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2015 World Dance Alliance events in Singapore

When: 16–18 October 2015
Where: Nanyang Academy of Fine Arts (NAFA), Singapore

World Dance Alliance Singapore is proud to present the 2015 Annual General Meeting, Network Meetings and Young Scholars Meeting of World Dance Alliance Asia-Pacific as well as the Global Executive Meeting alongside the conference Asia-Pacific Dance Bridge 2015: Connectivity through Dance. Coinciding with the da:ns festival organised by the Esplanade, Singapore, conference events at venues located in Singapore’s arts and culture district are outlined below.

The conference aims to cultivate dance connectivity within Singapore’s own dance community as well as forge alliances between dancers, academics, educators and administrators throughout the Asia-Pacific region and beyond.

The conference will include scholarly papers, performative presentations and Pecha Kucha style presentations. Other conference events include showcases, a choreolab, masterclasses and workshops.

Asia-Pacific Dance Bridge 2015: Connectivity through Dance

Conference papers: call for abstracts

We now invite abstracts for presentations addressing the conference theme for the following categories by 22 February 2015. You will be notified of acceptance by 1 April 2015.

All modes of presentation require a 250-word abstract and a 100-word biography, plus up to four keywords to identify themes relevant to your topic. The conference will also include lunchtime conversation panels with invited speakers and a Critics' Circle.

Email your proposal to Stephanie Burridge and cc Secretariat Sarah Knox.

Scholarly papers

Submit an abstract of 250 words maximum. These will be double-blind refereed by an international review committee as per academic research conventions and published in the conference proceedings.

Performative presentations

This format is designed to privilege the voice of practitioners through showing digital footage of a choreographic work or a community/teaching/video project they have undertaken. Proposals should comprise a 250-word concept statement of the practice/project, together with a 10-minute maximum online (Vimeo/YouTube) excerpt of recent work. Promotional footage will not be considered.

Pecha Kucha style presentations

(for students in Honours year and above)

Pecha Kucha is a presentation format in which 20 slides are timed to be shown each for 20 seconds (7 minutes total). Research students are encouraged to present in this format. Initial submissions are in the form of a 250-word abstract summarising the topic, methodology and summary of the research to date, with an extra page of no more than 7 contextual/bibliographic references in APA style. If selected, more detailed instructions on the format will be provided.

Associated performance events

There will be an opportunity for members to participate in the following events. Chapter Heads and members will be advised about application processes by 1 March.

Performance showcases

  • The Small Company/Independent Artist Showcase, chaired by Susan Yeung, will be presented at the Recital Studio, Esplanade. The focus will be on cutting-edge contemporary dance works by choreographers from the Asia-Pacific region. The collection of works speaks of a new generation of dance-making that is uniquely contemporary Asian.
  • The Singapore Tertiary Showcase will feature Nanyang Academy of Fine Arts (coordinated by Gillian Tan) and Lasalle College of the Arts (coordinated by Susan Yeung). Both institutions will present their own dance works as well as a collaborative dance work in the Next Generation platform of Esplanade’s da:ns festival.
  • The Community Showcase, chaired by Peter Gn, will be presented at the Plaza @ National Library. It aims to celebrate the diversity of dance through enjoyable dance performances of amateur groups from the Asia-Pacific region.

Choreolab

Melissa Quek will chair the Choreolab in consultation with the Creation & Presentation Network Chair, Nanette Hassall. Selected emerging choreographers from the Asia-Pacific region will be in an intensive residence prior to the conference and will present works-in-progress during the conference.

Masterclasses and workshops

Masterclasses will include traditional and contemporary dance forms with international artists and choreographers from the Asia-Pacific region. Workshops addressing one or more of the following WDA network areas may also be presented: Research & Documentation, Creation & Presentation, Education & Training, Support & Development.

Applications open for Lucy Guerin Inc.secondment program

In the first half of 2015, one week secondments are available at the Lucy Guerin Inc. West Melbourne studio from 9 February to 6 March (excluding week of 16 – 20 Feb) during the final development and rehearsal period for Motion Picture—Lucy Guerin Inc’s new work premiering in Dance Massive on 17 March 172015.

Applications should be emailed (as a Word document) to Claire at Lucy Guerin Inc. Subject line must be marked “2015 Secondment Application – INSERTYOUR NAME”, and attached bio/CV document must also be titled in the same way. (Applicants will be notified by 4 February 2015 via email.)

Download the application form.

