Creating dance

Apply now for 2015 Lucy Guerin Inc. studio residency

Making a new contemporary dance work? Need studio space?

Each year Lucy Guerin Inc. offers 5 x Studio Residencies to choreographers. These all take place at LGI studios, 28 Batman Street,
 West Melbourne.

There will be no presentation outcome to this initiative but artists are encouraged to arrange a showing of the work they develop at the studio and invite feedback from peers and audience. There is no cash component to this residency—only free space.

To apply

Download the application form and respond to the application questions by submitting 2 pages max. via email. All applications should be emailed to Claire Bradley at Lucy Guerin Inc.

Applicants will be notified of the outcome of their application by Monday 24 November 2014.

Deadline for applications: 11pm Monday 17 November 2014

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Bodies of Thought: 12 Australian Choreographers

This book on Australian contemporary dance focuses specifically on innovative choreographers, concentrating on a work by each with an accessible interview and an insightful essay by a leading dance writer. It is ideal for dance practitioners, students and researchers as well as seasoned dance audiences.

Beautifully designed and affordably priced, the book includes superb images of the dance works taken by Australia's best dance photographers.

Bodies of Thought: 12 Australian Choreographers features a generation of award-winning Australian choreographers with international reputations and legacies of influence: Kate Champion, Rosallnd Crisp, Tess De Quincey, Russell Dumas, Lucy Guerin, Sue Healey, Helen Herbertson, Gideon Obarzanek, Stephen Page, Garry Stewart, Meryl Tankard and Ros Warby.

The field of innovative dance in Australia is vibrant and diverse. With their extensive background as writers in the field, the aditors have created a collection of essays that offers a lucid account of a wide range of experimental dance work and conveys some of the excitement it generates in live performance.

—Jane Goodall, Adunct Professor, The University of Western Sydney.

Editors: Erin Brannigan, Senior Lecturer in Dance, School of Arts and Media, UNSW and Virginia Baxter, Managing Editor, RealTime.
Publishers: RealTime and Wakefield Press. RRP: $34.95

The RealTimeDance archive [1994-present] features a range of interviews, articles, reviews, video excerpts and links about the body of work of each of the twelve choreographers featured in this book, as well as providing information about those works and others which are available online or as DVDs or for loan. Visit the Dance Archive on the RealTime website to find out more. 

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Dancers and performers wanted in New Zealand

Black Sheep Productions is calling for expressions of interest from dancers and performers who would like to be involved with the development and presentation of a new full-length choreography in 2015.

Approximately four dancers are required to make up the collective for this project. Successful applicants will be willing to work collaboratively under direction, have a strong background in contemporary technique and be comfortable contributing choreographic material, creating and performing partnering, speaking on stage and working with props/objects.

This role will be paid if a current funding application is successful (the outcome will be known by early December). The project will be postponed if funding is not received in this round.

For more information please email Natalie Maria Clark.

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Creative Arts Fellowship

The National Library of Australia is now inviting applications for the 2015 Creative Arts Fellowship.

The Creative Arts Fellowship of $10,000 is supported by the Friends of the National Library of Australia and aims to assist professional artists to develop new artistic work creatively using or inspired by the Library’s collections. 

The Fellowship is open to individuals practising in any art form. This may include writing, music, dance, theatre, visual arts, emerging, hybrid and experimental art forms. The 2015 Creative Arts Fellow must complete their residency by 30 June, 2015.

The Library provides creative artists with a unique and supportive environment in which to immerse themselves in the collections and to be inspired by, repurpose, transform or imaginatively respond to published or original sources, such as pictures, manuscripts, maps, music and oral histories, in any way they choose.

Deadline for applications: 9 November 2014

Apply now.

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The Corner Dance Lab 2015

16 – 24 January 2015

Dance Integrated Australia and The Farm is excited to be hosting the second Corner Dance Lab in beautiful Federal (northern New South Wales).

The artistic line up for The Corner Dance Lab 2015 is:

Phil Blackman, Sean Campbell, Philip Channells, Hsin-Ju Chiu (Raw), Ben Ely, Kate Harman, Julian Louis, Kimberly McKintyre, Lee-Anne Litton, Kellie O’Dempsey, Timothy Ohl, Sarah-Vyne Vassallo, Gavin Webber.

Participants at the inaugural Corner Dance Lab, January 2014. Photo: Tim Standing / Daylight Breaks

As an independent artist who grew up in Byron Bay, it was my immense pleasure in returning to the region to participate in The Corner Dance Lab. Having the opportunity to work with a number of world-renowned leaders in dance and physical theatre, amongst such an inspiring and rich natural landscape made this experience unbeatable. Working alongside such a diverse range of artists in such a collaborative manner was truly remarkable and the artistic connections created are invaluable. The intensive needs to exist as a mainstay annual event for both the local and Australian wide artistic community.—Harrison Hall, Independent Artist (Melbourne)

Early Bird Expressions of Interest are now open. Register now and save $100!

