The National Indigenous Dance Forum (NIDF), in partnership with Yirramboi Festival (Melbourne Indigenous Arts Festival), will take place from 5–7 May 2017 in Melbourne.
It's time to get involved! Be part of the NIDF Curatorial, or Community, working groups (or join BOTH).
Curatorial Working Group
The group will meet and communicate independently via teleconference and email to decide on the forum:
- planning process
- be advocates of the forum
- be responsible for selecting speakers and final participants (if we get more than 250 expressions of interest).
Community Access Group
On your travels to communities, you will need to advocate for the NIDF and make sure everyone you are connected to knows about it. You will need to:
- explain to communities when the dance forum is and why it’s important to come
- explain that it’s for traditional, cultural and contemporary groups and individuals
- explain that it is a platform for the right discussions to happen. If people have issues, they need to come and raise them.
Contact BlakDance if you would like to join either, or BOTH, working groups.
The program offers four weeks stay in Berlin, with three weeks dedicated to a creative development residency at ada Studio
The Fellowship includes return flights, accommodation and financial support for the fellow and their creative development project.
The Tanja Liedtke Fellowship focuses on young emerging Australian dancer/choreographers between the ages of 20 and 35 years.
- Program dates—31 July to 27 August 2017.
- Applications close 16 December 2016.
Bold—celebrating the legacy of dance, 8–12 March 2017
Hosted by National Library of Australia, National Film and Sound Archive, National Portrait Gallery and QL2 Dance in association with Ausdance ACT. Directed by Liz Lea.
Bold invites practitioners, researchers and performers interested in sharing and creating dialogue about the legacy of professional and community dance and their interrelations to make submissions for
- Pecha Kuchas
- paper presentations
Proposals due 18 November 2016. For submission details, please visit The Bold Festival.
How can dance help in transforming society? This and many more questions will be a focus in 2018 at one of the world’s largest gatherings of dance educators and young artists in Adelaide, Australia.
During the week of 11–15 July 2016, delegates from daCi (dance and the Child international) and WDA (World Dance Alliance Education and Training Network) met in Adelaide, Australia to collaborate in planning for a joint congress to be held from 8–13 July 2018. How to connect with UNESCO and initiate global advocacy informed our planning.
Big Dance is a biennial festival of people dancing led by the Mayor of London in partnership with People Dancing and the Big Dance Hubs, a network of leading dance organisations across the UK.
Big Dance Week ran from 2 to 10 July 2016 and Ausdance Queensland and Tracks Dance in Darwin hosted Big Dance events.
Arts Centre Melbourne, Matthew Bourne’s New Adventures and Re:Bourne, the charitable arm of New Adventures are working towards a major creative project that will culminate in a one week season at Arts Centre Melbourne’s State Theatre in Autumn 2017.
This project offers an opportunity for Melbourne-based dancers to work for one month with choreographer Sir Matthew Bourne’s leading international dance company.
Sir Matthew Bourne and other members of the New Adventures team will be in Melbourne in August 2016 to audition six male dancers to join the company for this one-off project at Arts Centre Melbourne.
- Audition date: Saturday 6 August 2016 (applications required)
- Recalls: Sunday 7 August 2016
- Where: Auditions and recalls will be held in a centrally located venue in Melbourne
- Rehearsals & season: Sunday, 14 August 2016 (workshop) & Monday 13 March – Sunday 9 April 2017
- For Melbourne-based male dancers with at least three years of professional level training in classical or contemporary dance with a stage appearance age between 14–22.
- Audition notice and application information on the Arts Centre Melbourne website.
- Applications close COB Tuesday 12 July 2016.
Asia–Pacific Channels is the bi-annual newsletter of the World Dance Alliance (WDA), published by Ausdance National in collaboration with MyDance Alliance in Malaysia. It profiles dance events and activities from WDA members throughout the Asia–Pacific region.
We produce and publish Channels as a contribution to the World Dance Alliance and dance in our region. It also helps us build the international networks that provide professional development opportunities for Australian dance artists.
Our work producing this publication helps us contribute to the World Dance Alliance's goals, which are:
- To promote the recognition, development and mutual understanding of all forms of dance.
- To facilitate communication and exchange among dance individuals, institutions and organisations interested in dance.