Deadline for applications: 11pm Sunday 1 February 2015

DANscienCE Festival 2015

21 – 23 August

Directed by Liz Lea and Associate Professor Gene Moyle, the 2015 DANscienCE Festival is a curated event that will provide an exciting oppportunity for scientists, artists, researchers and educators to explore and celebrate the synergies between these two fields of creativity.

DANscienCE focuses on the areas of cognitive psychology, applied dance science, technology, robotics and ecology/biology. The festival aims to foster partnerships between the community, research organisations and industry.

Participants will engage in panel discussions, present papers, observe demonstrations amd watch performances.DANscienCE will explore the breadth of the growing connections between dance and science, and the innovative approaches and projects that scientists and artists are already undertaking in both Australia and Internationally.

2015 International young choreographer’s project

The Taiwan chapter of World Dance Alliance—Asia Pacific is now inviting applications for the International Young Choreographer's Project (IYCP) which will be held in Kaohsiung, Taiwan 5 – 26 July 2015 (tbc).

Choreographers are required to create a work on local dancers, many of whom will be non-English speaking. Only choreographers who feel confident that they can meet the challenges of producing a work in unfamiliar circumstances and with unfamiliar dancers should apply. The project will culminate in a performance at Tsoying High School.

Applications should include:

  • What you expect to gain from a professional experience such as this
  • Why you would like to work in Asia
  • A brief concept of your work
  • 200-word autobiography and a resume/CV
  • link/s to YouTube or Vimeo excerpt of recent choreography (IMPORTANT: Avoid short 'bites' and solo work. Assessors want to get some insight into your processes. A 4 – 10minute excerpt of a group work is preferrable. Please ensure that online videos are good quality and well lit.)
  • (optional) up to three photos of your work

Accommodation, local transport, dancers, studios, publicity, production and office assistance are all provided, as well as an honorarium of US$800.

Airfares are NOT covered.

Download Registration Form

Applications should be emailed to Ausdance National, the Australian Chapter of WDA–Asia Pacific by 15 February.

The Australian applications will be assessed by Nanette Hassall (Chair, Creation & Presentation network, WDA–AP) and Dr Cheryl Stock (Secretary-General, WDA). The successful applicant will be notified by mid-March.

Previous recipients include Olivia Millard (2006), Felecia Hick (2008), Cadi McCarthy (2009) Zaimon Vilmanis (2011). You can read about the experiences of previous IYCP participants in Asia–Pacific Channels. (See December issues 2011, 2010, 2009 & 2008)

Deadline for applications: 15 February

The IYCP is supported by the National Culture and Arts Foundation, Bureau Culture Affairs Kaohsiung City Government, and the Chin-Lin Foundation for Culture and Arts in Taiwan.

New Artistic Director for Force Majeure

Jo Dyer, Chair of the Board of Force Majeure has announced the appointment of Danielle Micich as the incoming Artistic Director/CEO for the company, replacing founding Director Kate Champion. Jo said:

The Board of Directors is delighted that Danielle has accepted the role of Artistic Director of Force Majeure. Danielle’s body of work demonstrates an immensely talented and rigorous artist who has thought passionately and deeply about dance theatre and the role it occupies in the Australian and international arts landscape. We can think of no-one better to build on the wonderful legacy being left by Kate Champion. We believe that under Danielle’s leadership, Force Majeure will continue to flourish in the unique space Kate has carved out for us, a genuine cross-artform blend of theatre and dance, dedicated to exploring ideas and ourselves.

Danielle is currently a core artist with Performing Lines WA and recently premiered her new work Overexposed at the State Theatre Centre of WA. She is a graduate of the Victorian College of the Arts and was Artistic Director of STEPS Youth Dance Company in Perth for four years. Her choreography for Barking Gecko’s Driving Into Walls was nominated for a 2012 Helpmann Award.

Danielle said:

Watching Force Majeure over many years define its unique place in Australian theatre drew me towards making dance theatre myself. If anyone told me that the last ten years was preparation for something much bigger, I should have listened earlier. The many people and companies I have worked with along the way have shaped the artist I am today.

Working with Kate Champion was a defining moment. I knew then I would pursue my practice in dance theatre. It's a great honour to follow on from one of Australia’s finest Artistic Directors and continue her legacy. Seeing the bigger picture is one thing, but knowing how to contribute and lead is another. I am very excited about my role in the future of Force Majeure.

Danielle will join Executive Producer Bec Allen, the staff, Board and artists of Force Majeure in the position of Artistic Director/CEO in mid-2015.

