New Zealand’s only professional inclusive dance company, Touch Compass is auditioning for 2015.
They are seeking disabled and non-disabled dancers to perform repertoire, new works and tour. All dancers are contracted and paid on a per project basis.
Applicants shold have a natural physicality, a passion for high quality performance and a commitment to fully participate in the company. Touch Compass celebrates individual difference and draws its company of dancers from all walks of life with or without dance/performance experience.
As well as learning works in the repertoire, company members will be involved in the creative process of developing new works. Touch Compass also provides mentoring and training for its performers.
For details on how to apply visit the Touch Compass website.
Deadline for applications: 19 December, 2014
Arts House is excited to present a new initiative: the National Indigenous Choreographers Residency.
Five established Indigenous choreographers from around Australia will work with Melbourne-based Indigenous choreographers in an intensive and immersive residency during Dance Massive 2015. Successful participants will work together in North Melbourne, Victoria in a development environment where they will explore and exchange choreographic language, technique, inspirations and skills.
As well as the residency, during Dance Massive the participants will be guided through a bespoke program of events including
- an international market session
- opening nights
- studio showings
- artists' breakfasts
- networking opportunities
- pitch sessions with the international and national delegations.
Victorians Jacob Boehme and Mariaa Randall will lead artists on the National Indigenous Choreographers' Residency.
Participants must be available for all of the residency from Sunday 8 March to Tuesday 17 March 2015.
This book on Australian contemporary dance focuses specifically on innovative choreographers, concentrating on a work by each with an accessible interview and an insightful essay by a leading dance writer. It is ideal for dance practitioners, students and researchers as well as seasoned dance audiences.
Beautifully designed and affordably priced, the book includes superb images of the dance works taken by Australia's best dance photographers.
The field of innovative dance in Australia is vibrant and diverse. With their extensive background as writers in the field, the aditors have created a collection of essays that offers a lucid account of a wide range of experimental dance work and conveys some of the excitement it generates in live performance.
—Jane Goodall, Adunct Professor, The University of Western Sydney.
Editors: Erin Brannigan, Senior Lecturer in Dance, School of Arts and Media, UNSW and Virginia Baxter, Managing Editor, RealTime.
Publishers: RealTime and Wakefield Press. RRP: $34.95
The RealTimeDance archive [1994-present] features a range of interviews, articles, reviews, video excerpts and links about the body of work of each of the twelve choreographers featured in this book, as well as providing information about those works and others which are available online or as DVDs or for loan. Visit the Dance Archive on the RealTime website to find out more.
16 – 24 January 2015
Dance Integrated Australia and The Farm is excited to be hosting the second Corner Dance Lab in beautiful Federal (northern New South Wales).
The artistic line up for The Corner Dance Lab 2015 is:
Phil Blackman, Sean Campbell, Philip Channells, Hsin-Ju Chiu (Raw), Ben Ely, Kate Harman, Julian Louis, Kimberly McKintyre, Lee-Anne Litton, Kellie O’Dempsey, Timothy Ohl, Sarah-Vyne Vassallo, Gavin Webber.
As an independent artist who grew up in Byron Bay, it was my immense pleasure in returning to the region to participate in The Corner Dance Lab. Having the opportunity to work with a number of world-renowned leaders in dance and physical theatre, amongst such an inspiring and rich natural landscape made this experience unbeatable. Working alongside such a diverse range of artists in such a collaborative manner was truly remarkable and the artistic connections created are invaluable. The intensive needs to exist as a mainstay annual event for both the local and Australian wide artistic community.—Harrison Hall, Independent Artist (Melbourne)
Early Bird Expressions of Interest are now open. Register now and save $100!
Request an EOI form or telephone Philip Channells on +61 432 073 304 for more information.
25–29 November 2015, University of Otago, New Zealand
Call for submissions
‘Moving Communities’ is an exciting four-day conference that will provide an opportunity to bring together practitioners, academics and students to celebrate and discuss themes and topics within the broad field of community dance.
The conference will be co-hosted by the Dance Studies Programme at the School of Physical Education, Sport and Exercise Sciences and the Caroline Plummer Fellowship Committee.
A special feature of the conference will be the reunion of the ten recipients of the Caroline Plummer Fellowship in Community Dance. This prestigious six-month Fellowship was made possible by the family of the late Caroline Plummer and was first offered in 2005.
The school is now inviting submissions for paper presentations, workshops, panel discussions and community performances from those who are engaged in Community Dance practice, education and research internationally.
12 – 15 March 2015, Stuttgart
This international festival held in Germany provides the platform for an international choreographic competition for contemporary choreographers and young dancers (under 30 years).
