreograph around the world.
A visionary as well as a pioneer, Elizabeth has always been an advocate of human rights—as expressed in her many creative works—actively supporting Aboriginal rights, women's rights, the environment and contemporary arts. Leading a generation of artists who were seeking a spiritual and holistic pathway through their art in order to communicate and explore ways to interpret the world, she has contributed to defining Australia's diverse cultural identity and has made a significant and lasting impact on the development of Australian contemporary dance.
Australian arts funding—September 2015 update
In 2013, 702,000 Australians attended a performance, workshop, or school activity facilitated by a national dance organisation (Key Arts Organisation (KAO) or Major Performing Arts company (MPA)). Australian dance continued to make a significant impact overseas, reaching an international audience of 69,000 through 122 performances by KAOs and MPAs across Europe, South America and the Middle East. From a small amount of funding support our dance companies are engaging audiences, sharing Australian cultural experiences and supporting developing artists.
However, this is all at risk due to the changes in funding being rolled out following the May 2015 Federal Budget. The Australia Council for the Arts has suffered a $34 million cut over the past two budgets, reducing overall funding from $218.7million to $184.5 million.
These reductions have been focused on initiatives and sector grants and the cessation of programs such as ArtStart, Australian Fellowships and Artists In Residence programs.
$110 million over four years has been directed to the Ministry for the Arts to facilitate the National Program for Excellence in the Arts (NPEA). The guidelines for this program are being drafted, but initial indications show the NPEA will not support individual artists or organisational sustainability.
The arts sector, concerned about these changes, were successful in lobbying the Senate to inquire into these changes. The inquiry is being undertaken by the Senate Legal and Constitutional Affairs Reference Committee and received over 2000 submissions from the public, many opposing the changes.
The inquiry is hearing from a diverse range of artists and organisations, including many dance focused groups. The Committee is due to report in November.
The arts broadly and the professional dance sector specifically contributes to the understanding of Australia’s culture and international profile. While MPA dance companies earn 73 percent of their income via box office and other non-government support, internal Australia Council reporting highlights the reliance small to medium companies have on government support to be able to deliver their creative output. In 2013, dance key organisations received 69 percent of all income from government sources, compared to 37 percent in music and 50 percent in theatre.
Despite a recent increased focus on growing private sector funding by KAO dance companies, it remains only approximately $1 million a year, spread across 13 organisations. While this focus has seen an increase on previous years (260 percent since 2008), private funding for the arts has predominately been directed at larger, more established arts organisations. Small to medium organisations need a growth in base capacity and ongoing stability to be able to harness such relationships.
This is a challenging time for all involved in making professional dance. Follow the debate at #freethearts on Twitter and Facebook and via the Ausdance advocacy page.
Adelaide abuzz with the influx of some of Australia’s best dancers and dance companies
The Australian Dance Awards 2015 will land in Adelaide for the very first time and the city is abuzz with the influx of some of Australia’s best dancers, dance companies, dance writers, and everyone else who helps Australian dance achieve on the national and international stage.
A packed performance program features Australian Dance Theatre celebrating their 50th anniversary, Dancenorth, Melbourne City Ballet, Restless Dance Theatre, Leigh Warren, with a Welcome to Country from Karl Winda Telfer and Kurruru Youth Arts. It will also see the restaging of an early Elizabeth Cameron Dalman piece for ADT by the current company, the ADT Youth Ensemble will perform the exciting Smash Crack Zeal., and Dusty Feet Dance Collective will appear on film from Alice Springs.
Amongst the Awards will be the induction of two of Australia’s most distinguished contributors of dance to the Hall of Fame. Both Marilyn Jones OBE and Dr Elizabeth Cameron Dalman OAM will receive their certificates from Dr Alan Brissenden AM, himself inducted into the Hall of Fame in 2013, and Ms Elizabeth Walsh, the Chair of Arts Practice, Dance, The Australia Council. The Lifetime Achievement Award will also be presented to Marilyn Rowe OBE. Thirteen Awards in total will be presented, with the Hall of Fame and the Ausdance Peggy van Praagh Choreographic Fellowship.