Jo Dyer commented:

Kate had no involvement in the recruitment of her successor, so the Board was thrilled—and not a little relieved—that upon being advised of our choice for the role and Danielle’s subsequent acceptance of the job, Kate has thoroughly endorsed Danielle’s appointment.

Out-going Artistic Director/CEO Kate Champion:

After thirteen years building Force Majeure’s reputation as a dance theatre company that is artistically adventurous and thematically contemporary, I am delighted with the Board’s decision to appoint Danielle Micich as the new Artistic Director. Danielle is at a point in her career where her talent, passion and enthusiasm for the art form fits perfectly with the company’s creative legacy and vision for the future. This represents an exciting new stage in Force Majeure’s direction and one I wholeheartedly support.

Asia-Pacific Dance Bridge 2015: Connectivity through dance—call for abstracts

World Dance Alliance Singapore is proud to present the 2015 Annual General Meeting of World Dance Alliance Asia-Pacific alongside Asia-Pacific Dance Bridge 2015: Connectivity Through Dance, a major conference taking place in Singapore 16 – 18 October 2015.

Asia-Pacific Dance Bridge 2015: Connectivity through Dance aims to cultivate dance connectivity within Singapore’s own dance community as well as forge alliances between dancers, academics, educators and administrators throughout the Asia-Pacific region and beyond. The three-day conference is proposed for October 2015 during or around the dates of the dance festival organized by the Esplanade, Singapore.

For further general details of the event, please contact World Dance Alliance Singapore.

We now invite abstracts for presentations addressing the conference theme for the following categories by 22 February 2015. You will be notified of acceptance by 1 April 2015.

Scholarly papers

Submit an abstract of 250 words maximum. These will be double-blind refereed by an international review committee as per academic research conventions and published in the conference proceedings.

Performative presentations

This format is designed to privilege the voice of practitioners through showing digital footage of a choreographic work or a community/teaching/video project they have undertaken. Proposals should comprise a 250-word concept statement of the practice/project, together with a 10-minute maximum online (Vimeo/YouTube) excerpt of recent work. Promotional footage will not be considered.

Pecha Kucha style presentations

(for students in Honours year and above)

Pecha Kucha is a presentation format in which 20 slides are timed to be shown each for 20 seconds (7 minutes total). Research students are encouraged to present in this format. Initial submissions are in the form of a 250-word abstract summarising the topic, methodology and summary of the research to date, with an extra page of no more than 7 contextual/bibliographic references in APA style. If selected, more detailed instructions on the format will be provided.

Note: All modes of presentation require a 250-word abstract and a 100-word biography, plus up to four keywords to identify themes relevant to your topic. The conference will also included lunchtime Conversation panels with invited speakers and a Critics' Circle. Submit all proposals to Stephanie Burridge, WDAAP Singapore 2015 Symposium convener.

National Dance Forum 2015 early-bird registrations close 6 February 2015

Dates: Thursday 19 March (registrations from 12.30 pm) – Saturday 21 March 2015
Times: Thursday 2.00 pm – 5.30 pm | Friday 9.00 am – 5.30 pm | Saturday 9.00 am – 5.30 pm
Venue: Footscray Community Arts Centre, 45 Moreland St, Footscray, VIC, 3011

Early-bird registrations have been extended! Save up to $50 with early-bird offers by booking by 6 February.

In 2011 and 2013, the National Dance Forum SOLD OUT weeks in advance. Book now to ensure you are part of the most important dance discussion taking place in Australia.

Get your tickets now!

Eventbrite - National Dance Forum 2015

We invite Australian dancers, makers, researchers, writers, directors, producers, advocates and educators to participate in the most significant platform for dialogue across the Australian contemporary dance sector.

Facilitated by Andrew Morrish, NDF2015 is framed by three lines of focus:

  • Transforming the form: Changing structures and their effects
  • The subtleties and nuances of innovation
  • Discourse: How is dance written about, spoken about and communicated

'The National Dance Forum is a vital opportunity for the dance community to meet for a conversation. My focus as facilitator for 2015 is to ensure that we have an energetic, vibrant and memorable time. The curatorial committee is organising an exciting range of presentations, but we should remember that these presentations are primarily designed to feed our conversation. It is the type of conversation where we perhaps have a sense of where and how it will begin but we have no idea of where it will go.