Participants from all over the world are requested to perform a solo piece which is new, original, imaginative, unique and which displays unusual achievement. A respected jury will judge choreographic and dance skills as well as musicality, interpretation and performance.
Prizes to a total value of €16.000 are awarded.
To find out more visit the Treffpunkt Rotebuehlplatz website.
The Dance Movement Therapy Association of Australia (DTAA) turns 21 in 2015. To celebrate, the DTAA and the Hanny Exiner Memorial Foundation will present 'Broadening the spectrum: dance and other expressive arts therapies for health and healing' from 12–14 July 2015 at The Historic Abbotsford Convent, Abbotsford, Victoria.
Dr. Sherry Goodill, Chairperson of the Department of Creative Arts Therapies at Drexel University, USA, and President of the American Dance Therapy Association, is the first keynote speaker confirmed. Sherry, (PhD, BC-DMT, NCC, LPC), has been working as a dance/movement therapist and educator since 1980. She holds a Masters in creative arts therapy with a specialisation in dance/movement therapy from Hahnemann Medical College, and a PhD in medical psychology with a concentration in mind/body studies from The Union Institute and University. In 2005, Sherry published An Introduction to Medical Dance/Movement Therapy: Health Care in Motion. She also serves on the editorial panels for the Arts in Psychotherapy journal and the Journal of Creativity in Mental Health.
Pre and post conference workshops with local and international presenters will be offered.
A call for papers will be made later in 2014.
The DTAA Committee welcomes interest from members in contributing to the development of the conference. Please email Kim Dunphy.
The inaugural Keir Choreographic Award has been awarded to Atlanta Eke. The People's Choice Award went to Sydney artist Jane McKernan, as selected by audience members at the grand final at Carriageworks.
Four of the eight commissioned artists—Sarah Aiken, Matthew Day, Atlanta Eke, Jane McKernan—competed for the inaugural award at Carriageworks in Sydney in July.
The Housemate programs reflect Dancehouse's commitment to advancing innovative contemporary dance in Australia by instigating and nurturing rigorous discourse and encouraging wide-ranging, movement-based experimentation and innovative choreographic practices.
Both Performance and Research Housemate programs provide the artist with extensive time, generous financial support and a thoroughly mentored environment. The Housemate program is one of the very few fully paid artist-in-residence programs in the world. Artists are given between 8 and 14 weeks of free studio space, a salary package (or pro rata), and administrative, mentoring and production support. Housemates are selected by a peer advisory panel from a national call for applicants.
On 29 April every year, the international dance community celebrates International Dance Day.
We celebrate our art form's ability to cross all political, cultural and ethnic barriers and bring people together with a common language—dance.
As World Dance Alliance is holding its Global Summit at Angers this July, there will be no 2014 International Young Choregrapher's Project (IYCP). The next event will be in 2015 and from then on IYCP will be held every two years.
The Journal of Emerging Dance Scholarship (JEDS) is published annually in September by the World Dance Alliance (WDA). It is designed to serve the needs of international dance scholars who are currently enrolled in a graduate program or within 5 years of having graduated from a graduate program in dance or a related field.
JEDS is published online as an open resource. Articles are selected to assure dance scholarship from around the world is included in each publication.Each article submission is reviewed by two international dance scholars with no more than 16 submissions accepted for the annual publication. Articles are chosen based on originality of research and the contributions each makes to the future of dance praxis (theory and practice).
JEDS Vol. 2 will be published 1 September, 2014
JEDS 2015 Vol. 3, will be comprised only of blind-reviewed papers selected from those presented at the 2014 World Dance Alliance Global Summit in Angers, France.
Visit the JEDS website to find out more.
Join leading choreographers, Sue Healey, Dean Walsh and Philip Channells in the Catalyst Dance Masterclass Series.
Accessible Arts is hosting a series of three masterclasses tailored to dancers with and without physical or sensory disability, and people with mental illness or acquired brain injury.
The latest edition of Channels is jam-packed with exciting new dance activity in Asia and the Pacific. There are new dance networks, events, research, journals, books and more.
Some of the highlights include a new Nepal chapter of World Dance Alliance; plans for the 2014 Global Dance Summit, which will be held at the beautiful Centre National de la Dance Contemporaine in Angers, France; and Our Roots Right Now—The Research Forum and Festival of Thai/ASEAN Contemporary Theatre, at Chulalongkorn University, Bangkok, Thailand.