The Australian Dance Awards will be presented at 7.30 pm at Her Majesty’s Theatre Adelaide on 12 September 2015. Tickets from BASS outlets.
Job opportunity: Dancenorth General Manager
Are you an experienced arts administrator, a strategic and inspirational leader, an exceptional collaborator, communicator and networker?
Dancenorth, Australia’s leading regional contemporary dance company, have a dynamic new structure that enables Australia’s most talented choreographers to create new works. Fresh from a national tour the company is gaining attention and is looking for a dynamic leader to maximise upon opportunities to take them to the next level.
This full-time position is based in Townsville, North Queensland.
In the first instance, please email [email protected] for a full job description by 5 pm Sunday 19 September.
2015 Australian Dance Awards announces two inductees to the Hall of Fame
The Australian Dance Awards is delighted to announce two inductees to the Hall of Fame for 2015.
The Hall of Fame is the most prestigious of all Australian Dance Awards and is made directly by the Awards Advisory Panel in recognition of the individual’s unique contribution and role in professional dance.
The inductees are Marilyn Jones OBE and Dr Elizabeth Cameron Dalman OAM, who will both attend on the night.
Marilyn Jones OBE
Marilyn Jones & Jonathan Kelly rehearse Anne Wooliams' Swan Lake. 1978 Flemington studios. Photo Michael CookMarilyn Jones OBE, Australia’s first new prima ballerina of The Australian Ballet, founded in 1962, remains an iconic figure of dance. From her first season with the company to her last, she sustained an innately lyrical aesthetic.
Her warmth and humility in the classics made her a favourite with audiences nationally and abroad. She was Artistic Director from 1979—1982.
Today Marilyn is the artistic director of the Australian Institute of Classical Dance, which she established during an Australia Council Creative Artists Fellowship to produce a new, Australian ballet-training syllabus.
In 1996 she launched the Dance Creation competition for emerging choreographers. Marilyn continues to lead the Institute’s valuable work, which comprises workshops for students, teachers’ seminars, examinations, scholarship competitions and residencies at the Royal New Zealand Ballet School and the Houston Ballet School in Texas USA.
Elizabeth Cameron Dalman OAM
Elizabeth, 1974. Photo: Jan DalmanNationally and internationally renowned as a director, choreographer, teacher and performer, Elizabeth is one of our foremost dance pioneers. A passionate artist with a life-long dedication to dance, Elizabeth has been a prime mover in shaping the Australian dance landscape for over 50 years.
Part of a generation of artists seeking a spiritual and holistic way of expressing themselves, she has helped to define Australia's cultural identity and expression in the modern world and has made a significant and lasting impact on the development of Australian contemporary dance.
Originally trained in Adelaide, Elizabeth left to study with remarkable choreographers before returning to found and lead Australian Dance Theatre, following which she taught and choreographed in Europe before returning to the freelance life in Australia and founding Mirramu Creative Arts Centre in New South Wales.
She continues to dance, teach and choreograph around the world.
The Australian Dance Awards 2015
The Australian Dance Awards 2015 are presented by Ausdance and Harlequin Floors with the Adelaide Festival Centre, 7.30 pm on 12 September at Her Majesty’s Theatre Adelaide. Get your Australian Dance Awards tickets from BASS outlets.
Ausdance thanks presenting partner Harlequin Floors and the Adelaide Festival Centre, Equity, AON Risk Management Services, Innovation & Business Skills Australia, Australian Dance Theatre and TAFE SA, and welcomes new partners Gaynor Minden and Novatech Creative Event Technology.
Ausdance National is assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
Neil Roach, Project Officer for the Australian Dance Awards 2015
Award for Lifetime Achievement 2015
The Australian Dance Awards committee is pleased to announce that the Lifetime Achievement Award for 2015 will be presented to Marilyn Rowe OBE in recognition of a lifetime dedicated to dance.
After an outstanding career as an internationally acclaimed principal artist with The Australian Ballet, Marilyn dedicated her life to The Australian Ballet School and its students, helping shape the future of young dancers through her leadership, vision and innovative education programs. Marilyn has been instrumental in developing a world-class unique dance training institution that produces distinctly Australian dancers who have learned through a holistic educational program which balances technique, artistry, academic education and student care. She is the driving force behind the establishment of Marilyn Rowe House, a residence for The Australian Ballet School.