- To provide a forum for discussion of matters relating to dance.
- To encourage and support the research, education, criticism, creation and performance of dance.
- To liaise, co-ordinate and participate in activities with other dance organisations in the world.
Submissions are open for Brolga #41 under the broad theme 'A place for dance'.
- Submissions due 31 August 2016
- Email your submission to the editor Olivia Millard
- Brolga guidelines for contributors (48 KB PDF)
The art and community ecology in which dance exists is delicate and complex. As with the fight for survival by animals in compromised environments perhaps it is the ‘charismatic’ or ‘innovative’ artists who survive. If so, where is the place for the dancers and dance makers who exist outside the realm of publically notable; who eschew spectacle or even notoriety? And how is it possible for a dancer to find their dance place in the rich history of skill and experimentation?
Australian Dance Awards 2016 key information
- 6.30 pm Sunday 18 September 2016
- Heath Ledger Theatre, State Theatre Centre of Western Australia, Perth
- Tickets: ticketek
The dance community in Western Australia is gearing up to host the 2016 Australian Dance Awards at the Heath Ledger Theatre, State Theatre Centre of Western Australia, Perth, on Sunday 18 September. Ausdance WA is working with Claudia Alesssi, creative producer of this year’s event, to curate a truly memorable evening, showcasing Western Australian dance companies, and more.
The Housemate Residency is about accompanying dance artists through the entire creative process, from vision to realisation. The program offers time to explore, space to examine possibility and the financial support to bring the Resident's project to fruition.
EOI submissions close 7 July 2016 at midnight.
Next week Dancenorth opens their tour of the double bill ‘If _ Was _’
Tour performance dates and locations
- 9–11 June, Dancenorth, Townsville
- 15 June, Mackay Entertainment Centre
- 16 June Proserpine Entertainment Centre
- 23–25 June, Judith Wright Centre, Brisbane
- 29 June – 2 July, the Substation, Melbourne
Delve into the fanciful and illusionary worlds of two extraordinary choreographers, Stephanie Lake and Ross McCormack, as they fall down the rabbit hole of imagination and fill in the blanks for Dancenorth’s most recent double bill.
Odeon Theatre, 20–21 June 2016, 4.45 pm – 7.40 am (sunset to sunrise)
Participate in Tasdance's Dark Mofo project on the night of the winter solstice. We need around 100 dancers to join Tasdance company members as we keep a 'collective solo' going across the 14 hours between sunset and sunrise. Registration is very simple and can be done via the Dark Mofo and Tasdance websites.
Dancers of all ages, backgrounds and ability levels are invited to become performers in this piece. There will be a series of workshops around the state leading up to the performance, which you are welcome to attend.
To register your interest, submit your details on the Tasdance website or call 03 6331 6644. Tasdance will contact you directly with information about preparation, participation and workshop dates.
Apply now for the Caroline Plummer Fellowship in Community Dance. Applications close 1 June 2016.
The Caroline Plummer Fellowship in Community Dance is a six-month Fellowship offered by the University of Otago (School of Physical Education) in Dunedin, New Zealand. It is one of five prestigious Fellowships offered by the University and the only one offered internationally. Tenure is usually from 1 March to 31 August. It offers project costs and a salary equivalent with a Level One Lecturer at the University.
The Fellowship was set up by Caroline Plummer’s parents in memory of Caroline who died of cancer in 2004 at the age of 24.
Successful applicants will create and perform a community dance project. Projects can be wide-ranging and diverse but must embrace Caroline’s passion and vision for dance in the community.
Adelaide Dancer Chris Dyke has returned to Townsville as part of the first ongoing inclusive professional dance exchange in Australia.
During the two-week secondment, Chris has choreographed a new solo work with the guidance of his mentor, Dancenorth Artistic Director Kyle Page, trained with the company each day and watched dancers rehearse for their upcoming performance of ‘If _ Was _’ a double bill created by Stephanie Lake and Ross McCormack.
Chris, who visited Townsville from Adelaide based Restless Dance Theatre and has Downs syndrome, described the opportunity as “a dream come true”.
"When I come here we do workshops and I make friends with the Dancenorth team, then we work on my choreography. Working with Kyle is my dream. My other dream is to create a 3D film with live dance for me to perform in SA, Sydney, Townsville, NYC and the world. I want to put my dance film on TV, YouTube and all over Facebook.”