The National Advocates for Arts Education (NAAE) has warmly welcomed news the ACARA Board has approved the new The Australian Curriculum: The Arts. NAAE, of which Ausdance is a member, has strongly supported the development of the arts curriculum and its central principle of the entitlement of every young Australian to an arts education, one that includes all five artforms – dance, drama, media arts, music and the visual arts.
Opening and closing with interactive visioning sessions, the program featured a full morning 'Open Space' session on the Sunday tapping the pulse of the forum, and through it that of the dance sector in Australia.
Keynote artists-in-conversation were Dalisa Pigram, co-Artistic Director of Marrugeku, with David Pledger, and Artistic Director of Australian Dance Theatre Garry Stewart with Anne Thompson.
The collaboration between World Dance Alliance (WDA) and dance and the Child international (daCi) produced one of the biggest global dance festivals ever held—Dance, Young People and Change. Hosted by the Taiwan National University of the Arts (TNUA) in Taipei, the event attracted young people from North and South America, Europe, the UK and most Asia-Pacific nations.
The festival/conference was a multi-layered event that included keynote addresses, ‘dance flavour’ taster classes, workshops, forums and paper presentations. It brought together young people, their parents, mentors and educators from across the world to reflect on key issues and future directions for dance in young people’s lives.
There was also a wonderful range of performances by young people, a festival of international dance academies, and an amazing program of Taiwanese dance performed by Taiwan’s professional companies and groups, including Cloud Gate 2 and Dance Forum. Teachers attended masterclasses and paper presentations and exchanged ideas about approaches to dance learning, teaching and curriculum for young people.
It was fantastic to be able to join the Ausdance NSW team, the choreographers and more than 150 young people from all over Australia on the last day of the Australian Youth Dance Festival at NAISDA Dance College in Gosford NSW.
Shades of Us, presented in Mt Penang Gardens on the final evening, was a performance that grew out of an intensive week of creative development with choreographers Sue Healey, Philip Channells, Anton, Kay Armstrong, Matt Cornel, Adelina Larsson, Lee Pemberton, Vicki Van Hout and artistic director Rowan Marchingo.
Tasmanian Regional Arts (TRA) is leading The Dance Project in partnership with Mature Artists Dance Experience (MADE), Bust a Move and Tasdance.
This community dance project is happening in three Tasmanian regions—the North East, North West and the South—to develop and present three new contemporary dance works with, by and about communities. Evolving from the heart of each community, these works explore place, kinship and identity as experienced by the residents of these regions.
Ever since we convened the 2005 Creating Pathways national Indigenous dance forum in Canberra, Lee Christofis—one of the keynote speakers, and now curator of dance at the National Library of Australia—has been keen to develop the NLA's Indigenous dance collection.
In the March 2012 edition of National Library News, Lee discusses some of the material now held in the collection and outlines the importance of its provenance.
Building the Indigenous contemporary dance collection makes fascinating reading for anyone interested in the development of Australian contemporary Indigenous dance.
There are some startling new figures that support dancing as a protective strategy in preventing dementia. A Stanford University report Use It or Lose It: Dancing Makes You Smarter makes the following comparisons:
... almost none of the physical activities appeared to offer any protection against dementia. There can be cardiovascular benefits of course, but the focus of this study was the mind. There was one important exception: the only physical activity to offer protection against dementia was frequent dancing.
- Reading—35% reduced risk of dementia
- Bicycling and swimming—0%
- Doing crossword puzzles at least four days a week—47%
- Playing golf—0%
- Dancing frequently—76%.
The same university offers other insights into the benefits of dance in Thoughts, philosophies and musings on social dance, a useful reference for community dance practitioners in Australia.
New research by the University of Western Sydney is demonstrating that folk dance has clear benefits for the health of the elderly. You may have missed this great report from the ABC’s 7.30 program on 4 January.
We’re very interested in research that proves the links between dance and health, and have been in touch with the researchers to find out more.
Want to know more?
On your toes: Is there a different approach to aging? Listen to Glen Murray from MADE (Mature Artists Dance Experience) and Beverley Giles, an expert in the care of people affected by dementia, talking about how dance provides the three elements essential to health and well-being in mature adults.
Read Glen's paper about how older people can bring great riches to art-making.
In responding to our suggestion of a campaign to support the smaller key dance organisations, Ruth Osborne, artistic director of QL2 Dance, came in to discuss some of the issues youth dance companies are experiencing.
Junction is an artist exchange program initiated by Restless Dance Theatre to support and promote the development of new independent work. Piloting this program is independent artist Tobiah Booth-Remmers who is being mentored by Carol Wellman Kelly through the national JUMP mentoring program.