Clockwise from top L: with Dame Peggy van Praagh in the studio; with John Meehan in The Merry Widow Photo: Branco Gaica; with Gary Norman in Spartacus Photo: Branco Gaica; in rehearsal at The Australian Ballet's Flemington studios 1971 Photo: Paul Cox. Images courtesy of The Australian Ballet.Marilyn performed and created a phenomenal body of work in her performing years, equally outstanding in both classical and contemporary techniques. Her reputation in the latter was forged, when American choreographer Glen Tetley chose Marilyn, Alida Chase, John Meehan and Gary Norman for his ground breaking ballet, Gemini in 1973. Also that year she formed an acclaimed partnership with Kelvin Coe, with whom she won the prize for most outstanding couple plus individual silver medals at the Moscow International Ballet Competition. Her talent inspired other choreographers who illuminated the most brilliant partnerships: with John Meehan in The Merry Widow (Ronald Hynd) and Gary Norman in Anna Karenina (André Prokovsky) as did John Cranko’s existing ballets, Romeo and Juliet and Onegin.
A multi-award winning performer, artist, director and teacher, Marilyn’s legacy to dance, dance education and to Australian arts and culture is far reaching and will be long-lasting. Her contribution has been acknowledged with her appointment as Officer of the Order of the British Empire (OBE) in 1980 for her services to ballet in Australia.
ArtsPeak’s response to the draft guidelines for the National Program for Excellence in the Arts
ArtsPeak's response to National Program for Excellence in the Arts draft guidelines (360KB PDF)
Dear Minister Brandis
Re: draft guidelines for the National Program for Excellence in the Arts (NPEA)
ArtsPeak (the confederation of Australian national peak arts organisations and arts industry councils) welcomes the opportunity to respond to the recently released draft guidelines for the Federal Government’s National Program for Excellence in the Arts (NPEA). ArtsPeak particularly welcomes the Government’s statement about the intrinsic value of the arts:
While valuing the many secondary benefits which flow from arts activities, the Program seeks to celebrate the intrinsic capacity of the arts to engage, inspire and make meaning for all Australians.
1. Sustainability
Ausdance responds to the Draft Guidelines for the National Program for Excellence in the Arts
Draft Guidelines for the Program
Ausdance responds to the Draft Guidelines for the National Program for Excellence in the Arts (300KB PDF)
The Australian Dance Council – Ausdance National is Australia's peak body for dance: educating, inspiring and supporting the dance community in reaching its potential as a dynamic force within local, national and international communities. As part of a network of Ausdance organisations working across Australia, we design and deliver accessible services and integrated programs to support dance in Australia. Ausdance is a member of ArtsPeak and the National Advocates for Arts Education, and facilitates the Tertiary Dance Council of Australia.
We welcome the opportunity to review the guidelines in draft format, noting this new funding process exists under the Commonwealth Grants Rules and Guidelines and will need to be approved by the Finance Minister before commencing.
Ausdance supports the feedback provided by ArtsPeak relating to the Guidelines and adds these further comments.
Child sexual abuse in the entertainment industry
The Royal Commission into Institutional Responses to Child Sexual Abuse would like to hear from anyone who has experienced, or has information regarding, child sexual abuse in institutions in the entertainment industry.
Royal Commission CEO Philip Reed said that the Royal Commission is calling for people with information about child sexual abuse in the entertainment industry to contact the Royal Commission.
Congratulations Australian Dance Awards 2015 shortlisted nominees
Image courtesy Australian Dance Theatre. Photographer: Chris Herzfeld Camlight Productions. Dancers from L to R: Kimball Wong, Samantha Hines, Elizabeth Cameron Dalman, Matte Roffe & Lonii Garnons-Williams.Congratulations to the shortlisted nominees.
Services to Dance
- Jeff Busby
- Philippe Charluet
- Nicolette Fraillon
- Jennifer Irwin