I myself am not interested this year in the idea of developing ‘policy’, or producing another set of point forms on butchers paper for the 'future of dance'. There are times when this is necessary, but for 2015 I primarily want us to have an experience of our community, its layers and textures, its colours and its voices.

I believe that a feeling of being part of the community of dance is an under-utilised resource for surviving as a dance artist'.

Andrew Morrish, NDF2015 facilitator

National Indigenous Choreographers Residency—expressions of interest

Arts House is excited to present a new initiative: the National Indigenous Choreographers Residency.

Five established Indigenous choreographers from around Australia will work with Melbourne-based Indigenous choreographers in an intensive and immersive residency during Dance Massive 2015. Successful participants will work together in North Melbourne, Victoria in a development environment where they will explore and exchange choreographic language, technique, inspirations and skills.

As well as the residency, during Dance Massive the participants will be guided through a bespoke program of events including

  • an international market session
  • opening nights
  • studio showings
  • artists' breakfasts
  • networking opportunities
  • pitch sessions with the international and national delegations.

Victorians Jacob Boehme and Mariaa Randall will lead artists on the National Indigenous Choreographers' Residency.

Participants must be available for all of the residency from Sunday 8 March to Tuesday 17 March 2015.

Bodies of Thought: 12 Australian Choreographers

This book on Australian contemporary dance focuses specifically on innovative choreographers, concentrating on a work by each with an accessible interview and an insightful essay by a leading dance writer. It is ideal for dance practitioners, students and researchers as well as seasoned dance audiences.

Beautifully designed and affordably priced, the book includes superb images of the dance works taken by Australia's best dance photographers.

Bodies of Thought: 12 Australian Choreographers features a generation of award-winning Australian choreographers with international reputations and legacies of influence: Kate Champion, Rosallnd Crisp, Tess De Quincey, Russell Dumas, Lucy Guerin, Sue Healey, Helen Herbertson, Gideon Obarzanek, Stephen Page, Garry Stewart, Meryl Tankard and Ros Warby.

The field of innovative dance in Australia is vibrant and diverse. With their extensive background as writers in the field, the aditors have created a collection of essays that offers a lucid account of a wide range of experimental dance work and conveys some of the excitement it generates in live performance.

—Jane Goodall, Adunct Professor, The University of Western Sydney.

Editors: Erin Brannigan, Senior Lecturer in Dance, School of Arts and Media, UNSW and Virginia Baxter, Managing Editor, RealTime.
Publishers: RealTime and Wakefield Press. RRP: $34.95

The RealTimeDance archive [1994-present] features a range of interviews, articles, reviews, video excerpts and links about the body of work of each of the twelve choreographers featured in this book, as well as providing information about those works and others which are available online or as DVDs or for loan. Visit the Dance Archive on the RealTime website to find out more. 

Community dance conference—call for submissions

25–29 November 2015, University of Otago, New Zealand

Call for submissions

‘Moving Communities’ is an exciting four-day conference that will provide an opportunity to bring together practitioners, academics and students to celebrate and discuss themes and topics within the broad field of community dance.

The conference will be co-hosted by the Dance Studies Programme at the School of Physical Education, Sport and Exercise Sciences and the Caroline Plummer Fellowship Committee.

A special feature of the conference will be the reunion of the ten recipients of the Caroline Plummer Fellowship in Community Dance. This prestigious six-month Fellowship was made possible by the family of the late Caroline Plummer and was first offered in 2005.

The school is now inviting submissions for paper presentations, workshops, panel discussions and community performances from those who are engaged in Community Dance practice, education and research internationally.

International Solo Dance/Theatre Festival

12 – 15 March 2015, Stuttgart

This international festival held in Germany provides the platform for an international choreographic competition for contemporary choreographers and young dancers (under 30 years).

Participants from all over the world are requested to perform a solo piece which is new, original, imaginative, unique and which displays unusual achievement. A respected jury will judge choreographic and dance skills as well as musicality, interpretation and performance.

Prizes to a total value of €16.000 are awarded.

To find out more visit the Treffpunkt Rotebuehlplatz website.

The Fourth Australian Dance Movement Therapy Conference

The Dance Movement Therapy Association of Australia (DTAA) turns 21 in 2015. To celebrate, the DTAA and the Hanny Exiner Memorial Foundation will present 'Broadening the spectrum: dance and other expressive arts therapies for health and healing' from 12–14 July 2015 at The Historic Abbotsford Convent, Abbotsford, Victoria.