Request an EOI form or telephone Philip Channells on +61 432 073 304 for more information.

Read about The Corner Dance Lab 2014.

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International event for community dance practitioners

13 – 15 November 2014 Cardiff, Wales

The Foundation for Community Dance (FDUC) in the UK is proud to present this program of workshops, demonstrations and presentations for professionals working in the community dance sector.

Titled 'People Dancing', this event provides an opportunity to share practice and approaches to engaagemant across different international, social, economic and political contexts. 

Wherever and however you work with people in dance, 'People Dancing' provides an opportunity to share your practice and approaches to engagement across different international, social, economic and political contexts.

To find out more visit the FDUC website.

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Community dance conference—call for submissions

25–29 November 2015, University of Otago, New Zealand

Call for submissions

‘Moving Communities’ is an exciting four-day conference that will provide an opportunity to bring together practitioners, academics and students to celebrate and discuss themes and topics within the broad field of community dance.

The conference will be co-hosted by the Dance Studies Programme at the School of Physical Education, Sport and Exercise Sciences and the Caroline Plummer Fellowship Committee.

A special feature of the conference will be the reunion of the ten recipients of the Caroline Plummer Fellowship in Community Dance. This prestigious six-month Fellowship was made possible by the family of the late Caroline Plummer and was first offered in 2005.

The school is now inviting submissions for paper presentations, workshops, panel discussions and community performances from those who are engaged in Community Dance practice, education and research internationally.

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International Scientific Conference—anatomy of dance

20–21 November 2014, St. Petersburg State Museum of Theatre and Music

The International Scientific Conference Anatomy of Dance is part of the Festival Diaghilev P.S. which was founded in 2009, when the whole world celebrated the 100th anniversary of Sergei Diaghilev's Ballets Russes. Since then it has established itself in the Russian cultural events playbill, has been included in the calendar of the most important European festivals and has found its unique creative personality.

The program planned for 2014 comprises tours of Wayne McGregor's Random Dance Company and Sidi Larbi Cherkaoui, with participation of Shaolin monks in Sutra. George Balanchine's ballet Raymonda Variations performed by students of the Vaganova Ballet Academy will be supplemented with the photo exhibition by Paul Kolnik.

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International Solo Dance/Theatre Festival

12 – 15 March 2015, Stuttgart

This international festival held in Germany provides the platform for an international choreographic competition for contemporary choreographers and young dancers (under 30 years).

Participants from all over the world are requested to perform a solo piece which is new, original, imaginative, unique and which displays unusual achievement. A respected jury will judge choreographic and dance skills as well as musicality, interpretation and performance.

Prizes to a total value of €16.000 are awarded.

To find out more visit the Treffpunkt Rotebuehlplatz website.

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Tribute to Tanja Liedtke—Stuttgart 2015

12 – 15 March 2015, Stuttgart

The 19th International Solo Dance/Theatre Festival will be a tribute to the late Tanja Liedtke.

This international choreographic competition is held over four days sees contemporary young choreographers (under 30 years) showcase their most recent work before an internationally-renowned jury. The choreographed solo dance pieces submitted should be under one-year old and between 9 and 12 minutes long.

Prize winners will take part in tours in May and November, travelling both within Germany and internationally.

Deadline for applications: 11 November 2014.  

Apply now.

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The Fourth Australian Dance Movement Therapy Conference

The Dance Movement Therapy Association of Australia (DTAA) turns 21 in 2015. To celebrate, the DTAA and the Hanny Exiner Memorial Foundation will present 'Broadening the spectrum: dance and other expressive arts therapies for health and healing' from 12–14 July 2015 at The Historic Abbotsford Convent, Abbotsford, Victoria.

Dr. Sherry Goodill, Chairperson of the Department of Creative Arts Therapies at Drexel University, USA, and President of the American Dance Therapy Association, is the first keynote speaker confirmed. Sherry, (PhD, BC-DMT, NCC, LPC), has been working as a dance/movement therapist and educator since 1980. She holds a Masters in creative arts therapy with a specialisation in dance/movement therapy from Hahnemann Medical College, and a PhD in medical psychology with a concentration in mind/body studies from The Union Institute and University. In 2005, Sherry published An Introduction to Medical Dance/Movement Therapy: Health Care in Motion. She also serves on the editorial panels for the Arts in Psychotherapy journal and the Journal of Creativity in Mental Health.

Pre and post conference workshops with local and international presenters will be offered.

A call for papers will be made later in 2014.

The DTAA Committee welcomes interest from members in contributing to the development of the conference. Please email Kim Dunphy.