Chris’ mentor Kyle said it is vital to have these opportunities and to highlight the immense benefit for not only Chris but also the Dancenorth Ensemble.
“Chris is a very talented dancer who inspires me daily, I actually can’t be sure who gets the most out of this exchange, him or me. That is the magic of mentoring—it is a two-way street.”
“Chris is extraordinarily creative, passionate, calm and generous; it is this combined with immense talent that led me to want to work with him in an ongoing exchange of ideas and movement” he said.
“Dancenorth is currently developing a proactive disability action plan ensuring we offer an inclusive environment filled with genuine collaboration and opportunities for all abilities,” he said.
Media Release, 16 May 2016
ArtsPeak, the national confederation of peak arts and cultural organisations, says the Australian arts ecology is under serious threat following the announcement of four-year funding decisions by the Australia Council.
Sixty-five previously funded organisations have lost funding for their core operations and of the 262 applications to the round, over half were not funded. It seems clear from these statistics that the jobs and growth mantra does not apply to the arts.
Nicole Beyer, ArtsPeak co-convenor and Director of Theatre Network Australia said: 'This is an incredibly tough time for the arts sector. We go from relief at the news of a company that has been successful to sadness when we hear of really vital and outstanding organisations that have missed out. We know that the Australia Council has been stretched. We know people will have been doing their very best in an incredibly difficult situation. There is a lot of support within the sector for those who missed out this time round and everyone understands it is no reflection on the quality or importance of their work'.
With the Federal election looming, ArtsPeak is calling for the restoration of Australia Council funding as a matter of urgency so that the Australian arts ecology can remain viable and vibrant. This call was made unanimously by 2700 individuals and organisations in submissions to last year’s Senate inquiry into arts funding, the largest ever response to such an inquiry.
Tamara Winikoff OAM, ArtsPeak co-convenor and Executive Director of the National Association for the Visual Arts (NAVA), said today: 'It couldn't be clearer that essential ingredients are missing: a national plan for growing and valuing Australian cultural ideas and expression; political courage to embrace experimentation and risk taking; celebration of the arts as core to our national character and achievement; and a real investment in building a vibrant, confident arts environment. It's time to stop tinkering at the edges. The arts has proved itself time and again to be an incredibly valuable investment. Please can we see all the political parties put this on the election agenda.'
ArtsPeak urges politicians to recognise the value of arts and culture to all Australians, to invest in it appropriately and to ensure that the arms-length approach to funding decisions in the arts is maintained.
Media release also available on the NAVA website: ArtsPeak calls for restoration of Australia Council Funding
For media comment please contact:
Tamara Winikoff OAM, Executive Director, National Association for the Visual Arts (NAVA) 0411 162 156 / 02 9368 1900
Nicole Beyer, Director, Theatre Network Australia 0432 609 658
13 May 2016 media release
The Australian Dance Council—Ausdance congratulates the 12 dance organisations which were successful in the four-year funding announcements by the Australia Council. There is a solid core of highly creative, inspiring and highly productive organisations to create and tour dance around Australia and overseas.
Regrettably, the Australian Dance Council—Ausdance Inc (Ausdance National) finds itself amongst the 62 previously funded organisations that have not been successful. Ausdance National has been notified by the Australia Council that it will not receive operational funding beyond 31 December this year. This brings to an end many years of operational support for the work of Ausdance National.
Ausdance National has supported the dance industry through development projects such as the National Dance Forum, the Australian Dance Awards, Safe Dance® research, organising the annual meeting of dance company managers, and publishing authoritative guidelines for teaching dance and academic articles about dance. It was the organisation the Royal Commission called on for consultation in private meetings. Ausdance also holds bequests from Dame Peggy van Praagh and Keith Bain to award to professional dancers each year.
Neil Roach, the Acting CEO of Ausdance National, said today: “Ausdance National has a 40 year legacy of solid support for the dance industry. While there are a number of associated State and Territory Ausdance offices supporting their local dance industry, as a peak body Ausdance National has had the overview of the entire sector and the national and global links to truly support the development of professional dance. This has now been put at risk.”