Dr. Sherry Goodill, Chairperson of the Department of Creative Arts Therapies at Drexel University, USA, and President of the American Dance Therapy Association, is the first keynote speaker confirmed. Sherry, (PhD, BC-DMT, NCC, LPC), has been working as a dance/movement therapist and educator since 1980. She holds a Masters in creative arts therapy with a specialisation in dance/movement therapy from Hahnemann Medical College, and a PhD in medical psychology with a concentration in mind/body studies from The Union Institute and University. In 2005, Sherry published An Introduction to Medical Dance/Movement Therapy: Health Care in Motion. She also serves on the editorial panels for the Arts in Psychotherapy journal and the Journal of Creativity in Mental Health.

Pre and post conference workshops with local and international presenters will be offered.

A call for papers will be made later in 2014.

The DTAA Committee welcomes interest from members in contributing to the development of the conference. Please email Kim Dunphy.

Keir Choreographic Award—winner announced

The inaugural Keir Choreographic Award has been awarded to Atlanta Eke. The People's Choice Award went to Sydney artist Jane McKernan, as selected by audience members at the grand final at Carriageworks.

Four of the eight commissioned artists—Sarah Aiken, Matthew Day, Atlanta Eke, Jane McKernan—competed for the inaugural award at Carriageworks in Sydney in July.

Dancehouse residency programs

The Housemate programs reflect Dancehouse's commitment to advancing innovative contemporary dance in Australia by instigating and nurturing rigorous discourse and encouraging wide-ranging, movement-based experimentation and innovative choreographic practices.

Both Performance and Research Housemate programs provide the artist with extensive time, generous financial support and a thoroughly mentored environment. The Housemate program is one of the very few fully paid artist-in-residence programs in the world. Artists are given between 8 and 14 weeks of free studio space, a salary package (or pro rata), and administrative, mentoring and production support. Housemates are selected by a peer advisory panel from a national call for applicants.

2014 International Dance Day message

On 29 April every year, the international dance community celebrates International Dance Day.

We celebrate our art form's ability to cross all political, cultural and ethnic barriers and bring people together with a common language—dance.

Journal of Emerging Dance Scholarship

The Journal of Emerging Dance Scholarship (JEDS) is published annually in September by the World Dance Alliance (WDA). It is designed to serve the needs of international dance scholars who are currently enrolled in a graduate program or within 5 years of having graduated from a graduate program in dance or a related field.

JEDS is published online as an open resource. Articles are selected to assure dance scholarship from around the world is included in each publication.Each article submission is reviewed by two international dance scholars with no more than 16 submissions accepted for the annual publication. Articles are chosen based on originality of research and the contributions each makes to the future of dance praxis (theory and practice).

JEDS Vol. 2 will be published 1 September, 2014

JEDS 2015 Vol. 3, will be comprised only of blind-reviewed papers selected from those presented at the 2014 World Dance Alliance Global Summit in Angers, France.

Visit the JEDS website to find out more.

Accessible Arts masterclasses 2013

Join leading choreographers, Sue Healey, Dean Walsh and Philip Channells in the Catalyst Dance Masterclass Series.

Accessible Arts is hosting a series of three masterclasses tailored to dancers with and without physical or sensory disability, and people with mental illness or acquired brain injury.

New Asia–Pacific Channels edition

The latest edition of Channels is jam-packed with exciting new dance activity in Asia and the Pacific. There are new dance networks, events, research, journals, books and more.

Some of the highlights include a new Nepal chapter of World Dance Alliance; plans for the 2014 Global Dance Summit, which will be held at the beautiful Centre National de la Dance Contemporaine in Angers, France; and Our Roots Right Now—The Research Forum and Festival of Thai/ASEAN Contemporary Theatre, at Chulalongkorn University, Bangkok, Thailand.