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Keir Choreographic Award—winner announced

The inaugural Keir Choreographic Award has been awarded to Atlanta Eke. The People's Choice Award went to Sydney artist Jane McKernan, as selected by audience members at the grand final at Carriageworks.

Four of the eight commissioned artists—Sarah Aiken, Matthew Day, Atlanta Eke, Jane McKernan—competed for the inaugural award at Carriageworks in Sydney in July.

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Dancehouse residency programs

The Housemate programs reflect Dancehouse's commitment to advancing innovative contemporary dance in Australia by instigating and nurturing rigorous discourse and encouraging wide-ranging, movement-based experimentation and innovative choreographic practices.

Both Performance and Research Housemate programs provide the artist with extensive time, generous financial support and a thoroughly mentored environment. The Housemate program is one of the very few fully paid artist-in-residence programs in the world. Artists are given between 8 and 14 weeks of free studio space, a salary package (or pro rata), and administrative, mentoring and production support. Housemates are selected by a peer advisory panel from a national call for applicants.

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Journal of Emerging Dance Scholarship

The Journal of Emerging Dance Scholarship (JEDS) is published annually in September by the World Dance Alliance (WDA). It is designed to serve the needs of international dance scholars who are currently enrolled in a graduate program or within 5 years of having graduated from a graduate program in dance or a related field.

JEDS is published online as an open resource. Articles are selected to assure dance scholarship from around the world is included in each publication.Each article submission is reviewed by two international dance scholars with no more than 16 submissions accepted for the annual publication. Articles are chosen based on originality of research and the contributions each makes to the future of dance praxis (theory and practice).

JEDS Vol. 2 will be published 1 September, 2014

JEDS 2015 Vol. 3, will be comprised only of blind-reviewed papers selected from those presented at the 2014 World Dance Alliance Global Summit in Angers, France.

Visit the JEDS website to find out more.

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Accessible Arts masterclasses 2013

Join leading choreographers, Sue Healey, Dean Walsh and Philip Channells in the Catalyst Dance Masterclass Series.

Accessible Arts is hosting a series of three masterclasses tailored to dancers with and without physical or sensory disability, and people with mental illness or acquired brain injury.

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New Asia–Pacific Channels edition

The latest edition of Channels is jam-packed with exciting new dance activity in Asia and the Pacific. There are new dance networks, events, research, journals, books and more.

Some of the highlights include a new Nepal chapter of World Dance Alliance; plans for the 2014 Global Dance Summit, which will be held at the beautiful Centre National de la Dance Contemporaine in Angers, France; and Our Roots Right Now—The Research Forum and Festival of Thai/ASEAN Contemporary Theatre, at Chulalongkorn University, Bangkok, Thailand.

Collage of dance event highlights from the 2013 edition of Asia-Pacific Channels1] Ter Wei Lun from Lee Wushu Arts Theatre in Wushu Madness II–The Realm Between, choreographed by Lee Swee Seng, in the Showpiece Performances of MyDance Festival 2013, at Panggung Bandaraya on 31 May 2013. Photo: Huneid Tyeb. 2] Kathak dance performed by Kalanidhi Indira Sangeet Mahabidhayalaya at International Dance Day on 29 April 2013 at Yalam Maya Kendra in Kathmandu, organised by the newly inaugurated WDAAP Nepal chapter. Photo by Raju Shakya & Prabin Lal Singh. 3] A ceremonial dance from the West New Britain province of Papua New Guinea, performed during the Foundation Day Celebrations at Port Moresby Grammar School on 4 April 2013. Photo: Naomi Faik-Simmer 4] Dr Maya Krishna Rao in her performance Ravanama, during the seminar ‘The Moving Space: Women in Performance’ at the Rabindranath Tagore Centre, Kolkata, on 3 February 2013. Photo: Kolkata Sanved 5] Thai choreographer Pichet Klunchun in his section of the tripartite Fire Fire Fire, on 28 January 2013 in the ‘Our Roots Right Now’ research forum and festival at Sodsai Pantoomkomol Centre for Dramatic Arts. Photo: L. Skar 6] The Nora Thummanit Thaksin University Group who performed Nora: Klong Hong in January 2013 in the ‘Our Roots Right Now’ research forum and festival at Sodsai Pantoomkomol Centre for Dramatic Arts.

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NAAE welcomes new Arts Curriculum

The National Advocates for Arts Education (NAAE) has warmly welcomed news the ACARA Board has approved the new The Australian Curriculum: The Arts. NAAE, of which Ausdance is a member, has strongly supported the development of the arts curriculum and its central principle of the entitlement of every young Australian to an arts education, one that includes all five artforms – dance, drama, media arts, music and the visual arts.