Ausdance National President, Brian Lucas, said today “Ausdance has been a key player in the development of the Australian dance sector over the past four decades. In that time, the organisation has adapted and grown, demonstrating both the ability to be responsive to the changing needs of its membership and a willingness to assist in driving the growth and strength of the sector through the implementation of key initiatives and programmes.
It would be virtually impossible to find a dancer, choreographer, dance teacher, dance student, dance academic, or dance audience member who has not been positively and substantially impacted by the activities of the organisation.
Now it is time for Ausdance National to draw on its substantial reserves of experience, knowledge and resourcefulness as we adapt and respond to our drastically changed circumstances.
The mission of the organisation—to educate, inspire and support the dance community to reach its potential as a dynamic force within local, national and international communities—remains steadfast and unchanged. Our challenge is to assess how best to ensure that this vital mission can be maintained and upheld during this difficult period in Australian arts history, and into the future.”
For media comment and enquiries please contact:
Neil Roach, Acting CEO, Australian Dance Council—Ausdance (Ausdance National) on
02 6248 8992. [email protected]
- Choreographic Practices is an international peer-reviewed journal.
- Full article should be approx 6,000 words.
- Deadline for full essays: 1 June 2016
- To submit a contribution email [email protected].
- For questions about the theme or focus of your submission, please email Robert Vesty (associate editor for this special issue).
This special journal issue of Choreographic Practices—WORDS and DANCE—aims to draw together, contribute to and exemplify debates around the use of spoken word in current and future 21st Century dance practices as well as its place in the contemporary cultural landscape.
What are the intersections between spoken words (in the form of live narrative, poetry, dialogue or writing) and choreographic practices?
What is the relationship between the word and the move?
How can/do spoken words and dance work together, especially in improvisatory practice?
What implications does the use of voice have in dance practice?
NEXT MOVE is our commitment to developing the next generation of leading dance makers. Since its inception, we have commissioned, produced and presented nine new works through the Next Move program, some of which have gone on to tour nationally and internationally.
In 2016, we will commission two artists to each create a new short work for the Next Move program as part of a double bill. The works will be presented over a two-week season in September 2016 at the Chunky Move Studios.
We are now calling for expressions of interest and invite Australian dance makers with a least 5 years of professional practice to apply.
For further information, download the information pack.
Expressions of Interest are due no later than midnight on Friday 29 January 2016.
Please send any questions to Ben Ryan at [email protected] or call 03 9645 5188.
Congratulations to the eight commissioned artists Sarah Aiken, James Batchelor, Chloe Chignell, Ghenoa Gela, Martin Hansen, Alice Heyward, Rebecca Jensen and Paea Leach.
The Award increases the profile of and cultivates new audiences for contemporary dance within Australia by commissioning and presenting new choreographic works in a competitive context.
For more information, visit Carriageworks.
In 2016, the Korean chapter of World Dance Alliance Asia Pacific (WDAAP) will host the WDAAP Annual General Meeting and surrounding activities as the event Dance routes—danced roots: connecting the local and the global. It will include showcase performances, an international choreolab and a symposium.
- Conference theme: Dance routes—danced roots: connecting the local and the global
- Conference location and date: Seoul, Korea, 21–24 July 2016
- Apply to present: performances, scholarly, performative and Pecha Kucha style presentations
- Apply to participate in the Choreolab
- Submission deadline: 10 January 2016
- Acceptance notification: 28 February 2016
- For detailed information and to apply, visit the World Dance Alliance website
Applications are now open for participation in the following events:
- Showcase Performances
- International Choreolab
- Symposium—call for proposals
The Showcase provides a concert platform for professional choreographers and performers, and pre-professional artists training in dance academies. The performances will take place in the theaters located in the ShangShin Univeristy or Arko Theater and will be open to registered participants of the WDAAP event and the general public.
The International Choreolab is designed for four emerging and mid-career choreographers to work intensively for almost one week under the mentorship of one Korean established dance artist and one internationally known choreographers (to be announced) resulting in a public showing of works in progress. You can apply to participate in the Choreolab as a choreographer or as a dancer.
The Symposium theme focuses on the idea of global and local connectivity through dance, looking at roots as well as routes that dance and dancers negotiate in different cultures of the contemporary world. Presentation formats include scholarly, performative and Pecha Kucha style presentations.