Collage of dance event highlights from the 2013 edition of Asia-Pacific Channels1] Ter Wei Lun from Lee Wushu Arts Theatre in Wushu Madness II–The Realm Between, choreographed by Lee Swee Seng, in the Showpiece Performances of MyDance Festival 2013, at Panggung Bandaraya on 31 May 2013. Photo: Huneid Tyeb. 2] Kathak dance performed by Kalanidhi Indira Sangeet Mahabidhayalaya at International Dance Day on 29 April 2013 at Yalam Maya Kendra in Kathmandu, organised by the newly inaugurated WDAAP Nepal chapter. Photo by Raju Shakya & Prabin Lal Singh. 3] A ceremonial dance from the West New Britain province of Papua New Guinea, performed during the Foundation Day Celebrations at Port Moresby Grammar School on 4 April 2013. Photo: Naomi Faik-Simmer 4] Dr Maya Krishna Rao in her performance Ravanama, during the seminar ‘The Moving Space: Women in Performance’ at the Rabindranath Tagore Centre, Kolkata, on 3 February 2013. Photo: Kolkata Sanved 5] Thai choreographer Pichet Klunchun in his section of the tripartite Fire Fire Fire, on 28 January 2013 in the ‘Our Roots Right Now’ research forum and festival at Sodsai Pantoomkomol Centre for Dramatic Arts. Photo: L. Skar 6] The Nora Thummanit Thaksin University Group who performed Nora: Klong Hong in January 2013 in the ‘Our Roots Right Now’ research forum and festival at Sodsai Pantoomkomol Centre for Dramatic Arts.

NAAE welcomes new Arts Curriculum

The National Advocates for Arts Education (NAAE) has warmly welcomed news the ACARA Board has approved the new The Australian Curriculum: The Arts. NAAE, of which Ausdance is a member, has strongly supported the development of the arts curriculum and its central principle of the entitlement of every young Australian to an arts education, one that includes all five artforms – dance, drama, media arts, music and the visual arts.

National Dance Forum program

Opening and closing with interactive visioning sessions, the program featured a full morning 'Open Space' session on the Sunday tapping the pulse of the forum, and through it that of the dance sector in Australia.

Keynote artists-in-conversation were Dalisa Pigram, co-Artistic Director of Marrugeku, with David Pledger, and Artistic Director of Australian Dance Theatre Garry Stewart with Anne Thompson.

Dance, young people & change—diversity in action

The collaboration between World Dance Alliance (WDA) and dance and the Child international (daCi) produced one of the biggest global dance festivals ever held—Dance, Young People and Change. Hosted by the Taiwan National University of the Arts (TNUA) in Taipei, the event attracted young people from North and South America, Europe, the UK and most Asia-Pacific nations.

The festival/conference was a multi-layered event that included keynote addresses, ‘dance flavour’ taster classes, workshops, forums and paper presentations. It brought together young people, their parents, mentors and educators from across the world to reflect on key issues and future directions for dance in young people’s lives.

Ann Tai, Taiwan representative for daCI and teacher at TNUA, exuberant in the opening parade.

There was also a wonderful range of performances by young people, a festival of international dance academies, and an amazing program of Taiwanese dance performed by Taiwan’s professional companies and groups, including Cloud Gate 2 and Dance Forum. Teachers attended masterclasses and paper presentations and exchanged ideas about approaches to dance learning, teaching and curriculum for young people.

BlakDance 2012 triumph

BlakDance 2012 festival in Brisbane highlighted a wonderful range of contemporary Indigenous dance from Australia and New Zealand.

Choreographers, dancers, industry members and audiences came together to celebrate and gain a deeper understanding of contemporary Indigenous dance practice.

‘Shades of us’—a stunning AYDF finale

It was fantastic to be able to join the Ausdance NSW team, the choreographers and more than 150 young people from all over Australia on the last day of the Australian Youth Dance Festival at NAISDA Dance College in Gosford NSW.

Shades of Us, presented in Mt Penang Gardens on the final evening, was a performance that grew out of an intensive week of creative development with choreographers Sue Healey, Philip Channells, Anton, Kay Armstrong, Matt Cornel, Adelina Larsson, Lee Pemberton, Vicki Van Hout and artistic director Rowan Marchingo.

Communities making dance in Tasmania

Tasmanian Regional Arts (TRA) is leading The Dance Project in partnership with Mature Artists Dance Experience (MADE), Bust a Move and Tasdance.

This community dance project is happening in three Tasmanian regions—the North East, North West and the South—to develop and present three new contemporary dance works with, by and about communities. Evolving from the heart of each community, these works explore place, kinship and identity as experienced by the residents of these regions.

Building the Indigenous contemporary dance collection

Ever since we convened the 2005 Creating Pathways national Indigenous dance forum in Canberra, Lee Christofis—one of the keynote speakers, and now curator of dance at the National Library of Australia—has been keen to develop the NLA's Indigenous dance collection.

In the March 2012 edition of National Library News, Lee discusses some of the material now held in the collection and outlines the importance of its provenance.

Building the Indigenous contemporary dance collection makes fascinating reading for anyone interested in the development of Australian contemporary Indigenous dance.

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