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National Dance Forum program

Opening and closing with interactive visioning sessions, the program featured a full morning 'Open Space' session on the Sunday tapping the pulse of the forum, and through it that of the dance sector in Australia.

Keynote artists-in-conversation were Dalisa Pigram, co-Artistic Director of Marrugeku, with David Pledger, and Artistic Director of Australian Dance Theatre Garry Stewart with Anne Thompson.

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Dance, young people & change—diversity in action

The collaboration between World Dance Alliance (WDA) and dance and the Child international (daCi) produced one of the biggest global dance festivals ever held—Dance, Young People and Change. Hosted by the Taiwan National University of the Arts (TNUA) in Taipei, the event attracted young people from North and South America, Europe, the UK and most Asia-Pacific nations.

The festival/conference was a multi-layered event that included keynote addresses, ‘dance flavour’ taster classes, workshops, forums and paper presentations. It brought together young people, their parents, mentors and educators from across the world to reflect on key issues and future directions for dance in young people’s lives.

Ann Tai, Taiwan representative for daCI and teacher at TNUA, exuberant in the opening parade.

There was also a wonderful range of performances by young people, a festival of international dance academies, and an amazing program of Taiwanese dance performed by Taiwan’s professional companies and groups, including Cloud Gate 2 and Dance Forum. Teachers attended masterclasses and paper presentations and exchanged ideas about approaches to dance learning, teaching and curriculum for young people.

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BlakDance 2012 triumph

BlakDance 2012 festival in Brisbane highlighted a wonderful range of contemporary Indigenous dance from Australia and New Zealand.

Choreographers, dancers, industry members and audiences came together to celebrate and gain a deeper understanding of contemporary Indigenous dance practice.

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‘Shades of us’—a stunning AYDF finale

It was fantastic to be able to join the Ausdance NSW team, the choreographers and more than 150 young people from all over Australia on the last day of the Australian Youth Dance Festival at NAISDA Dance College in Gosford NSW.

Shades of Us, presented in Mt Penang Gardens on the final evening, was a performance that grew out of an intensive week of creative development with choreographers Sue Healey, Philip Channells, Anton, Kay Armstrong, Matt Cornel, Adelina Larsson, Lee Pemberton, Vicki Van Hout and artistic director Rowan Marchingo.

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Communities making dance in Tasmania

Tasmanian Regional Arts (TRA) is leading The Dance Project in partnership with Mature Artists Dance Experience (MADE), Bust a Move and Tasdance.

This community dance project is happening in three Tasmanian regions—the North East, North West and the South—to develop and present three new contemporary dance works with, by and about communities. Evolving from the heart of each community, these works explore place, kinship and identity as experienced by the residents of these regions.

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Building the Indigenous contemporary dance collection

Ever since we convened the 2005 Creating Pathways national Indigenous dance forum in Canberra, Lee Christofis—one of the keynote speakers, and now curator of dance at the National Library of Australia—has been keen to develop the NLA's Indigenous dance collection.

In the March 2012 edition of National Library News, Lee discusses some of the material now held in the collection and outlines the importance of its provenance.

Building the Indigenous contemporary dance collection makes fascinating reading for anyone interested in the development of Australian contemporary Indigenous dance.

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More evidence that dance benefits the elderly

There are some startling new figures that support dancing as a protective strategy in preventing dementia. A Stanford University report Use It or Lose It: Dancing Makes You Smarter makes the following comparisons:

... almost none of the physical activities appeared to offer any protection against dementia. There can be cardiovascular benefits of course, but the focus of this study was the mind. There was one important exception: the only physical activity to offer protection against dementia was frequent dancing.

  • Reading—35% reduced risk of dementia
  • Bicycling and swimming—0%
  • Doing crossword puzzles at least four days a week—47%
  • Playing golf—0%
  • Dancing frequently—76%.

The same university offers other insights into the benefits of dance in Thoughts, philosophies and musings on social dance, a useful reference for community dance practitioners in Australia.

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New research with dance and the elderly

New research by the University of Western Sydney is demonstrating that folk dance has clear benefits for the health of the elderly. You may have missed this great report from the ABC’s 7.30 program on 4 January.

We’re very interested in research that proves the links between dance and health, and have been in touch with the researchers to find out more.

Want to know more?

On your toes: Is there a different approach to aging? Listen to Glen Murray from MADE (Mature Artists Dance Experience) and Beverley Giles, an expert in the care of people affected by dementia, talking about how dance provides the three elements essential to health and well-being in mature adults.

Read Glen's paper about how older people can bring great riches to art-making.

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Youth dance—where does it fit?

In responding to our suggestion of a campaign to support the smaller key dance organisations, Ruth Osborne, artistic director of QL2 Dance, came in to discuss some of the issues youth dance companies are experiencing.

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